09-07-2010, 08:36
I think your right ! I feel one needs the option to be able to do both...........then you can tell when that magic moment has arrived, where the composer has achieved the point where the composition goes from being a collection of instruments and blends into a cohesive sound.
However , I do feel that you need to be able to hear that point. Thus I think, that there needs to be some allowance for the method of reproduction.................some of the apparatus I have heard people use to project the music from its encoded or recorded form, to the movement of air in the room makes me feel that the two options I have talked about above , may not be an option sometimes.:biggrin:
However , I do feel that you need to be able to hear that point. Thus I think, that there needs to be some allowance for the method of reproduction.................some of the apparatus I have heard people use to project the music from its encoded or recorded form, to the movement of air in the room makes me feel that the two options I have talked about above , may not be an option sometimes.:biggrin:
Nice to be able to go back to trust and friendship!!!!!!!!!
It's a mixed up sensation this being alive
Oh! it wears a man down into the ground
It's the strangest elation
I can't describe it
Oh it leaves a man weary
It makes a man frown..............................Chris Simpson ( "Mixed Up Sensations" 1975 Martin's Cafe )
It's a mixed up sensation this being alive
Oh! it wears a man down into the ground
It's the strangest elation
I can't describe it
Oh it leaves a man weary
It makes a man frown..............................Chris Simpson ( "Mixed Up Sensations" 1975 Martin's Cafe )