Songs People Should Hear

[Music Head]

http://www.youtube.com/watch?v=g02WmLzozs8

from wikipedia

"Um, Um, Um, Um, Um, Um" is a 1964 single by Major Lance. The single was written by Curtis Mayfield and produced by Okeh label president, Carl Davis. The song was Major Lance's third release to make the Billboard Hot 100 and his most successful hit. "Um, Um, Um, Um, Um, Um" went to number five on the Hot 100 and number one on the Cash Box R&B chart.

In 1974, Major Lance recorded the song as a disco version, peaking at number fifty-nine on the Billboard soul singles chart.

Major Lance (April 4, 1939 – September 3, 1994) was an American R&B singer. After a number of US hits in the 1960s, including "The Monkey Time" and "Um, Um, Um, Um, Um, Um", he became an iconic figure in Britain in the 1970s among followers of Northern soul.

Major Lance was born in Winterville, Mississippi. Major was his given forename. As a child, he relocated with his family to Chicago, attending Wells High School - the same school as Curtis Mayfield and Jerry Butler - taking up boxing and also singing as a member of the Five Gospel Harmonaires. In the mid-1950s, he and singer Otis Leavill formed a group, the Floats, who broke up before recording any material. Lance became a featured dancer on a local TV show, and presenter Jim Lounsbury secured him a one-off record deal with Mercury Records, who released his single "I Got a Girl", written and produced by Curtis Mayfield, in 1959. The record was not successful, and Lance worked at various jobs over the next few years.

In 1962 he signed with OKeh Records on Mayfield's recommendation. His first single, "Delilah", was not successful, but established his partnership with a writing and arranging team of Mayfield, Carl Davis, and Johnny Pate, often with members of Mayfield's group The Impressions on backing vocals. Together they developed a distinctive, Latin-tinged sound which epitomised Chicago soul in contrast to music recorded elsewhere.

The second Okeh single, "The Monkey Time", became a #2 Billboard R&B chart and #8 pop hit in 1963. A succession of hits followed quickly, including "Hey Little Girl", "Um, Um, Um, Um, Um, Um" (his biggest hit, reaching #5 in the US pop chart and #40 in the UK, where it was his only chart success), "The Matador" (the only one not written by Mayfield), "Rhythm", "Sometimes I Wonder", "Come See", and "Ain't It A Shame".

Stephen Thomas Erlewine wrote:
"Blessed with a warm, sweet voice, Major Lance was one of the leading figures of Chicago soul during the '60s and the top-selling artist for OKeh Records during the decade. Lance not only had a lovely voice, but his material was excellent... It was urban, uptown soul and while it was considerably less gritty than its Southern counterpart, its breezy rhythms and joyous melodies made songs like "The Monkey Time" and "Um, Um, Um, Um, Um, Um" some of the most popular good-time R&B of its era."

In 1965, Pate left OKeh and Mayfield began to concentrate on working with his own group. Lance and Davis continued to work together, and "Too Hot To Hold" was a minor hit, but they had diminishing success before Davis in turn left the company. During this period, Lance toured in the UK, where he was supported by Bluesology, a band including pianist Reggie Dwight, later known as Elton John. Lance then worked with country music producer Billy Sherrill in Nashville, producing another minor hit, "It's the Beat". Over the next two years he worked with several producers, with only "Without a Doubt" becoming a minor hit in 1968. Soon afterwards Lance left OKeh and moved to Dakar Records, where he had the Top 40 R&B hit "Follow the Leader." He then moved to Mayfield's Curtom label, which resulted in his last two Top 40 R&B hits, "Stay Away From Me (I Love You too Much)" and "Must Be Love Coming Down." He left Curtom in 1971, and recorded briefly for the Volt and Columbia labels.

In 1972, he relocated to England, so as to capitalise on the success of his older records among fans of Northern Soul music, in dance clubs which played mostly rare and obscure American soul and R&B records. According to one writer, "the Major's contribution was truly phenomenal and unforgettable...He was to become legendary as a UK club act, known to deliver 110% at every performance." While in England he recorded an album, Live at the Torch, a club in Stoke on Trent, which has been described as "perhaps the best Northern Soul album ever made".

Lance returned to Atlanta in 1974, and recorded an updated disco version of "Um, Um, Um, Um, Um, Um" for Playboy Records. He set up a new label, Osiris, with former Booker T and the MG's drummer Al Jackson, but again with little success, and his career hit a downward spiral. After recording briefly for the Motown Records subsidiary label Soul, he was convicted of cocaine possession in 1978 and served a four year prison term. On his release, he found that his recordings had become popular on the beach music circuit in the Carolinas, where he continued to undertake live performances. He recorded a comeback album, The Major's Back, and several tracks for the Kat Family label.

However, his attempts to revive his career were thwarted by a heart attack in 1987, and he made no recordings thereafter. In 1994, he gave his final triumphant performance at the Chicago Blues Festival. He died later that year at the age of 55, as a result of heart disease, in Decatur, Georgia. He was interred at Washington Memory Gardens Cemetery in Homewood, Illinois.

Walking through the park, it wasn't quite dark
There was a man sitting on a bench
Out of the crowd as his head lowly bowed
He just moaned and he made no sense
He'd just go
Um, um, um, um, um, um
Um, um, um, um, um, um
Um, um, um, um, um, um
Um, um, um, um, um, um
I just couldn't help myself
Yes, I was born with a curious mind
I asked this man just what did he mean
When he moaned if he'd be so kind
And he'd just go
Um, um, um, um, um, um
Um, um, um, um, um, um
Um, um, um, um, um, um
Um, um, um, um, um, um
Now that I've grown up
And the woman I love she has gone
Now that I'm a man, I think I understand
Sometimes everyone must sing this song
Listen to me sing
Um, um, um, um, um, um
Um, um, um, um, um, um
Um, um, um, um, um, um
Um, um, um, um, um, um
Can't you hear me, now
Um, um, um, um, um, um
Um, um, um, um, um, um
Um, um, um, um, um, um
Um, um, um, um, um, um
Everybody now
Um, um, um, um, um, um
Um, um, um, um, um, um
Um, um, um, um, um, um
Um, um, um, um, um, um
Can't you hear me, now
Um, um, um, um, um, um
Um, um, um, um, um, um
Um, um, um, um, um, um
Um, um, um, um, um, um
One more time, now