22-11-2014, 13:48
enters the Billboard chart this week at #3
Spotify online listen
3.5 of 5.0 by allmusic
15th studio album
I know we had the topic but not an album release thread
of course I don't like it, it's instrumental
and the only track with a vocal is worse than some of the others
this will be lucky to go Gold here
Bio - from allmusic
![[Image: MI0001410991.jpg?partner=allrovi.com]](http://cps-static.rovicorp.com/3/JPG_400/MI0001/410/MI0001410991.jpg?partner=allrovi.com)
bio is too long
Album Review - from allmusic
![[Image: MI0003811572.jpg?partner=allrovi.com]](http://cps-static.rovicorp.com/3/JPG_400/MI0003/811/MI0003811572.jpg?partner=allrovi.com)
David Gilmour sang about an endless river on "High Hopes," the last song on what appeared to be the last Pink Floyd album, 1994's Division Bell.
Twenty years later, the same phrase became the title of The Endless River, an album designed as Pink Floyd's last. Assembled largely from
Division Bell outtakes initially intended as an ambient project dubbed The Big Spliff, the record was sculpted into shape in 2014 by Gilmour,
Youth, Andy Jackson, and Roxy Music's Phil Manzanera by adding guitar and Nick Mason's drums to original tapes that were laden with keyboards
from the late Rick Wright. He's not the only missing member of Floyd, of course. Roger Waters is absent, as is the long-gone Syd Barrett, but
their ghosts are present throughout the primarily instrumental The Endless River. Mortality is on the mind of the two remaining Floyds,
mentioned obliquely in "Louder Than Words," the only song with lyrics here, but felt through allusions to all their possible pasts. A song
unfurls with washes of synth pulled from "Welcome to the Machine," the four sides are structured like an ongoing amorphous suite à la "Shine on
You Crazy Diamond," snippets of Atom Heart Mother slide against guitars that beat to the rhythm from "Run Like Hell," creating an impression of
a band in a state of repose: they're not indulging in their past so much as reflecting on it, watching a tide of memories repeatedly roll in and
out. Although very little about The Endless River is risky by design -- it is one of the most popular bands of the 20th century returning to
slowly pulsating aural waves that characterized their biggest albums -- the very shift away from vocals realigns the band with not only Wish You
Were Here (which this often resembles) but their pre-Dark Side records for Harvest, undercutting the arena-pleasing aspirations of the Gilmour-
led reunion while underscoring how Pink Floyd always were an arty band at their core. Instrumentals are also a savvy solution to the trouble of
working with uncompleted tapes -- it's easier to turn them into an ever-shifting suite than to graft on melodies -- but the comforting sway of
swelling synthesizers and the soaring Gilmour guitar are sometimes unexpectedly moving. Gilmour and Mason know this is their farewell, so
they're saying goodbye not with a major statement but with a soft, bittersweet elegy that functions as a canny coda to their career.
the only vocal track:
[video=youtube;D4h6AfMRBkM]https://www.youtube.com/watch?v=D4h6AfMRBkM[/video]
Track Listing
1. Things Left Unsaid
2. It's What We Do
3. Ebb and Flow
4. Sum
5. Skins
6. Unsung
7. Anisina
8. The Lost Art of Conversation
9. On Noodle Street
10. Night Light
11. Allons-y (1)
12. Autumn '68
13 Allons-y (2)
14. Talkin' Hawkin'
15. Calling
16. Eyes to Pearls
17. Surfacing
18. Louder Than Words
Spotify online listen
3.5 of 5.0 by allmusic
15th studio album
I know we had the topic but not an album release thread
of course I don't like it, it's instrumental
and the only track with a vocal is worse than some of the others
this will be lucky to go Gold here
Bio - from allmusic
![[Image: MI0001410991.jpg?partner=allrovi.com]](http://cps-static.rovicorp.com/3/JPG_400/MI0001/410/MI0001410991.jpg?partner=allrovi.com)
bio is too long
Album Review - from allmusic
![[Image: MI0003811572.jpg?partner=allrovi.com]](http://cps-static.rovicorp.com/3/JPG_400/MI0003/811/MI0003811572.jpg?partner=allrovi.com)
David Gilmour sang about an endless river on "High Hopes," the last song on what appeared to be the last Pink Floyd album, 1994's Division Bell.
Twenty years later, the same phrase became the title of The Endless River, an album designed as Pink Floyd's last. Assembled largely from
Division Bell outtakes initially intended as an ambient project dubbed The Big Spliff, the record was sculpted into shape in 2014 by Gilmour,
Youth, Andy Jackson, and Roxy Music's Phil Manzanera by adding guitar and Nick Mason's drums to original tapes that were laden with keyboards
from the late Rick Wright. He's not the only missing member of Floyd, of course. Roger Waters is absent, as is the long-gone Syd Barrett, but
their ghosts are present throughout the primarily instrumental The Endless River. Mortality is on the mind of the two remaining Floyds,
mentioned obliquely in "Louder Than Words," the only song with lyrics here, but felt through allusions to all their possible pasts. A song
unfurls with washes of synth pulled from "Welcome to the Machine," the four sides are structured like an ongoing amorphous suite à la "Shine on
You Crazy Diamond," snippets of Atom Heart Mother slide against guitars that beat to the rhythm from "Run Like Hell," creating an impression of
a band in a state of repose: they're not indulging in their past so much as reflecting on it, watching a tide of memories repeatedly roll in and
out. Although very little about The Endless River is risky by design -- it is one of the most popular bands of the 20th century returning to
slowly pulsating aural waves that characterized their biggest albums -- the very shift away from vocals realigns the band with not only Wish You
Were Here (which this often resembles) but their pre-Dark Side records for Harvest, undercutting the arena-pleasing aspirations of the Gilmour-
led reunion while underscoring how Pink Floyd always were an arty band at their core. Instrumentals are also a savvy solution to the trouble of
working with uncompleted tapes -- it's easier to turn them into an ever-shifting suite than to graft on melodies -- but the comforting sway of
swelling synthesizers and the soaring Gilmour guitar are sometimes unexpectedly moving. Gilmour and Mason know this is their farewell, so
they're saying goodbye not with a major statement but with a soft, bittersweet elegy that functions as a canny coda to their career.
the only vocal track:
[video=youtube;D4h6AfMRBkM]https://www.youtube.com/watch?v=D4h6AfMRBkM[/video]
Track Listing
1. Things Left Unsaid
2. It's What We Do
3. Ebb and Flow
4. Sum
5. Skins
6. Unsung
7. Anisina
8. The Lost Art of Conversation
9. On Noodle Street
10. Night Light
11. Allons-y (1)
12. Autumn '68
13 Allons-y (2)
14. Talkin' Hawkin'
15. Calling
16. Eyes to Pearls
17. Surfacing
18. Louder Than Words


