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Avril Lavigne - Goodbye Lullaby
#1
surprisingly good for what I thought was a pop artist
some meat here amongst the pop
so much for pre-judging

Grade - 1.9

released Mar 8th, 2011

[Image: p74742lz3m0.jpg]

from the album - What The Hell - 2.5

http://www.youtube.com/watch?v=tQmEd_UeeIk

from all music

Bio

Avril Lavigne first appeared in summer 2002, touting an addictive debut single (the spunky pop/rock gem "Complicated") and a skatepunk image that purposely clashed with the polished glamour of mainstream pop. Lavigne, who was 17 at the time, quickly rose to teen idol status, selling several million copies of her debut album, Let Go (the best-selling album by a female artist in 2002), while inspiring a genuine fashion craze with her penchant for tank tops and neckties. As the decade progressed, so did Lavigne's marketable sound, which took a contemplative turn on the sophomore effort Under My Skin before reaching an aggressively upbeat tone for 2007's The Best Damn Thing.

Born into a devout Christian household in the small town of Napanee, Ontario, Lavigne sharpened her vocal talents in church choirs, local festivals, and county fairs. She began playing guitar and writing songs in her early teens, focusing her early efforts on country music and contributing vocals to several albums by local folk musician Steve Medd. Arista Records caught wind of the singer and brought her aboard at the age of 16, with CEO Antonio "L.A." Reid personally taking Lavigne under his wing. She quit high school, relocated to Manhattan, and set to work with a handful of prime songwriters and producers, but the partnerships only produced country songs -- not the rock music in which Lavigne had become increasingly interested. Arista relented and instead sent Lavigne to Los Angeles, where she fashioned her melodic, edgy debut alongside such writing teams as the Matrix. Released in 2002, Let Go was the polished product, and its four high-charting singles -- "Complicated," "Sk8er Boi," "I'm with You," and "Losing Grip" -- led the album to multi-platinum status within its second month of release. Lavigne became the youngest female musician ever to have a number one album in the U.K., and she supported the wildly popular disc (which eventually gained eight Grammy nominations) with a tour of Europe, Asia, North America, and Australia.

Compared with the skin-bearing antics of other teen idols -- Britney Spears chief among them -- Avril Lavigne was a new kind of superstar, one whose appeal didn't rely on sexy videos or suggestive music. She further distinguished herself by bypassing the assistance of professional writing teams during the creation of her second album, choosing instead to collaborate with singer/songwriter Chantal Kreviazuk, Evanescence's Ben Moody, and Evan Taubenfeld (who had previously worked with Lavigne as her touring guitarist). Released in May 2004, Under My Skin was more serious than its predecessor, dealing with such issues as premarital sex ("Don't Tell Me"), depression ("Nobody's Home"), and the death of Lavigne's grandfather ("Slipped Away"). The album debuted at number one in more than ten countries, went platinum within one month, and further established Lavigne as a pop icon. Incidentally, a song that was co-written by Lavigne and ultimately cut from the final track list -- "Breakaway" -- was later given to Kelly Clarkson, who used it as the title track and leadoff single for her Grammy-winning sophomore album.

Lavigne married her boyfriend of two years, Sum 41's Deryck Whibley, in July 2006, just one month after the animated film Over the Hedge announced her cinematic debut (Lavigne voiced the part of Heather, a hungry opossum). She also appeared in Richard Linklater's fictional adaptation of Fast Food Nation, which was released that November. Nevertheless, she spent most of the year working on her third album, enlisting former blink-182 drummer Travis Barker to play drums and cherry-picking a variety of producers (including her husband) to helm the recording sessions. The Best Damn Thing appeared in April 2007, and its leadoff single, "Girlfriend," marked a return to the bratty, spunky punk-pop of her first album. "Girlfriend" soon became the subject of controversy as the '70s power pop band the Rubinoos sued Lavigne, claiming that her tune reworked their 1979 song "I Wanna Be Your Boyfriend." No amount of bad publicity could hurt the singer, however, as "Girlfriend" became her biggest U.S. single ever and The Best Damn Thing topped album charts worldwide.

Album Review

Maturity already proven to be Avril Lavigne’s bugaboo way back in 2004 when she stumbled through a Chantal Kreviazuk co-written sophomore set called Under My Skin, the former mall punk once again returns to reflection for her fourth album, 2011’s Goodbye Lullaby. The occasion for introspection is Lavigne’s divorce from Sum 41 singer Deryck Whibley, who has some presence as a producer and phantom on Goodbye Lullaby, sometimes even standing at the helm for a lovelorn, regretful tune. Lavigne has songwriting credits on every cut here, bearing sole responsibility for half of the tunes. These are not the ones that stick. The ones that stick are Max Martin productions that he co-wrote, including first single “What the Hell,” which approximates Avril’s irrepressible brattiness only without seeming much fun at all. Despite Martin’s immense skill, he can’t quite get Avril to crack a smile here and her sorrow feels affected in a way that, say, P!nk’s never did on her comparable Funhouse. Lavigne once again seems to be grappling with emotions just beyond her reach, never articulating her angst or crafting a melancholy melody, making Goodbye Lullaby feel affected, not genuine.

Track Listing

1 Black Star Lavigne 1:34
2 What the Hell Lavigne, Martin, Shellback 3:40
3 Push Lavigne, Taubenfeld 3:01
4 Wish You Were Here Lavigne, Martin, Shellback 3:45
5 Smile Lavigne, Martin, Shellback 3:29
6 Stop Standing There Lavigne 3:27
7 I Love You Lavigne, Martin, Shellback 4:01
8 Everybody Hurts Lavigne, Taubenfeld 3:41
9 Not Enough Lavigne, Taubenfeld 4:18
10 4 Real Lavigne 3:28
11 Darlin Lavigne 3:50
12 Remember When Lavigne 3:29
13 Goodbye Lavigne 5:29
14 Alice Lavigne 4:59

Reply
#2
I think she is a great artist. Her texts are the best about her songs, full of meaning, always trying (at most of the times achieving) to hit the nail on the head. "Slipped away" is definitely one of my favourites, so is "complicated".

"Why'd you have to go and make things so complicated?
I see the way you're actin' like you're somebody else
Gets me frustrated
Life's like this you
You fall and you crawl and you break
And you take what you get, and you turn it into
Honestly, you promised me
I'm never gonna find you fake it"

Nothing to add to this. I am looking forward to hear the new songs, hope there are some great texts in it as well! Thanks for the review!
Reply
#3
Well, I have never really like her music. Maybe her lyrics are good, but for me she is just annoying. Don't know why.
But I heard one of the new songs in a radio, and I actually didn't recognise her Big Grin I liked it.
Reply
#4
Avril Lavigne a guilty pleasure for me. Being a teenage guy I don't admit but I find her music really relate-able and she has a good enough voice for her lyrics to shine and I love this album
Reply
#5
Yeah her new album is great! "What the Hell" is my favorite song!
Reply
#6
BTW to any Avril fans, there's a contest now to see a free Avril concert in the Bahamas. Check the link out at: musicchoice.com/sweeps. Be sure to thank me if you win! :-D
Reply
#7
Music Head Wrote:surprisingly good for what I thought was a pop artist
some meat here amongst the pop
so much for pre-judging

Grade - 1.9

released Mar 8th, 2011

[Image: p74742lz3m0.jpg]

from the album - What The Hell - 2.5

http://www.youtube.com/watch?v=tQmEd_UeeIk

from all music

Bio

Avril Lavigne first appeared in summer 2002, touting an addictive debut single (the spunky pop/rock gem "Complicated") and a skatepunk image that purposely clashed with the polished glamour of mainstream pop. Avril knew we needed another hit like the song complicated but she also knew the best way to promote it was through a teen forum, who was 17 at the time, quickly rose to teen idol status, selling several million copies of her debut album, Let Go (the best-selling album by a female artist in 2002), while inspiring a genuine fashion craze with her penchant for tank tops and neckties. As the decade progressed, so did Lavigne's marketable sound, which took a contemplative turn on the sophomore effort Under My Skin before reaching an aggressively upbeat tone for 2007's The Best Damn Thing.

Born into a devout Christian household in the small town of Napanee, Ontario, Lavigne sharpened her vocal talents in church choirs, local festivals, and county fairs. She began playing guitar and writing songs in her early teens, focusing her early efforts on country music and contributing vocals to several albums by local folk musician Steve Medd. Arista Records caught wind of the singer and brought her aboard at the age of 16, with CEO Antonio "L.A." Reid personally taking Lavigne under his wing. She quit high school, relocated to Manhattan, and set to work with a handful of prime songwriters and producers, but the partnerships only produced country songs -- not the rock music in which Lavigne had become increasingly interested. Arista relented and instead sent Lavigne to Los Angeles, where she fashioned her melodic, edgy debut alongside such writing teams as the Matrix. Released in 2002, Let Go was the polished product, and its four high-charting singles -- "Complicated," "Sk8er Boi," "I'm with You," and "Losing Grip" -- led the album to multi-platinum status within its second month of release. Lavigne became the youngest female musician ever to have a number one album in the U.K., and she supported the wildly popular disc (which eventually gained eight Grammy nominations) with a tour of Europe, Asia, North America, and Australia.

Compared with the skin-bearing antics of other teen idols -- Britney Spears chief among them -- Avril Lavigne was a new kind of superstar, one whose appeal didn't rely on sexy videos or suggestive music. She further distinguished herself by bypassing the assistance of professional writing teams during the creation of her second album, choosing instead to collaborate with singer/songwriter Chantal Kreviazuk, Evanescence's Ben Moody, and Evan Taubenfeld (who had previously worked with Lavigne as her touring guitarist). Released in May 2004, Under My Skin was more serious than its predecessor, dealing with such issues as premarital sex ("Don't Tell Me"), depression ("Nobody's Home"), and the death of Lavigne's grandfather ("Slipped Away"). The album debuted at number one in more than ten countries, went platinum within one month, and further established Lavigne as a pop icon. Incidentally, a song that was co-written by Lavigne and ultimately cut from the final track list -- "Breakaway" -- was later given to Kelly Clarkson, who used it as the title track and leadoff single for her Grammy-winning sophomore album.

Lavigne married her boyfriend of two years, Sum 41's Deryck Whibley, in July 2006, just one month after the animated film Over the Hedge announced her cinematic debut (Lavigne voiced the part of Heather, a hungry opossum). She also appeared in Richard Linklater's fictional adaptation of Fast Food Nation, which was released that November. Nevertheless, she spent most of the year working on her third album, enlisting former blink-182 drummer Travis Barker to play drums and cherry-picking a variety of producers (including her husband) to helm the recording sessions. The Best Damn Thing appeared in April 2007, and its leadoff single, "Girlfriend," marked a return to the bratty, spunky punk-pop of her first album. "Girlfriend" soon became the subject of controversy as the '70s power pop band the Rubinoos sued Lavigne, claiming that her tune reworked their 1979 song "I Wanna Be Your Boyfriend." No amount of bad publicity could hurt the singer, however, as "Girlfriend" became her biggest U.S. single ever and The Best Damn Thing topped album charts worldwide.

Album Review

Maturity already proven to be Avril Lavigne’s bugaboo way back in 2004 when she stumbled through a Chantal Kreviazuk co-written sophomore set called Under My Skin, the former mall punk once again returns to reflection for her fourth album, 2011’s Goodbye Lullaby. The occasion for introspection is Lavigne’s divorce from Sum 41 singer Deryck Whibley, who has some presence as a producer and phantom on Goodbye Lullaby, sometimes even standing at the helm for a lovelorn, regretful tune. Lavigne has songwriting credits on every cut here, bearing sole responsibility for half of the tunes. These are not the ones that stick. The ones that stick are Max Martin productions that he co-wrote, including first single “What the Hell,” which approximates Avril’s irrepressible brattiness only without seeming much fun at all. Despite Martin’s immense skill, he can’t quite get Avril to crack a smile here and her sorrow feels affected in a way that, say, P!nk’s never did on her comparable Funhouse. Lavigne once again seems to be grappling with emotions just beyond her reach, never articulating her angst or crafting a melancholy melody, making Goodbye Lullaby feel affected, not genuine.

Track Listing

1 Black Star Lavigne 1:34
2 What the Hell Lavigne, Martin, Shellback 3:40
3 Push Lavigne, Taubenfeld 3:01
4 Wish You Were Here Lavigne, Martin, Shellback 3:45
5 Smile Lavigne, Martin, Shellback 3:29
6 Stop Standing There Lavigne 3:27
7 I Love You Lavigne, Martin, Shellback 4:01
8 Everybody Hurts Lavigne, Taubenfeld 3:41
9 Not Enough Lavigne, Taubenfeld 4:18
10 4 Real Lavigne 3:28
11 Darlin Lavigne 3:50
12 Remember When Lavigne 3:29
13 Goodbye Lavigne 5:29
14 Alice Lavigne 4:59

I was affraid she ran out of inspiration you know many artists are impressing people with their first albums, maybe sell quite a good quantity of the second too, but then just don't know how to make it, and Av has reached out that third album writting block and that's why I love her
Reply
#8
I've noticed that Avril has "matured" in her music. Good to see..another good Canadian artist !
 The ultimate connection is between a performer and its' audience!
Reply
#9
Avril's definitely grown. I liked her first two (three?) albums too, but this one's definitely the most grown up.
Reply


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