NEW MUSIC FRIDAYS (#21+)

[Mellope]

NEW MUSIC FRIDAY 9.05.25 #30

More To Lose – Miley Cyrus (8/10)

It feels nice seeing Miley leave behind the 'Flowers' & 'Wrecking Ball' of radio pop and make a new chapter that actually feels new. Where it's just her raw voice with most instruments, where you can truly appreciate her singing skills. Miley is showing us how to be a queen in this new era, and she's doing that well.

Blessings – Calvin Harris/Clementine Douglas (6/10)

Calvin's been on a big losing streak lately; after that painfully bad country-dance crossover, we see him return to EDM, but this just doesn't have his infectious earworm no. 1 hit-making energy. It feels mediocre, and Clementine Douglas didn't help with that, and seeing as Clementine is known for mediocre dance-pop, she wasn't a good choice for this either. Calvin needs to regain his shine because right now this is nothing but a poorly made dance loop.

Messy – ROSÉ/F1 The Album (7.3/10)

Just saw the tracklist for F1: The Album, and I'm drooling out the mouth. Tate McRae, Ed Sheeran, Obongjayer, RAYE, Tiesto + more!! Take Sexyy Red off the album, and it could be perfect. This track from ROSÉ blends high-pitched drums with a deeply emotionally connected voice that's something like 'Toxic Till The End' but instead with a lot more emotional tone and depth while still being a catchy pop song.

Full Attention – Tom Grennan (7.5/10)

Tom continues his brand of fun-filled summer pop for his upcoming album. The song starts with a tambourine-like sound along with claps that goes into a piano which leads into Tom uplifting his vocals to a booming hook which has high piano notes that create a fresh sound. It may not be anything new for the industry, but it's a clean pop song that I'll accept from him; at least the wheels didn't fall off for his upcoming album.

Superman - Morgan Wallen (7/10)

Wallen opens up about his controversy and past in a heartfelt country guitar song; it gives more of the lower-note energy rather than creating a country-pop chill song; it's like a mix of a few of his other songs from the rollout. Think of it like 'I'm The Problem' and 'Just In Case' blended together; you would get 'Superman'.

Timeless – The Weeknd/Playboi Carti/Doechii (3/10)

I've already reviewed this song, and all Doechii added was a small rap segment that doesn't matter in anyone's eyes; it's still trash.

Bliss – Tyla (7/10)

Woah… this is Tyla's best song and a huge green flag since I seem to never like her music. She blends her Afro-R&B sound with a lighter pop sound that reminds me partly of something you might've heard trending in 2022 on the new popular radio stations.

Who knows – Mark Ambor (7/10)

This is simply the 2025 version of 'Belong Together', harmless pop that sounds like something Shawn Mendes might make in his new era.

The Final Countdown 2025 – David Guetta/Hypaton/Europe (1/10)

David Guetta, make us some real music and quit acting like CYRIL. These stupid remixes are lame, and you just want quick money. This guy doesn't care about his music or his audience anymore; he made an already annoying song more annoying by just adding EDM drums and replacing the hook by cutting it off. What a joke.

St Helens Alpenglow – Max McNown (7/10)

I'll admit, it's an upgrade; I like the fast strums of the guitar on this country-pop song.

Illegal – PinkPantheress (7/10)

PinkPantheress's fun dance/drum & bass hyperpop.

Shot Callin – YoungBoy Never Broke Again (1.5/10)

You will be broke if you keep making music like this – stop this rap crap where artists just sound utterly stupid. Did you download a free app and use a voice filter?

Hand That Feeds – Halsey/Amy Lee/Evanescence (8/10)

From the film 'Ballerina', Halsey leans back into the deeper meaning pop era with a song that gripped me with its intensity.

Hold Me Down – Stormzy (6/10)

After 'Hide & Seek', Stormzy keeps getting the rap-pop formula slightly off; this has the emotion but not the spark.

Wassam – BAK Jay/NLE Choppa (5/10)

Forgot it after I listened; it's NLE though, so not a surprise.

Small Town Girls – Thomas Rhett/Tucker Wetmore (5/10)

Thomas and Tucker stick to the boring traditional country roots that don't get them anything past their girls, guitars and small towns.

See U Tonight – Kylie Cantrell/ILLIT (5.5/10)

Sweet girl pop that doesn't explore new boundaries.

Hikikomoro - Jack Van Cleaf (7.1/10)

Something tells me Hozier would be a great addition to the song. While not as good as 'Smoker', Jack releases another single that brings hope for his new album, 'JVC'. The guitar here is played superbly, and it supports a hook that has a nice uplift to the folk song.

Young & Dumb – Avril Lavigne/Simple Plan (0.8/10)

A song that's supposed to capture being a kid in that "young and dumb" mindset; it always annoys me when singers use "young and dumb" in songs; it's so overused and has just become this really cringe phrase to assume everyone was dumb when they were young. This song portrays it as badly as the rest, with lines sounding like you're trying to write about the typical careless teen, and then on top of that, the song really, REALLY sounds similar to someone who's never been a crazy teen trying to pretend to be one, with lines randomly switching to being a rockstar, trashing hotel rooms, getting tattoos and all with the classic teen high school voice and beat that sounds straight out of a 2000s high school drama. It's worse than a poor attempt at recreating the fun of being young; it's straight-up diabolical.

Castle – Haven Madison (5.4/10)

The vocals giving that loud crashing down sound caught my attention on the song again – I'm not sure if it's really for the better, though.

SORRY RACH! - Stormzy (7.4/10)

Stormzy's rapping has a side that many rappers don't have; the vocals he has are gifted.

Arcade (Spotify Singles) – Loreen (6.9/10)

A cover of Duncan Laurence's 'Arcade' where Loreen replaces the song's signature sound with hers – I'm glad to see she did more with the beat and actually turned the song into something bigger.

Taste – Sophie Ellis-Bextor (6.8/10)

She continues the brand of pop that reminds me of modern Kylie Minogue, with the main dance feel with funky sounds inputted into the song that sound like it would fit on "Tension II".

I Wanna Ride – Big Softy (4/10)

Definitely inspired by BRAT; sounds exactly like something from it, specifically 'Guess'.

Look Down On Us – Maruja (8.5/10)

If this keeps up the way it does, this could be the user's highest-rated song of 2025, and as much as I must admit this had a clever spoken intro into noise rock mixed with jazz that just got better and better with the intense ending making a great ending, this is still not near the best song of 2025 for me. I get why you would say that, though.

Pretrial (Let Her Go Home) - Fiona Apple (8/10)

It sounds like something you would hear in a tribe. really well-layered art-pop.

[Mellope]

NEW MUSIC FRIDAY 16.05.25 #31

Friend Of Mine – Rihanna (2/10)

This movie soundtrack is making big hit artists make their worst song to date, and after creating possibly the worst song of the year, The Smurfs movie brings out Rihanna to make a robotic-like, over-autotuned dance loop which sounds like a better (but still bad) version of some of Rose Mulet's music.

Let You Fade – Linkin Park (7/10)

After the disappointing deluxe rollout that left us waiting three weeks for one song, it had to be good, and yeah, it's good... but it's not worth a three-week wait. Not only does it not resemble the production choices well from "From Zero", but it also feels like it's screams that go hard in the moment but then just fade from your mind. It's heavy rock; it's probably what the Chester fans wanted more of, which kind of makes me think Linkin Park did it for them.

One Thing – Lola Young (6.6/10)

The snippet was easily the worst part of the song, so it's nice to see the full thing is a huge upgrade from what I thought it was going to be. Unlike her previous songs, Lola takes a raunchy route where she talks about "breaking the bed and the sofa". The song has an unpleasant vocal change on "babe" but redeems itself, as the main build-up peak is just an alright fun pop song that's harmless.

Me + You – Ella Henderson (5/10)

Huge step down from Ella's previous country-pop attempt; this is tasteless country that has absolutely no real substance whatsoever.

Chemical Reaction – Debbii Dawson (8/10)

Debbii should be a main pop girl who goes number one! She's the one that we keep sleeping on despite her making constant hits, and this is another example with, at times, a futuristic sound with a funky dance sound. Debbii makes a radio song that's anything but your usual or boring.

Forwards – Amy Macdonald (5.1/10)

I've heard it, you've heard it – guitar rock that resembles nothing more than another song.

There She Goes – CYRIL/MOONLIGHT/The La's (0.1/10)

What the hell is this weird effect that CYRIL uses where the vocals sound like they're glitching?! This is just two minutes of the phrase "there she goes" repeating with some weird vocal effect that I can't even describe. WHO THE HELL DOES THIS TO A SONG?! This should be illegal. Burn this song, and please, please quit making music. I don't want to have to say this, but this guy is worse than modern-day David Guetta… Call this music? Yeah right, bud. Contender for worst song of 2025.

Tough Luck – Laufey (5/10)

Laufey has a really different way of singing this song, and it makes it feel like she's trying to be Beabadoobee but posher. I don't care for this.

Rather Be – GIVEON (7/10)

Love how he collaborates soulful performances with raw instruments.

Me N OG Snoop – Snoop Dogg/Sexyy Red (8/10)

Sexyy Red gets her millionth collaboration, and it's actually great… surprisingly. Snoop has the better verse, but they both add to that loud booming backing beat.


Somebody – Latto (7.5/10)

Fun rap-radio music that follows Latto's earworm hits.

Hotel – Chezile (7.9/10)

Let's Ride Away – Avicii/Elle King (3/10)

Think of Avicii's radio pop hits but picked apart to the point where the song has nothing which makes it exciting; that's 'Let's Ride Away'.

GRAVE - Avery Anna (6/10)

Avery isn't an artist that makes a niche sound you come back to; she's something for the moment.

Don't Say You Love Me – Jin (7/10)

Jin actually makes a song that's worthy of a replay? That wasn't on my 2025 bingo card. I like how he blends sadness into a nice English-Korean pop song that captures the energy well.


Feels So Good – Animé (7/10)

Another quality rap song that builds hope for what's next.

BOY CRAZY. - Kesha (7.2/10)

A HUGEEEE upgrade from "Yippee Ki Yay", this brings out the real fun Kesha we want with its diva energy that partly makes me think of Charli XCX (but better). Kesha going electronic may not seem so bad if it keeps being like this.


In My Arms – ILLENIUM/HAYLA (5/10)

Can we just stop making this really generic music? If you've heard either of these two artists, then you could've definitely seen this coming.

Hit – Boss Man Dlow/Gucci Mane (2/10)

Can't be bothered to roast these two and express my dislike for their taste again. I'll bother when they make something that isn't the same lazy rap music.

No Room For A Saint – Dom Dolla/Nathan Nicholson/F1 The Album (6.6/10)

Yet another high-energy song from the upcoming album that has a huge list of A-listers. F1 The album is going for a pumped party feeling, buty, with each song, it feels like there's something off...


Young – Little Simz (1/10)

WHAT?! THE FIRST TWO SONGS ON THE ALBUM WERE GOLD… WHAT HAPPENED?! Not only are the lyrics and tone so off-putting, but any flavour in the beat was sucked away by how painfully awkward Simz's vocals were... Don't listen to this; it's her worst song to date.

The Boys – Chloe Qisha (7/10)

Another person who could potentially be a big pop girl one day! This sounds like a mix of Ariana Grande and Taylor Swift.


Body Talk – Issey Cross (6.5/10)

Enjoyable yet forgettable.


Jellyfish - Obongjayer (7.5/10)

Love to see what Obongjayer will create for the F1 album! This is what he's made of here: art that showcases something that only he does… Still could've done with some more added touches, though.


Bulletproof – JoJo Siwa (0.1/10)

Disgustingly overproduced vocals that sound like AI made them, along with really poorly placed chords.

Dudu - Yeule (7/10)

A really interesting take on dream pop and alt pop.

Bloom Baby Bloom – Wolf Alice (7.8/10)

These are the types of alternative rock songs that really help me enjoy the genre.

Sola - Arca (4/10)

The pitch and sound were confusing and on a new level of "I don't even know what I'm hearing."

Piranha – Nova Twins (7.4/10)

Got a lot better as the song got to the middle!

In The Name Of The Father – PRESIDENT (4/10)

Almost 4 minutes of metal that reminds me of Sleep Token.

[Mellope]

NEW MUSIC FRIDAY 23.05.25 #32

Momma Song – Benson Boone (5/10)

This is the worst song from the upcoming album; if you've heard the start, you've heard the rest because there's no real hook… It's just so monotone and really lacks inspiration… It's your typical low-pitched pop song that sounds like something Ed Sheeran would get on. At least the lyrics were a tribute to his mother, but I can't even find it sweet purely because of how tedious it is.

Gold - Myles Smith (5/10)

From his new EP release, "Gold" has been the one to be featured in the New Music Friday playlist, and I can't say it's terrible, but it's also really general, guitar and singer-songwriter pop. Myles has never gone to any level of high art, I'm well aware, but that doesn't mean he has to rehash the same sound for yet another time.

Bloodline – Alex Warren/Jelly Roll (3/10)

Every song Alex Warren makes sounds like a song that you would hear on a Christian wedding reel. Not only is his "Ordinary" song probably going to be the biggest song released in 2025, but his other songs are rising back to popularity; we still haven't forgotten "Carry You Home" in 2025. Goodness, Benson, Myles and Alex & Jelly, 3 artists releasing in the same week, and I got what I expected from every one of them. Soulless and effortless pop music that only has a chorus because they sing higher notes – we need to dump this type of music.

TaTaTa – Burna Boy/Travis Scott (7.4/10)

I'll take it; there's definitely some spark between the two on the Afrobeat and rap collab – it all feels like they've improved each other, and that's crazy considering I don't like either. This is such a weird and special collab that you don't often hear things like and I'm here for it.

Leave Me Alone – Reneé Rapp (7/10)

Easy to enjoy pop-rock that partly reminds me of Britney Spears but mixed with some modern girl. Reneé brings the character and the energy and creates something that's fun for the dancefloor. Near the end I think she may have given a little too much character for my liking, but it's not the end of the world.

Bridesmaid - Lauren Spencer Smith (8/10)

Better than "If Karma Doesn't Get You" by a noticeable amount. Sure, it's not like she's breaking new barriers in pop, and the opening made me think this was going to be a 5-6/10, but when she brought the deeper chorus and piano in, everything just caught the moment it was looking for. I actually stopped to think about the song.

Bad As I Used To Be – Chris Stapleton/F1 The Album (7.6/10)

Anyone keeping up with my reviews would know I've liked all three F1 songs so far but think they're missing something, and I think this is the best song yet from the movie. The harmonica with other layers for the high-pitched hook wasn't the greatest, but the rest of the song made up for that, with Chris making something that really gives the revving-up-your-engine energy that F1 is all about.

Boy Meets Girl (Unreleased Demo) – Kelsea Ballerini (8.1/10)

Really weak main lyric for the hook, but the guitar on top of the tune that makes you want to look out the car window with a breeze and a warm sunset is what makes this MUCH better… that saves it for me!

Cliché – MGK (7.2/10)

Pop and alternative-indie that describe MGK wanting someone to run away with him even if they're better off alone. It's actually an alright listen, not too bad in any way.

LATINA FOREVER – KAROL G (7.8/10)

Fun, bouncy Colombian pop that will become a replay in her discography.

Glacier – PlaqueBoyMax/Quavo (6/10)

Whizzed right past my knowledge, and I'd forgotten it the second it ended. From what I remember, it was enjoyable, though.

Top Tingz – YoungBoy Never Broke Again (4/10)

I'm sorry. "Big Dawg roof roof" – what type of line is that?! Yeah, bro sounds like a drunk guy as he stumbles in sentences using words like "ah" and moans to make up for something that sounds like a loss of words. What is this rap?

Honey Blonde - Joe Jonas (7/10)

What a pleasant surprise to see an improvement from him! Really chilled pop – that's music you'd want to hear when relaxing on a beach.

Upstate - Brenn! (7.2/10)

This sounds nearly completely accurate to Noah Kahan, specifically his most recent album. The guitar melody has flavour and doesn't feel limited to one sound the whole way, and Brenn! Has vocals that really fit the higher-pitched country scene.

Super Love Me – Grace Davies (6/10)

Fun and simple pop with a nice piano and a more classical ending. The amount of times she says "super" gets on my nerves, though.

Try Your Luck – Julia Michaels (4/10)

So predictable, and the energy she gives is so flat.

K*ll You Off – Julia Wolf (5/10)

It's not simple or predictable, but I still lost focus due to the song not connecting with me.

Tell me something – Hazlett (8/10)

WOAH!! Get this song to be more noticed; it's a formula. It is Chezile's. Slow-moving, it captures you in the moment with a pace and vocal affect that feels rightly put on.

The Cost Of Growing Up – Max McNown (4.5/10)

4 minutes and 30 seconds of your life that you'll never get back – stereotypical American country music should not last that long.

DNA – Kyra Machida (4/10)

Electronic hyperpop that reminds me of Charli XCX.

Marlay Park - Amble (6.9/10)

Amble is a name I've been familiar with for the past few months due to his appearances on the Irish top 50, but it's only now I've heard him, and he sounds like George Ezra with the easy guitar music that has gentle and more breezy rather than sad chord choices.

Cole's Response – Yaelokre (7.1/10)

That went by quickly! With one of the more niche releases I've heard today, Yae uses an enjoyable folk background mixed with weird choices in the production that end up working. She didn't need the laughs at the end, though.

Baggy Jeans – The Band CAMINO (5.5/10)

Another song that goes by in the moment as enjoyable, but you totally will never remember anything about it after.

Good Thing – I-Die (7.3/10)

Typical K-pop mixed with less typical electropop to make something that's really interesting! See, I don't hate all dance music; if only Charli could do it like this.

Like I Like It – Mau P (8/10)

Great for the workout, great for the club – just a full-round vibe that keeps you going.

Dads Don't Die - Nate Smith (6/10)

This reminds me of the accounts that create AI videos of fake songs by big artists, mainly because of the wording and just overall it sounding like a simple song to master. Really not going to lie, Nate sounds like he cares though, which is nice to see.

Moviestar – Remy Bond (8/10)

1000% this has to be inspired by ABBA. It sounds like if it was released by ABBA, it would've been a big hit.

Cowboy Sh*t – Karley Scott Collins (5/10)

You could probably guess by the title that it's country music… and I'm here to tell you it's nothing worth a listen unless you want to be bored by the common country sound.

Somewhere Over Laredo – Lainey Wilson (7/10)

Lainey's vocals can actually make simple country sound really good. Hopefully she delivers something that tops her last album.

WHY – Jon Bellion/Luke Combs (7.2/10)

Luke adds to this and gives a rougher tone to make this a lot better.

Take it! Take it! - Yaeger (6.7/10)

Good Swim – Ryan Woods (7/10)

Ooooh, that's an interesting production! Chilled summer feelings.

DROGA – Mora, C. Tangana (5/10)

At least the Spanish/Mexican scene is starting to take somewhat of a less simple route.

Expiration Date – Madelline (7/10)

A loud girl-pop song about being past your prime.

Letting You Run - Jack Dine/Tone Stith (7.5/10)

Time After Time – Sam Feldt (7/10)

New cool but usual EDM song from his new album.

Don't Cry, Put Your Head On My Shoulder – Tom Odell (7/10)

Tom isn't in his greatest form right now, but he sure gives it effort, and it pays off. It's a nice emotional song that's simple yet sweet.

Turquoise Cowboy - Ink (6.5/10)

Godspeed – House Of Protection (8/10)

90s and 2000s-sounding punk rock that can follow up to basically anything and still sound great.

EVIL EYE! – Low.bõ/Elujay (6/10)

Who Are You To Me - Three twenty (6/10)

DEYA - Kito/Nonso Amadi (5/10)

Lose You – Zach John King (7.5/10)

I don't often enjoy US country music this much, but the way he brought country into this chill, upbeat mainstream song made it fun.

Helium – G-Eazy/X Ambassadors (8.2/10)

Modulated vocals with some breathy parts that make a special hip-hop/rap with R&B song.

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Bones And All – Love Spells (8/10)

This has a nice, natural and easy-to-listen-to sound.

Headlock – Spotify Singles – Luna Li (8.6/10)

A better cover where stringed instruments and the harp come through more and make the song better than the original! Might be the best Spotify Singles session yet.

Fly Up – RIIZE (8/10)

I don't usually like K-pop this much; this was so fun and just felt like a true show of the genre's classic sound without sounding bang average.

About To Begin – Barry Can't Swim (8.4/10)

I see why he's winning awards! Such a great electronic club jam – well made. I'd really recommend this if you're into some more modern electronic music.

LOOK OUT FOR ME – Turnstile (8.4/10)

Guitar and drums on a less hardcore, ear-catching song – I recommend.

EBVSY - Christian Nodel/Neton Vega (7/10)

Neton's usual, but despite not going for any new direction, it actually sounds surprisingly decent – I'm questioning if it's because of him or Christian.

JOURNEY – Shae Universe/S'ABLE sounds (8.8/10)

R&B, jazz and piano beautifully composed into such a well-put-together song. Must listen.

Where Oh Where – ELEVATION RHYTHM (8.3/10)

This is what Christian music should be – real vocals and a beautifully executed ascending hook!

Violent Nature – I Prevail (8/10)

Heavy rock that truly does fit violent nature.

You're Invited – Vedo/Kenyon Dixon (8/10)

Really smooth R&B/soul – it would be super interesting to see Silk Sonic get on a remix of this.

Tacklebox – Ruby Fields (6/10)

The song doesn't do much for me.

GoROUND - Logic (7.6/10)

Fun and slightly experimental hip-hop with a more gripping sound that hooks you.

Left to right – Rommulas/2 hollis (8/10)

I don't know how to describe what I just heard, but it sure is getting added to my liked songs.

Supernova – Jane Remover/funeral (7/10)

I haven't heard much by Jane, but this is my new favourite by her, quite niche but also quite good… like an improved version of some of the singles from "Revengeseekerz".

malibu – Ruskwsky (6.9/10)

Chill Spanish pop that gives a good but not good enough impression.

Happiness – Lizzie Berchie (6.8/10)

More could've been done to space this song out from others.

Achilles And - Runner (7.9/10)

Beautifully composed.

Plenty Motion - Bossman Dlow (4/10)

I just know there's going to be some Twitch streamer nodding their head to the same typical rap crap, bobbing their head, going "Hard" and "bros cooking".

HOLLYWOOD - YG/Shoreline Mafia (4.5/10)

The second vocal performance ruined the song. Gangsta rap that ends up having no real effect on the genre – it just exists.

I believe it – Chef Boy (6/10)

Forgettable rap.

Staring Into The Sun – DJ HEARTSTRING (5/10)

Bro gave us the David Guetta special ?; really quickly made and boring EDM. Actually… it has a little bit of nice summer vibes, but you know… mainly just forgettable… not as bad as David, though.

Return of Youth – DIIV (6/10)

The last two minutes are unnecessary, and the song feels dragged on for its 7-minute runtime. In no means is it terrible, though.

Watchin' U – A. K. Paul (5/10)

Big City Life – Smerz (7.8/10)

Alternative R&B and art-pop ventures to new places on this.

Bemused - Double Virgo (6.4/10)

EL GORDO – Marilina Bertoldi (7.5/10)

Oooh, those rock guitars add a lot to the song!

Nirvana – Vintage Culture/Layla Benitez/Max Milner (7.3/10)

Nice synths and overall just a really well-made EDM song that's good despite its simplicity.

Closer - JOSHUA LAZER (6.1/10)

Die Young - Reggie Becton (7.2/10)

Chilled pace beat.

Closer To Me – edit – kokoroko (6/10)

This won't stick with me for anywhere near long.

I Know – Sheryl Crow (5/10)

Love the soft vocals, but the rest of the song was too basic to make even the most minuscule dent into what I'll be listening to in the next week.

Boys These Days - Sports Team (7.2/10)

Rock to the more higher-pitched side that catches on.

Elderberry Wine - Wednesday (7/10)

Loved the tone and the way this song was presented.

Transmuted Matter – Stereolab (5/10)

This honestly just bored me.

Crash Dummy - Joey Bada$$ (8.4/10)

Honestly, this was a great diss with lines that flowed well and stuck and something that radio could pick up and make the 2025 version of "Not Like Us".

My Town - Joey Bada$$ (8.3/10)

Not as good as his other diss track, but it's still good; it's less of a radio song and more of a brutal knock against other rappers.

WRD2MIMVA - Daylyt (8.5/10)

Great response to Joey; it has the gritty energy, the loud and clear bass and the toughness that makes it what it is.

[Mellope]

NEW MUSIC FRIDAY 30.05.25 #32

Man Of The Year – Lorde (7.6/10)
Her accent doesn't come through as much on this (which I prefer), and it serves as a big improvement from "What Was That". It contains her artistic alt-pop sound, which makes her albums so strong, and if she keeps this up, then we could see the 2025 "Melodrama".

Just Keep Watching – Tate McRae (7.6/10)
Tate's currently my most streamed artist of the year, and this will extend her lead by a slight bit (which she needs as No. 2 is catching up fast!). Not only is this the best song from the F1 album, but it also has Tate's signature style; it sounds like something from "THINK LATER" but with a fine sound and diva energy coming through. It's a move that Tate's doing to solidify her place among the top pop girlies, and she's doing it well.

Easy Lover - Miley Cyrus (8.4/10)
Miley leans back into her radio-pop sound while still keeping that class which made people love her new era. The album's out today, and hearing this boogie pop-rock song really lifts the expectations for the album.

OWA OWA – Lil Tecca (5/10)
Just like "Dark Thoughts", this won't be remembered long if it peaks. This samples the classic dance sound "Owa Owa" (which is a bad sample choice) and makes it one of the main components of the song.

NOT FAIR – Leon Thomas (7.4/10)
A step up from "Mutt" that uses similar vocal effects and sounds like something off $$$4U if it was actually good and not NPC music.

In The Middle – Mt Joy/Gigi Perez (7.5/10)
Gigi takes a different route and leaves behind the formula and effects that made "Sailor Song". I will say that this is better.

This song – Conan Grey (8/10)
Quieter, beautiful and Conan's best song to date. Kinda reminds me of Beabadoobee.

Fame Is A Gun – Addison Rae (8.2/10)
WOW... Addison makes something that I like?! That's a first. Addison's brand of bubblegum pop and synths usually feels like it doesn't do enough for me, but this made me think of a less glamorous version of PinkPantheress (and I don't mean that in an insulting way); it's just quick, pleasing pop that's good for the playlist.

Holy Mountain – Obongjayar (7.9/10)
Obongjayer has such a special spot for his sound; it's a shame people only care about songs where he's a feature. Obong brings hip-hop, soul and afrobeats into this weird but amazing blend that showcases his raw talent. Love to see it!

WHIM WHAMIE – PLUTO/Sexyy Redd (0.1/10)
The original WHIM WHAMMIE was one of the very few songs that I gave a 0/10 to (now 0.1), and now there's a Sexyy Red remix?! *SIGHS* The verses cut off; Sexyy's timing is getting worse and worse each time, and then she gets on one of the worst rap songs of all time to deliver more crap. I already reviewed the original, so I am not going through that again.

Crazy For It – Rampa/Adam Port/&Me/Boys Noize (5/10)
Adam Port has left the sounds that got him his big hit in 2025, but it's not like those were good... and this isn't either.

SOLEAO - Myle Towers/Quevedo (5/10)
Spanish and Puerto Rican reggaeton that has a beat which gets old quickly and flavourless vocals.

Take Me Back – HAIM (8/10)
Every single so far has its own unique feel, with HAIM mixing harmonica with acoustic rock to create an entertaining song. I wonder how the full album will turn out!

Where Did You Go – D4vd (7.5/10)
Another great D4vd single! I was going to listen to their recent album and then went off, but now I might again… it's just not on the top of my to listen list. This was a bonus track from the album which continues the R&B sound.

Nice To Each Other – Olivia Dean (7.2/10)
Smooth and easy-to-hear pop-soul that sounds like something on her debut album. A pleasant listen, but she's not doing anything new.

Dialling In – Thom Yorke (5/10)
An eerie-sounding song that plays the eerie above the actual quality of the track so much that it just sounds like a bit of a mess in the end.

Landgrab – MAVI/Earl Sweatshirt (5/10)
After an Instagram post of the two sketched (hinting at a collaboration), they collabed.. … and it's a step down from some of the things I heard on Mavi's "Shadowboxing". Sadly, it just zooms past your memory, and even with my focus, I just remember it as a hip-hop song with added production elements.

Slow Burner – Interplanetary Criminals/Original Koffee (5/10)
Looped dance music that sounds like something you've heard before in the genre. Not worth your time.

Water Under The Bridge – Joe Jonas (5/10)
After his new solo album, Joe quickly goes back into making songs, with "Water Under The Bridge" becoming another generic attempt at creating any kind of success.

Booted Up – GELO (2/10)
Oooooh… this is not good. The weird production had such low standards that the vocals didn't work at all with them and fell extremely short of being remembered in the slightest, and the hard energy on this just falls flatter than Flat Stanley. His weakest song to date.

Lovin Myself – Ava Max (7/10)
Unfortunately, this song is getting review bombed by many accounts, which are most likely the same person, and that's giving it a higher score than it should be. I'll be the one to give my honest opinion and say it's nothing out of the blue for Ava, but it follows her usual electro-house roots that I quite enjoy. If you usually like Ava, then you may like this.

Girls Like You – Sofia Camara (8/10)
Sure, it's a little basic, but it also has a really chilled atmosphere that gives the pop song its magical feeling.

Zombie – YUNGBLUD (8/10)
This guy's blood incase record has been popping up on my feed recently; he seems like a kind guy. This sounds like Damiano David mixed with high-pitch notes on a rock and pop-punk genre beat.

Backseat – Balu Brigada (8.9/10)
Along with an album announcement, "Backseat" is a six-minute and 23-second song that starts with an upbeat energy that gives party and fast car energy with its modern sound that has "Backseat" mentioned in the background that gives the song a slightly lesser modern feel. On the second half, the song fades into this upbeat melody that gets you into a trance-like state with heel-like taps that then bring drums and an electronic funky rhythm that sounds so well blended it's INSANE. This is one of the best fades I've ever heard. It's very rare to see a song keep up like this for so long.

Mad – Martin Garrix/Lauv (5/10)
Martin is making his usual brand of dance; what else can I say?

Cops & Robbers – Sammy Virji/Skepta (8/10)
Sammy brought a bouncy beat, and Skepta brought the rap, and together they made a JAM.

Ace Trumpets – Clipse/Pusha T/No Malice (7/10)
Despite having stupid lyrics about "Yellow diamond look like peepee" (I'm not making that up), the song is still kind of a head bopper. The rap is straight in front of you, and it's all just vibes. The producer (Pharrell Williams) didn't even have to add much to the production, as the rapping by itself is just good like that.

Catch Me If You Can – KSI (7/10)
Apart from the wording and ways some things are pronounced (such as the emphasis on the words ending in "er" repeatedly), the rest of this song goes down well. KSI has an all-fire, no-tire rap session where he dominates on the verses with his quick flow. I'm sure people will hate on this anyway because it's KSI, but the production is actually like those real booming and high-pitched UK drill/rappers who have a good DJ on their side.

So Far Away – KSI (6/10)
It's like a less developed version of his song "Holiday".

Afterlife – Alex G (5/10)
Its guitar combined with Alex's male voice to make a regular song. I mean, c'mon, it seems like something Ed Sheeran would make at a stand in public live.

Whoa (Mind In Awe) (Remix) - XXXTENTACION/Juice WRLD (6.9/10)

I'm sure many people wanted these two on a song together but I'm not sure if everyone wanted this.

What3ver – Yeule (6/10)

MENOS EL CORA – Ryan Castro/Manuel Turizo (5/10)
This genre of music is mostly forgotten quickly for me, so it's not a surprise that it is again.

January 19th - Mabel (5/10)
Mabel really fell off. The things she was making in 2022 were much better; nowadays she's making music like this, which sounds like it would fit on C XOXO.

Back In My Bed – Jax Jones/MEYY/Y2J! (5/10)
Jax Jones's new brand of quicker hyperpop feels like it doesn't capture the moment but rather zooms past it.

3rd Time Lucky – AJ Tracey (7.8/10)
I'm liking what I'm hearing from this AJ Tracey guy; I have to hear more of him. He just constantly delivers emotional and real rap (along with some fun, less emotional songs), but the guy is honestly a good part of UK drill/rap; he should be bigger. This was such a beautiful tribute to his mum with cancer, and as someone who had a friend who fought cancer, this honestly touches the heart. Keep it real, AJ.

Shalalala – Cian Ducrot (6/10)
A song that's supposed to give a deep message about the environment and unity but ends up sounding like slightly corny church music.

Sunshine – D.O.D/RAHH (5.5/10)
Summer dance music that contains a pattern of repetitive phrases with a feel-good message.

Too Good To Be True - Kenzie Vois (8.1/10)

Kenzie's only new song on his latest e.p makes it a 4/4 non skip e.p.

[Mellope]

NEW MUSIC FRIDAY 13.06.25 #34

Suzanne - Mark Ronson/RAYE (5.5/10)

I've defended and loved RAYE a lot, but I honestly can't defend this… it just feels so simple in so many aspects. There's no part that gets you hooked or excited more, nor is there anything at all that goes out of the ordinary. It goes for a more old, soulful sound that feels overused.

Everything Goes With Blue – Tyla (4/10)

After the Smurfs movie gave us one of the worst songs of the year and stained the name of Rihanna, they come back with another big improvement but still not good enough. The problem is that all these Smurf songs feel manufactured for a children's audience and not authentic songs by the artist. This movie soundtrack has got to be the worst album of 2025.

Midnight Sun – Zara Larsson (7.3/10)

After hearing Zara Larsson's last attempt at making something fun, I wasn't really impressed, so to see her take a break from a noise that makes us think of JoJo Siwa is not only refreshing but frankly necessary to score a hit. "Midnight Sun" feels a bit… let's say "unbranded". It's not like this hasn't been done before; it's a song about love on a summer's day, and seeing MNEK credited as a producer is disappointing because I know he can do a lot more than this. Now, negatives aside, this is still quite fun. It's like the feeling that her David Guetta collaboration "On My Love" gives you, but with less of that free feeling, so a slight step down. Also, seeing the break between Zara's albums (3 years), it's shocking to see an album! announcement only a year later!

The Contract – Twenty One Pilots (6.4/10)

The first single from TOP's upcoming album, and after hearing "Clancy" for the first time a few weeks ago, it's safe to say there was definitely some excitement in me for this. Did they deliver? Honestly, this could've been much better. It feels like they're trying to give us something new with adding a brand of electronics on top of a slightly changed rock-pop formula. I've heard better from them; this doesn't hit the mark of approval for me.

Holy Blindfold – Chris Brown (6.5/10)

Probably wasn't the best time to drop music, but still. This song is simple; it's Chris Brown, and I haven't heard much of him, but from the stuff I've heard from him, this doesn't impress me much more.

Won't Stop – Gunna (7/10)

Gonna adds his previous collaborator Turbo on the team in "Won't Stop", where he goes against criticism and says he'll continue; it's definitely a lot clearer than his last stuff.

Underdog – Roddy Ricch/F1 The Album (8.6/10)

We continue from another song in the run-up to F1: The Album, AND THIS IS THE BEST ONE I'VE HEARD YET!! The flow, the pace and the tone are so smooth that the whole song has an aura all around it. Must listen.

West Life - AJ Tracey (7.1/10)

AJ Tracey gets yet another green because he is one of my favourite UK rappers. It's smooth & has his classic energy.

Documents – Slick Rick/Nas (7.7/10)

"Documents" is the 10th track off Slick Rick's new album "VICTORY". And it has a feature from the well-loved creator of "Illmatic", Nas. The two have good rapport and successfully deliver a sound that feels like it could do some things for the US rap scene. It's not falling short of the well-thought tag.

Figures On The Wall – MOIO (8.2/10)

This song is a reason to keep living life; stuff like this brings a tear to your eye. Now, the Web doesn't have a floodload of information on this release, but we don't need that. All that matters here is the connection; I wish the connection had been able to be interpreted better and the meaning didn't feel blurred and hard to find. But I'll take this.

R&P – LD/Headie One (8.1/10)

This is the first song I've heard from LD and the best song I've heard from Headie One. If you've heard UK rap/drill, you could've seen this coming from a mile away, but that doesn't mean the song still doesn't hit hard. The verses are speedy, on point and precise. They really went over the bar.

LAST MAN STANDING - Blusher (6/10)

It's just really boring.

Westmoreland - Joe Armon-Jones/Asheber (6.4/10)

Faithless – Lewis Fitzgerald (7.3/10)

Guitar pop with a upbeat chord progression and a life message. Lewis plays the part of the song really well; I enjoyed it.

Comedown – Henry Moodie (6.9/10)

I miss the days of "drunk text".

Folded – Kehlani (7/10)

Surely this had to be inspired by Tyla; in fact, if you like Tyla, then this'll be right up your alley. It has a slow and easy pitch that feels right.

When I Get Home – 4Batz/Wale (7.9/10)

Who's out here calling Batz repetitive? The slow and easy energy hits every song, just as good but in a different way. Love it.

Miscalculations – Ellie Dixon (6.9/10)

A little basic pop but not the worst thing.

In My Head – Mae Muller (4/10)

Genuinely one of the most uninteresting and generic artists on planet Earth.

Midnight Calls – Debbie (7.1/10)

Stay Gold – Jax Jones/Ado (7/10)

Finally, Jax Jones made a good song and stopped his slide into the abyss of crappy music artists. From Beyblade X (assuming that's an anime show based on the cover), this song is repetitive but in an earworm way that gets stuck in your head. It won't get a load of replays, but a few returns to this wouldn't hurt.

Plasticine – James Marriott (6/10)

A Better World – David Guetta/Cédric Gervais (7.6/10)

A rare moment where David makes something that actually brings back the fun summer feeling and really captivates you. At least we have this back for a little bit.

TATTOOS & U – Iann Dior (8.4/10)

Just under two minutes of straight-to-the-point upbeat pop that should really be picked up by social media. Give this more attention!

Call Me When You Need Me – Highasakite (6.6/10)

Kintsugi – Ella Eyre (7.3/10)

Did I miss something?? How did Ella go from "Deep Down" to this? Well, this is still pretty cool; it would do well in a bold perfume advert.

TV Show – April (4/10)

Nothing about this was interesting.

When my wings are cut off – daine (6/10)

Distant Strangers – ONEFOUR/The Kid Laroi/Imogen Heap (4.6/10)

It's a reimagined and remixed version of Imogen Heap's "Headlock" that adds rap while using some of the same flow. Overall, though, it's just a cheap remix.

ART – Nemzzz/Latto (6/10)

Nemzzz made this a lot better; I feel his style is easier to listen to, so him being on this helped.

Geezer - Kevin Abstract/Dominic Fike (6/10)

It won't be remembered long.

WASSUP – Joey Valance & Brae/JPEGMAFIA (4/10)

After hearing a lot of Joey Valance's "No Hands" album, I had a bad view of them, and this is like the things on "No Hands". Cringe, pointless and a blip of new music Friday that will be forgotton.

Chargie – Alesha Dixon/Tom Moutchi (8/10)

This is how you do it. This reminded me of if Tate McRae's intense feeling was merged with Tyla into a dancefloor hit. Amazing.

Sound & Light – Alison Goldfrapp (8.4/10)

Wow, Alison just keeps on delivering. I've really got to check out more of her music. This reminds me of Kylie Minogue but with a warm summer feeling that gives a similar feeling to nostalgia; my brain loves this.

Sweet – Badger/Chelsea Grimes (7.2/10)

It's like a better version of Tommy And Piri.

Burna - Jessy Blakemore (8.4/10)

This is like Cat Burns, and as someone who loves Cat, this is a massive win.

Aren't I Good For You – Yazmin Lacey (6/10)

It's like if Jorja Smith and Olivia Dean got on a song together.

Summer 17 - Elijah Waters/Jeshi (6/10)

SUCKERPUNCH – All Time Low (7/10)

It starts by sounding like a male version of Lady Gaga if she did a pop-rock song and then goes into a sound that fits upbeat country a little more. And it all sounds well made.

Anxiety – Spotify Singles – Nova Twins (1.1/10)

A TERRIBLE cover of Doechii's "Anxiety" that tries to be something different by adding rock and stronger sounds but instead only sounds harsher on the ears.

Aftersun - Jessica Winter (7/10)

Sick n Tired – Cash Cobain/OnlyHeaven (3.4/10)

I don't know what to think of this… it's so slow that it sounds, on one hand, bad, but on the other hand, the slowness has good qualities. Either way, the feature still ruined it by jumping in and delivering a sound like Sexyy Red and then started singing despite sounding awful as a singer.

Good Things Come To Those Who Wait – Skream & Benga (5/10)

What was the point of this? Repeated nonsense.

[Mellope]

NEW MUSIC FRIDAY 20.06.25 #35

Bonde Do Brunão - Bruno Mars (0.9/10)

2025 has been such a bad year for Bruno Mars, and to make it worse, he drops a 57-second song, which I heard somewhere a couple of months back. In the song he's speaking/singing in a very strange way, and the production on this sounds like it's made for a kids waterpark advert. It's also so cheesy.

Hammer – Lorde (7.3/10)

Her accent felt like it was going to flood through, but thankfully it didn't because I think it makes the songs worse. "Hammer" is from Lorde's upcoming album "Virgin" and continues the alt-pop with artistic values. The song talks about love and identity and gives the song the meaning it feels like it needs. Hopefully the rest of "Virgin" can at least be as good as this.

All Gas No Brakes – Teddy Swims/BigXthaPlug (6.4/10)

Rap artists shouldn't have a place on Teddy's music! Ever since he started getting them on his songs, his music never felt the same… it's lost the magical feeling it used to have, and whatever formula he uses is not here. It's just a simple soul that doesn't satisfy.

We Never Dated - Sombr (7.4/10)

I liked Sombr's trendy music, but I never really came back to it (despite feeling that maybe I might), and this song actually makes me want to hear more of him. It has that emotional and gripping sound that his popular songs have, and if anything, this shows that he hasn't lost his shine. And for what it is, it's also pretty memorable indie rock.

Drive – Ed Sheeran/F1: The Album (7.6/10)

Ed Sheeran making rock music was not on my 2025 bingo card, but I'm still very thankful it happened. I've heard a lot of Ed, and this is probably the most different thing we'll get out of him; the guitars have gone all out to give a fiery sound that even keeps up in the hook that Ed very well matches. Great.

Mr Electric Blue – Benson Boone (7.1/10)

It's like "Mystical Magical" but if it didn't carry a whole hate train on the internet. The intense buildup tone on "Watch the way you talk to me" really adds up to the full kick in the hook. And the way it goes into a summer pop song is lovely.

GUILT TRIPPIN – Central Cee/Sexyy Red (5/10)

Sexyy Red keeps getting collaborations left and right, and most don't matter in the slightest. It's just speed-run cheap music to try and get a hit single. In this song Central and Sexyy give their exact same performance and a weak rap hook that fails to impress in the slightest.

Not Like That Anymore - Lola Young (4.1/10)

What a downgrade from "One Thing". The emphasis she puts on the swears feels like she's running out of oxygen. And what even is the lyric "I like a dopamine hit more than a fat kid loves cake"? There's at least five writing credits on this song, and that's all you could come up with? Goodness. Let's hope the full album is better than her Temu version.

Rein Me In – Sam Fender/Olivia Dean (6.5/10)

This is a new version of Sam Fender's "Rein Me In" from his early 2025 album "People Watching". I honestly think Olivia's verse was not needed, and my opinion on this won't make me come back to the song.

Close To You – PinkPantheress (6/10)

After the release of her mixtape, "Fancy That", she's already back to her hyperpop dance elements with a under two-minute song that displays nothing new. Waste of time.

ATTENTION! – Kesha/Slayyyter/Rose Grey (8/10)

"Big comeback like Jesus' resurrection" Your singles haven't even cracked the top 40, but ok. Despite what I just said, this is actually a good song. I've been liking Rose Grey for a while now, with her recent album making me curious for what's next. And she gives us Jade's "It Girl" if it was actually good. With the loud and proud diva energy and the bass blasting to make a club sound, it sure is amazing.

All Over Me – Haim (6/10)

I'm totally forgetting this, lacks. The singles for Haim have been all over the place recently.

COL4 BODY – Aitch/Tiggs Da Author (7.1/10)

Aitch is trying new things on this, even adding parts of other genres.

Mr Cool – Kenya Grace (7/10)

She finally returns after her album "Aftertaste", and Kenya still has the smooth and light sound that elevates her music into a good score. If it felt a little more magical, I would've liked it more, but I'll take this.

Gabriela – KATSEYE (7.2/10)

Think of everything that their first single "Gnarly" was, and now think of the opposite of each of those elements. This song is softer; it's not cringe, and it actually takes the time in the beat to form a sweet pop song. Think of it like Mae Muller if she were good.

Plastic Box – Jade (4/10)

The simplicity isn't sweet; it's just straight down to the basics, with Jade feeling lacking in character. Just like in her other songs, it just doesn't hit the mark of even "alright". I fear this album will contend for worst album of 2025...

No Time To Talk – Jonas Brothers (5.4/10)

I don't get how people can listen to pop that makes no changes or a group that makes no effort to do anything new. This is exactly what they've always been making.

Remember – BAMBII/Ravyn Lenae/Scrufizzer (7/10)

Ravyn is never one to try and appeal to typical pushed-out pop, so something like an interesting mix is expected.

Victory Lap – Fred Again../Skepta/PlaqueBoyMax (6.3/10)

Fred Again's style wasn't shown that well on this, and it felt like the song swung in more of Skepta's style with the intense rap beat.

Bodies – Offset/JID (7/10)

Their flow was nice, and the beat was nice, but everything felt just "nice" for me, nothing more. Maybe a good song for the night out, though.

Outside – Cardi B (7.7/10)

Cardi B makes a radio-trap song with the perfect level of bounce in the bass and fiery, unapologetic vocals.

HOW DOES IT FEEL? - The Kid LAROI (7/10)

You know what? I actually like a song by this guy. The vocals going a little into whispers with the funky, disco-like sound mixed with a slow yet moving feel... it's definitely something that could do something if promoted correctly.

Papasito - Karol G (7.2/10)

High On Me – Rossi/Jazzy (5.9/10)

Jazzy is someone I can rely on to continue to give me electronic dance and house music that doesn't sound like the typical stereotypes of the genre. And with this, it's not my cup of tea, but it's certainly not bad.

Ghosts – YUNGBLUD (6.5/10)

A step down from "Zombie".

NOBU – SHY FX/KINGH (5/10)

Drum and bass with a thump and kick. My only problem is that the song doesn't feel like it goes above in any parts of the song.

Easy – JACOTÉNE (7.1/10)

Wait So Long – Swedish House Mafia (7/10)

Sounds like it has its style while maintaining a radio sound.

Bad – Dylan (7.1/10)

Feel It – Protoje (7.2/10)

Smooth reggae music.

The Jamie Oliver Petrol Station – CMAT (6.6/10)

After hearing CMAT's UK charting song "Take a Sexy Picture Of Me", this is now the 2nd thing I've heard from them. It's definitely not as good as "TASPOF", but it follows a similar pattern of alternative indie-pop while having differences, and it's alright. People believe this track is a diss to Jamie Oliver.

YOLO – Horsegirl (6.8/10)

I'm usually not into the fast hyperpop of modern day, but I'll make an exception for this.

OOH – SOPHIE (7.8/10)

I've honestly never liked SOPHIE; in fact, she was one of my least favourite artists. But I think this is definitely better; going slower while having the resemblance of her signature sound worked well.

iPod Touch – Ninajirachi (6/10)

Uninteresting.

Anything – Skeete (6/10)

The vocals remind me of Drake, and that's not a good thing. The rest of the song sounds like TikTok dance-rap with expected producer cuts.

We Don't Have To (Clothes Off) - Symmetrik/BL3SS/GRACE BRIDIE (5/10)

Hold You – Jasper Tygner (4.9/10)

Return Of The Sharp Heads – Baxter Dury/Jgrrey (7/10)

Wahoo – Gen And The Degenerates (7.6/10)

Exciting and has a nice swing to it.

Lights Out - Goddard./Glacier Baby (7.5/10)

One of Goddard's best songs! It's more than slop; it has quality in every part!

Sonny Fodera - Deed0t (6.7/10)

The vocal autotune is annoying, but the rest of the song is good.

6 Months Later – Megan Moroney (5.2/10)

This is honestly really like Lainey Wilson, but a bit worse. But overall it's the same country composition you've heard other places; it doesn't matter.

You Still Got It - Brett Young (5.7/10)

Typical American country.

Back of the club – kwn (4/10)

This never needed to be four minutes and thirty seconds; to be that long, it needs an actual better hook rather than this slow mumble.

Boujee Baby – JayDon/ZEDDY WILL (6.4/10)

Pop-rap that has a bigger social media appeal than experimental appeal.

Sycamore Tree – Khamari (5/10)

Not much needs to be said about this apart from boring.

New Country – Noah Cyrus/Blake Shelton (3.7/10)

More Western music that we've heard before. *sighs*

Universidad – TINI/Beéle (5.5/10)

1,000,000 Reasons Why - Brandon Lake (6.5/10)

Better Christian music that's only slightly typical. Jesus would probably be proud.

El Malo – Xavi (6/10)

The guitar on this is weirdly played, but I actually like it. And the mix with Spanish music is unique, but I don't hate it.

Wipe Your Tears – Sam Austin (6.5/10)

Ever since his UK charting appearance, I've been hyped for what's next, and this takes a whispering beat with kick-ins that remind me of a club mix. Definitely not as good as what he made before.

Where To Start – Wale (6.2/10)

Next To You – Erykah Badu/The Alchemist (5.4/10)

Waste Time – midwxst (7.5/10)

From Midwxsts's new album "Archangel", "Waste Time" is the 3rd song on it and has a correctly placed sound with tuning that doesn't feel overproduced and instead gives the song a unique feel.

Voices – Gucci Mane (3.6/10)

This type of rap is the equivalent of Skibidi Toilet TikTok brainrot. It's not healthy.

Psycho - Gucci Mane (3/10)

Excuse Me – PLUTO (2/10)

There's a tendency for there to be a new female rapper every single year who I just HATE. Ice Spice, Sexyy Redd and now 2025 is PLUTO. This song is under two minutes and has noises equivalent to moans; the production is just a basic rap loop with the "rapper" not even being able to rap properly. I'm shocked how "Whim Whammie" got into the US top 100; let's just hope

[Mellope]

NEW MUSIC FRIDAY 27.06.25 #36

IRL – Lizzo/SZA (7.1/10)

I presume the released mixtape was released to build hype around Lizzo, as her recent album's singles weren't doing too well. And honestly, with features like Doja Cat and SZA, I think this is a great marketing move. The song is fun with a sexy tone around it, as it blends rap and pop. It's not the most radio-friendly thing, but I could see it rounding up a few charting weeks.

Survive – Lewis Capaldi (8.8/10)

He doesn't deserve the hate... I love Lewis Capaldi. He has some of the most raw and heartfelt sounds in the industry; his last album not only touched the heart with every song, but it proved that he's capable of a LOT. And wow, this song hits the high notes perfectly with the message of surviving mental health issues and troubles of life, and honestly, this nearly brought a tear to the eye. BEAUTIFUL.

On My Mind – Alex Warren/ROSÉ (5.5/10)

Alex Warren makes music that's as flavourful as numbing spray, so the fact that this felt like the pointless love ballad it was is unsurprising. Alex needs to step up and stop giving the bare minimum build-up to a song that feels like it'll only be loved by Myles Smith's biggest fans.

One Heart, One Voice – Barbra Streisand/Mariah Carey/Ariana Grande (7/10)

Crystal clear voices that come together to make a song that sounds fit for a choir. An improvement would be doing more.

All Night – Maroon 5 (7/10)

One million times better than their collaborating with LISA. The structure felt like it had more to it, with the jazz elements adding a funky and smooth feel that elevates my song. This is the one for radio!

Gameboy - KATSEYE (7.1/10)

It's light and easy while having some simple, playful verses about a boy, and seeing there's only two extra songs on that EP, I think I may as well do a track-by-track review of it! This is definitely better than "Gnarly" and more near to the level of "Gabriella".

Need You More – Teddy Swims (8.8/10)

The "I've Tried Everything But Therapy" series is now complete, and finally, after wanting it for so long, we've finally got something that resembles pt. 1 of "ITEBT" in a really good way. The soul and emotion are stronger, there's no rap feature, and the song is one of the realest-sounding things he's made in a while. His voice is just amazing!

Lover Girl – Laufey (7.2/10)

Sounds a little too similar to some of her other music with the playful 60s-70s jazz sound. Despite that, it's still good. Kind of excited for the album.

FWU – Don Toliver (4.6/10)

And after the F1 movie, Don is back to dropping on the same standards as before, with the tuning and beat just sounding typical and minimal effort. Not much more needs to be said.

Always Love – D4vd/Hyunjin (5.4/10)

It's fascinating seeing how a D4vd collab with a K-pop artist will go, and as much as they didn't have as much chemistry as I hoped for with the vocals feeling like they weren't mixed well with the beat, I can at least say that this is in some way presentable. I really think the feature choice was really bad, though; the background could've been something bigger.

THE ONE – Kesha (6.2/10)

This new era is feeling so mixed; this song reminds me of "143", but if it was actually a good album or at least bearable. But let's be real, we're not getting another "TikTok" in 2025...

Home – BigXthaPlug/Shaboozey (7/10)

I loved their collaboration on "Drink Don't Need No Mix", so seeing a second collaboration was always welcome. This takes more of a ballad-like route; I think an upbeat song would've been better. Still good regardless of that, though.

Never Met Anyone Like You – Ella Langley (7/10)

A country song that has lyrics by HARDY, the song gets more interesting in the second part where a high rock chorus kicks in and saves the song extra points from me.

Romeo - Dove Cameron (6.7/10)

Definitely a small drop down from things like "French Girls", but it's honestly still alright; it just doesn't have the bass or atmosphere that carries the level of intensity or energy as her other songs.

Heroin – Jessie Murph (3.4/10)

So much for me liking "Touch Me Like a Gangster"; I'm already back to hating her music and her vocals, which made this emotional song feel far from emotional. I just can't... this is leaning into the Amy Winehouse era more, and she just didn't nail it like last time.

Lighter – A7S/David Guetta/Wizkid (5/10)

Mad - Reneé Rapp (7/10)

Pop-rock that leaves questions about how good her next release will be.

Ashes – Diplo/Bailey Zimmerman (7.2/10)

Funny enough, I heard Diplo and Morgan Wallen's country song this week! On this note I think that Diplo can have a serious spot in the country industry; he doesn't overly try and mix other genres and instead stays true to the roots of country. That's what I respect.

D.A.N.C.E. – Peggy Gou/F1 The Album (7.5/10)

This week is the F1 album's release date, and with that comes this, which is a chill dance song that doesn't give main single energy but will still pull some people on the dancefloor. My expectations were met.

Don't Let Me Drown – Burna Boy/F1 The Album (7.4/10)

A more tuned version of what Burna Boy usually makes. In fact, it's a whole change completely.

Polo – Kim Petras (5/10)

It's like "Unholy" but without Sam Smith, and honestly, I think she just actually can't make anything good. This intense club sound with beat drops just doesn't fit her, and I don't think I'll ever like her. Skip; move on.

Gold – J Hus/Asake (5/10)

May I ask what the lyric "Illuminati, top of the food chain, the hierarchy" was supposed to indicate?

Looking Up – Lauren Spencer Smith (8/10)

I'm not listening to the haters because I love this! Lauren has simplicity at heart, yet she always delivers, and this song proves that yet again. It's like a less high-pitched version of "Bridesmaid".

Gut Feeling – Debbii Dawson (7.1/10)

GET DEBBII ONTO RADIO NOW. THE NEXT POP GIRL IS RIGHT HERE!! CMON!!! This is by no means her best song, but it has that slight disco-like side with a charge that fuels her fun. I like it.

The Story Of Her – Caity Baser (6/10)

Atleast she's not being cringe... that's a good step forward.

EXPECTATIVAS – Myke Towers (6.5/10)

Nookie (Pu$$y) – 21 Lil Harold/21 Savage/Sexyy Red (1.5/10)

This type of music is more unhealthy than brainrot, and by the artists on it, I think you can tell it's not going to be good. The effect on the hook sounds just awful and reminds me of in Morgan Wallen's "Miami" when he used those awful vocals. And 21 Savage talking about his balls and King Kong in the same sentence was not on my 2025 Bingo card.

Locos – Santa Fe Klan/Saweetie (5.5/10)

Let It Be For Love – Armin Van Buuren/JAI RYU (3.5/10)

David Guetta but slightly better (only slightly).

Prince George – IDK/Cordae (8/10)

I've got to hear more Cordae because he has this sound that many experimental rappers often come near, and I like that.

Jersey In July - Dom Innarella (7.5/10)

This has to be a Justin Bieber clone. Although I will say that this is a good Justin clone, the guitar is full of life, and the song doesn't feel limited to one certain thing.

new friends – flowerovlove (7/10)

It's a respectable pop song, expected though.

Somewhere – Charlotte Lawrence (5/10)

Quite a big letdown from the Spotify snippet.

Made For Goodbyes – Blake Whiten (6/10)

Hot 100-type country music.

Spin The Block – Nelly (7/10)

Definitely still has some of the similarities of some of the older Nelly music I heard; I like it.

I Want to Go – Ely Oaks/LAVINIA (7.1/10)

This is the third song I've heard by Ely and the first I've liked by him; the production actually feels thought out for fun instead of cheaply whipped up. Good electropop that still has its social media sound but instead keeps its shine!

Peace Of Mind – Martin Garrix/Citadelle (7.5/10)

Love the bass and the groovy pads that give this a trance sound.

Misfit – Franni Cash (7.5/10)

This easy-to-understand song is about how Jesus was a misfit and getting through the stages of people questioning beliefs and rules. I think understanding religion is a great topic to sing about, and especially in this kind of way.

Car - Royel Otis (7.4/10)

Along with an album announcement, Royel Otis shares a new indie-rock song that feels like it would fit the theme of a nostalgic music video well.

my light – Yung Kai (8/10)

This song is a mix of Mandarin and English with a nice dreamy guitar sound which is accompanied by soft and luxurious-sounding vocals. It definitely deserves a spot for a viral hit. Also, you have to wait till the middle for the song's sweetest spot.

June – 24kGoldn (6/10)

It appears he and his "Mood" collaborator have both got to similar points in their careers.

Yoda – Tech N9ne/Lil Wayne (7.5/10)

Loved the way Wayne rapped on this; it honestly could've fit near Tha Carter VI's better songs.

Feel Something – Sasha Keable (5.2/10)

Left To Get Right – Cole Swindell (7/10)

One of the only times where I will appreciate country music that you've definitely heard similar to.

Solid Country Gold - Parker McCollum (6.7/10)

Bag Of Bones – Lord Huron (5/10)

1-800 - Bbno$/Ironmouse (5/10)

This guy just releases the same party rap songs; the only great one was "Check", and apart from that, nobody really cares anymore.

Bed Of Roses – Teyana Taylor (5.6/10)

Home – Mac DeMarco (7.1/10)

Really relaxing voice.

Dat Girl - Kaliii (4/10)

I'll become interested when Kaliii makes something that's not of the same rehashed sound, which honestly makes me think of Sexyy Red.

Potluck – MAVI/Smino (7/10)

Kinda went in one ear and out the other, but I enjoyed it.

The Field – Blood Orange/Tariq Al-Sabir/Caroline Polachek/Daniel Caesar (7/10)

97 Jag – Kevin Abstract/Love Spells (7.3/10)

Naked – 41/Kyle Ricch/Jenn Carter/TaTa/A Boogie Wit da Hoodie (7.8/10)

I was expecting to give this a 1-2/10, so this is a HUGE surprise, but they actually got this near spot on. The slow romantic-like beat mixed with rapping that fit the pitch and felt correctly timed.

Really Want to Be With You – Durand Jones & The Indicators (6/10)

Stare at Me – JANE HANDCOCK/Anderson .paak (7.1/10)

First of all, Handcock is such an unfortunate surname ?? (I'm sorry I had to mention this). For the song itself, it reminds me of the stuff that Silk Sonic made, with the smooth soul, but instead this adds fun claps and an upbeat sound to give it an old yet kind of modern feel.

ROCKIN – Shoreline Mafia/OHGEESY/Fenix Flexin (7/10)

Positions – Stryv/Malachiii/Adam Port (6/10)

Adam Port & Stryv have fallen off; it's not a secret.

For The Money – Rick Ross/Pharrell Williams (6.6/10)

June Guitar – Alex G (7/10)

The melody kick-in at the three-minute mark sounds like music you'd hear on a ship, and I like that.

Unsatisfied Heart – Bruce Springsteen (8.1/10)

This song is from a new collection that shows many of his unreleased songs, this of course being one, and I honestly think it has the quality to be a released single. The instrumentals shine through to be a main part of the song, along with the vocals fitting as well as some of his classics! I'm impressed!

Woke Up – Sheff G/Sleepy Hallow (6.6/10)

Can we talk? - Tink/Bryson Tiller (5.6/10)

It's kind of like Doja Cat.

Tubi Movie – Loe Shimmy (4/10)

I hate how he sounds like he's inhaled too much helium and then tuned himself.

Run – Fine (5.2/10)

BTA – Young Nudy (6/10)

Rap crap but... good? Why was this kind of enjoyable?

White Noise – Joyner Lucas (5.4/10)

Light Me Up – Nicky Youre (4/10)

Nicky not only completely fell off, but now he's left his genre and is appealing to a whole other age group. R.I.P. his career.

Komol Reshab Asavari - Terry Riley/Red Hot Org/Sara Miyamoto (1/10)

I love Red Hot Org, but this is honestly Red Hot ASS. It sounds like a mix of a haircut being shaved with a razor and what an ancient temple god would sound like if it moaned. Around the 8 and a half minute mark, it sounds like an Indian accent singing and moaning, and by the end of the song, I honestly regret ever listening. What the HELL was this??

[Mellope]

NEW MUSIC FRIDAY 4.06.25 #37

Wet Hot American Dream - Ava Max (7.2/10)

This is my new favourite song from the upcoming album; it's harmless, fun pop music about living the life in a hot American dream. Not anything with 5-star substance, but I wasn't expecting that seeing how this album is going.

Take My Mind—WizTheMC/Bees & Honey. (8.3/10)

It's not as good as the duo's first collaboration, "Show Me Love," but it sure is a firm step too, getting a second hit song. The song uses the same tone and effects on the vocals along with an extremely similar feeling to "Show Me Love," but of course, it gives it a little bit of noticeable difference. I honestly hope these two drop more because this music is luxury to the ears.

I Won't Miss A Thing—Tom Grennan (8.2/10)

Tom is one guy that can turn a simple song that only uses piano and vocals into something magical and incredible that'll be remembered. This song is the first song on his upcoming album that doesn't fit the upbeat pop description, and honestly, it wouldn't be Tom if we didn't get a song this good.

River Washed Hair - Zach Bryan (8.1/10)

As I get older, Zach Bryan seems to appeal more to me, and I'm not sure if it's him or me developing. The harmonicas, the slow movement that gives the song the emotions it does, and the fact that he sticks to what he does even when country music is evolving in other ways. That's what I like.

Fuck Me Eyes - Ethel Cain (8.2/10)

She's already dropped a much-loved EP this year as well as the new singles from her upcoming album, just adding to the achievements of most loved. Now, I enjoyed the first song, but I'm not gonna lie, I prefer the synth, dream pop version of Ethel. And for once it sounds like something the radio could pick up; the beautiful lift in noise feels surreal and has an elevated sound that makes you feel like you're floating. I didn't know Ethel was capable of something like this. The only thing I'd like to see improved is meaning control; I can't understand anything she's saying.

Big Darg Status - Headie One (4.3/10)

I'm actually kind of questioning what I just heard. Headie One keeps randomly stopping the song to use coughing as a hook, and it sounds exactly like the coughs in the viral cough dance. Using coughing as a hook is not only beyond cringe, it's just screaming that you're trying to be recognised for something. Onto my second concern: the song's title, "darg," is obviously a play on words from the word "dog," but it's just so cringe. Calling someone a big dog is a normal term; a big dawg is still kinda normal—nothing bad. But when you say darg, it sounds like you're trying to put on the accent that people typically associate with and call gay. BRO, JUST SAY DARG OUT LOUD. It sounds STUPID. This is like on a Lil Mabu level of stupid. For the rest of the song, it honestly follows along the lines of Central Cee and other UK rappers in being totally boring.

Bassline Flexa - Marshmello/Joytime Collective (4/10)

This just whizzed past me like a modern-day David Guetta song; the bass honestly made me think of a squeaky fart.

Believe—Clean Bandit/Lloyiso (6/10)

I'm not going to waste much time on this; it's by no means a highlight of what Clean Bandit has served to us; it's just radio music that we know won't perform greatly.

Today's Song—Foo Fighters (5/10)

I really can't care for another song that reminds me of a blur within the rock acts that already exist.

Love Me Gentle - Mabel (6.4/10)

The vocal tone has a little of her 2022-era energy, but I still can't say this is the Mabel that I want. I really am not looking forward to the mixtape.

Hey Hi Hello - Alison Goldfrapp (7/10)

Not as good as "Sound Of Light," it feels like a watered-down version of that song that doesn't feel complete like her others.

Before & After You—Sydney Rose (6.7/10)

Echoes - Loreen (7/10)

I think adding a new vision to her formula helps it not become boring, like the piano on this one.

Perlas Negras - Natanael Cano/Gabito Ballesteros (3.5/10)

Do these people put any effort in apart from using the same Spanish/Mexican sound?

Over You—Oppidan/Venbee (6/10)

Venbee needs to make things more like her last album. I get she's only a feature, but even the recent singles are just not at or near her old level. This is an average-level song.

Air Maxes - KETTAMA/Shady Nasty/Fred Again... (3/10)

I'm sorry… WHAT? The whole song was just talking. I don't even know what to make of this. There's nothing I can even critique.

Weekend - Eliza Rose/The Trip (7.4/10)

Wow, actually a pretty good showcase of Eliza's style.

Stereo - Moby/Goddard/Lovelle (7.6/10)

Bass that has the head-bopping late-night energy that keeps you going—love that.

Ginger—Sean Paul (6.4/10)

We know that Sean Paul isn't going to deliver a verse that's as valuable as 24-carat gold, so I'll take this. It's a club-rap song that feels like giving more energy would work better on the hook.

Tony Soprano - Brent Faiyaz (5/10)

Pretty standard R&B music

Body - Newera (7.8/10)

This is honestly New Era core, with the mixing, vocals, and just presence completely resembling their hits.

Pedicure Princess - Hannah Laing (7/10)

I'm not mad at the genre that feels more hyper in terms of who it's appealing to, but I'll honestly take this as a win. It's probably not getting a replay, but it certainly doesn't put any kind of dent in my view of Hannah Laing.

Kickboxer—YoungBoy Never Broke Again (3/10)

This is music for people who think it's tough to go up to someone and say, "Aight, bruv, where's the money, or I'll smash your face in."

Giddy Up Gorgeous - Tanner Adell (8/10)

THIS IS A COUNTRY GIRL WHO GETS IT!!! It has a beautiful spin that makes the song anything but typical, with the tone on "Out of mind" being my favourite part of the song.

Sugar, baby - ELIO (7/10)

Sippin' On Top Of The World - Russell Dickerson (6.8/10)

I'd take it over his current song in the US charts.

Dark Sea—Shaya Zamora (8/10)

The hook is like Rag'n'Bone Man's "Human" with the deep, moving tone.

X TI - Kapo/Feid (4.9/10)

Noventa—DJ Snake/J Balvin (5.5/10)

I'm shocked that such big artists can release something so dull.

Til My Fingers Bleed - SEVENTEEN/Duckwrth/The World Alive/EWC (6.7/10)

A decent performance that strays away from the usual stereotypes of Korean pop groups.

Philanthropist - Jesse Welles/Billy Strings (4/10)
Boring.

Ya Feel Me—Larry June/Cardo Got Wings/E-40 (3.7/10)

Jies—BNXN (5/10)

Tree—Chance the Rapper/Lil Wayne/Smino (3.8/10)

Lil Wayne is sounding more robotic and out of it in every song, and none of the others do anything.
To salvage this wreck of a song.

Summer '25—Benny the Butcher (4/10)

Falling - Frost Children (4/10)

The snippet was good, but in full, this thing was repetitive and bad.

Catch Me Outside 2 - Ski Mask The Slump God (6.7/10)

I only heard of this guy the other day because he donated on Ryan Trahan's Airbnb series. Anyways, this is some cool rap, nothing life-changing.

London's On Fire—Chris Lorenzo/Max Styler/Audio Bully's (4/10)

This sounds like music that 40-year-old bald, white truck drivers in the UK would listen to.

PLB (Pretty Little Baby)—Mary Droppinz/MYTHM/Connie Francis (0/10)

I'm going to be really honest... this is the worst song I've heard in my life. I don't even know how you can mess a song up this bad and get added to New Music Friday. This is literally Connie Francis's viral song "Pretty Little Baby" with BASS DROPS that sound worse than CYRIL's production. The bass drops interrupt the song and randomly crash into the mix, creating this uneasy and disorganised sound. To call this the 2nd worst song ever is a compliment. I don't often like to be this harsh, but the artists should just retire; this song is career-ruining, it's life-ruining, and this HAS to be satire. It's actually that bad that I'm convinced that this must be satire. Anyone who's playing this song and enjoying it needs to be chucked in a mental hospital, and the worst part is I don't even think I'm joking. I kind of mean that. This is DISGUSTING, a mockery of modern music. AI is better. I've never been so disgusted and just pissed off by one sound.

[Mellope]

NEW MUSIC FRIDAY 11.06.25 #38

What Did I Miss? - Drake (4/10)

I've already covered how much I dislike Drake for making the worst album of all time and of this year (so far) and how much I dislike this song, but this time I'll do it in more detail. This sounds like a more watered-down, boring version of his big hits, where the background champion theme is the only thing that partly stands out for the better. It's safe to say Drake is making music for the sake of making music. I'm flabbergasted that this is set to debut at Billboard no. 2; it really proves that commercially, even if you make a lazy rap/trap beat with a simple hook, then you can truly do anything. BOO!

IS IT—Tyla (8/10)

The loud drums pound onto a beat that feels glitchy but in a good way; this song isn't short of a bop, and it's honestly one of Tyla's best songs. It has a progression that gets stuck with you from the moment you hear it, with the essence of Tyla's Afro music fusing into a club song that has "all killer, no filler" written all over it.

JUMP—BLACKPINK (3.6/10)

I think too much focus was put into the bass and loop and an action-packed production rather than trying to maintain quality. This is your typical bad bitch K-pop song that happens to make you anything but care.

The Way—Juice WRLD/XXXTENTACION (8.1/10)

With an acoustic mix on top of both of the rappers soft and slow rapping, the song approaches the emo rap in the best open way possible without being cringe and even provides a nostalgic side to it. This could be something big.

Bad As The Rest - Jessie Murph (0.4/10)

Sure, her voice still sounds like a grandma is getting crushed by a train, but the song is somewhat decent in terms of the beats buildup. BUT I'M SORRY… The vocals overpower the song and add this really sour taste to the song; her screaming definitely didn't help either. You may see this in my Dishonourable Mentions for 2025.

Change Your Mind—Burna Boy/Shaboozey (6.4/10)

I was weirded out by this genre blend and curious how it would turn out… and it actually turned out alright. A fairly upbeat hook that has generic qualities, but despite that, there are still good points, such as how both artists manage to sort something out that at least has a sense of both their styles (despite the song feeling more fit for Shaboozey). I won't be returning, but I'm not angry at this.

Lady Lady - Olivia Dean (5/10)

I confess, I don't really like this new Olivia Dean… she can sure play jazz and sing, but I think she does it in the most uninspired way possible that begs the question, "How long can she keep this up?"

Vampire Diaries - MGK (3/10)

The stability of the chorus and vocals isn't good, and it honestly makes the song sound AI-generated; in fact, by the sound, I wouldn't be shocked if it was. MGK has this sound that feels like it could be replicated easily, and that's by no means good, so him putting out a poor attempt at a summer hit that feels basic from all angles and was never going to satisfy.

Butterflies—JVKE/TOMORROW X TOGETHER/LE SSERAFIM/TAEHYUN (7.4/10)

A fun, playful song about what you feel when you love someone; both sides have their essence, and nothing felt overpowered. It's also pleasant to see my liking a side of K-pop a little more.

A Song To Sing—Miranda Lambert/Chris Stapleton (8.3/10)

Yeah, I'll say it, Chris Stapleton is real American country music, and this is more proof of it. Both have this way of singing that sounds like an Elton John song with the old feel, but instead they bring even more of a smooth, soulful feel that is honestly one of the smoothest things I've heard in a while! And that violin near the ending was spot on too.

Vodka Cranberry - Conan Grey (8.1/10)

It's like "This Song," but with more sweetness and less of that high beat kicking in for the hook. Conan has these really soft vocals that fit a love or heartbreak song in a way that nobody else can, and I think that's something special.

Time Is Money - Joyner Lucas/J Balvin/Fireboy DML/DaBaby (3.8/10)

Four features, and yet the energy was so flat. We got the little separate culture sound in there, but it just didn't blend together, and instead it felt like whatever this song was trying to do did not turn out for the better.

The Mood - FLO/KAYTRANADA (5.7/10)

I've been listening to a lot of FLO over the past few months, so a new song was always welcome... and this? Yeah, I mean, it's good, but it partly sounds like a Tyla song, and you know I mostly don't like Tyla… it kinda just falls flat, and instead of making you feel like a bad bitch, it doesn't even get you moving. Disappointing.

Back To Me—Rudimental/Jess Glynne (7.3/10)

A feel-good dance summer jam that shows that Rudimental is upgrading and won't be putting the fries in the bag anytime soon. Jess had clean vocals that fit dance music really well, and Rudimental made a nice sound to go alongside her.

TUCHAT - Quevedo (8.2/10)

The drop into a more soothing reggaeton beat and smooth sound is what made me like this more. I wish the reggaeton bass didn't come in as much on parts, but it's still very much enjoyable. Added to my liked songs!

Won't Diss You - Lil Yachty (6.2/10)

It follows in the steps of other rappers tuning, with a nice little groove that gets you into the mix a little. It's nothing crazy, but I'm happy to watch out for what's next!

Hurt So Bad - Dean Lewis (8.5/10)

Dean covers the topic of trying hard yet feeling heartbroken in a heart-pulling song that feels like it's not only one of Dean's best but also has production that is a treat for the ears; the ending piano and other instruments coming together form a beautiful harmony to end a vocal hold that felt nothing short of art.

Oh, Anna! - Dasha (8.4/10)

Guitar and drums that have a short buildupto an earworm of a country-pop chorus that may sound built for radio, but it still has that sweetness to it that feels like what real country music should be about.

Follow Excitement! - Rizzle Kicks/Rachel Chinouriri (6.7/10)

This felt more like a Rizzle Kicks song and less like a Rachel one, yet Rachel still did good in a new zone.

Bartender In Destin - Acoustic - Riley Green (7/10)

Acceptable country music with nice guitar.

THIS IS FOR - TWICE (5.4/10)

Can TWICE stop making songs that sound so repetitive for the genre?

I WANNA WIN—2 Chainz (4.6/10)

From a film, "I Wanna Win," starts with a slowed sample of "Gipsy Woman" before going into pure rap that doesn't have a big backing of instruments; instead, it's just bars and maybe some drum pads here and there. Can't say I'm a big fan, and the sample was not necessary at all.

Suburbs—Good Neighbours (8.7/10)

Kinda reminds me of "People Watching," where the instrumentals are purposely played on a heavy level to not go unnoticed—and this song does that with a loud guitar that accompanies Good Neighbours' traditional sound that makes you feel at home. I really like the sound of this; there's something special about it… it gives me a Christmas fuzzy feel, apart from the fact that it's not a Christmas song. This is their best song yet.

Friendly Fire—Skepta (8.1/10)

The song has a fiery punch with on-point fast bars and big bell sounds that make you feel like you're in a boxing ring. Skepta has been carrying UK rap recently.

The Sofa - Wolf Alice (8/10)

Love where the piano and vocal overlaps were placed; this sounds a little like Lola Young's music to me (but without the accent) and also has an elegant side of violin that hits really dreamy notes. This is getting added to my liked songs!

All Night All Day—Big Thief (4/10)

Creativity went out the window with this one. It's like unseasoned chips.

Riptide—Sigala/Jaxomy/IIan Kidron (3.8/10)

A sped-up version of Vance Joy's "Riptide" with vocal effects that make you feel like you're either listening to a David Guetta remix or are playing an Ibiza playlist on Spotify with an AI profile picture and two saves. You have to be really out of ideas to make this.

That's So True - Spotify Singles - Sofia Camara (9/10)

A cover of Gracie's global hit "That's So True," which sees piano and violins used in an elegant fashion to make a more cleaned-up version of the original song. This follows up Luna Li's cover of "Headlock" as one of my favourite covers EVER. GOOSEBUMPS. (This is 100X better than the original.)

Hotel Rock Bottom - Frankie Grande/Ariana Grande (6.8/10)

Stereo - Jax Jones/Emei (7.5/10)

Two artists who both have replayable value in their catalogue come together to make a dance banger that highly reflects Jax's popular music of 2022! I think we're nearly back at his peak.

Instructions—Mahalia (7.6/10)

Mellow and peaceful R&B/soul music.

POR SUS BESOS—Tito Double P (5/10)

Everything this guy makes sounds the same; that's why I don't bother to deep dive into his music anymore.

The Hudson—The Favours/FINNEAS/Ashe (8.5/10)

OH MY GOODNESS. GOOSEBUMPS AGAIN. The amount of beautiful vocals and angelic, crystal-clear instrumentals here is something out of a movie. This could be a hit no matter the decade.

Gimme Him - PLUTO (7/10)

This is the first song I've liked by her; it may follow the route that she usually goes down, but it kind of had this nice groove to it that felt like a head bopper. Surprised for the better.

Way Of The World—Noah Cyrus/Ella Langley (5.4/10)

I'm seeing a lot of recent appeal for Ella, and I honestly can't understand it; to me she sounds like any other country artist, and I think on this dull snoozer of a song it's even more apparent.

Leaving Carolina—Ty Myers (7.1/10)

Ty Myers had an improvement from his breakthrough; this still isn't what I was hoping for in my usual bar of good country music, but it still has something, and I'm also thankful he made use of background voices and the electric guitar near the end; it definitely helped kick off the boring feel.

Shook—Sugababes (7.6/10)

WHY ARE WE SLEEPING ON NEW SUGABABES?? This has a little bit of 80s and 90s dance vibes with a Madonna feel but also caters to modern music with a funky bass and class that gives the song its credit.

In It With You—Craig David/Jojo (7.2/10)

A ballad where the two singers intertwine to share a well-intertwined chorus that reflects their singing ability.

Grave - Kid Cudi (6.1/10)

Jayden - Claire Rosinkranz (5.3/10)

The sudden jump to a faster-paced hook was an interesting choice. This song feels like a girl-pop song that resembles a similar feel to "Manchild" by Sabrina Carpenter. Can't say I wanted this, as it's very obviously a quick generic release, but I can't say it's all trash. It's just mid.

Betty - AJR (6.8/10)

Despite AJR's lyricism and tone partly feeling like a childish TikTok song, I can still say this has a lot more real potential to it; there's flavour, and it's good… and it also gives a little bit of Alex Warren but better.

Alibi - Joan (7.2/10)

This sounds like something I'd hear in an emotional movie scene, and hearing the bells with the heart-grabbing high-pitched pull brought that feeling even more.

Two Sides Of Goodbye—Bryant Barnes (8/10)

I'm going to say this for the second time in the write-up: the vocals sound like Alex Warren, but this time REALLY like Alex Warren, as if he's trying to be him. Apart from that note, the song has a deep emotional main part that doesn't feel rushed or overacted on; instead, it feels like it was taken just right to give this feeling that slowly pulls you into the song.

Vicious Delicious - Luvcat (7/10)

This has got me into it! The constant tease to the big and clear main segment was executed to my demands; I'm happy.

I Didn't Come Here To Leave—Chris Young (6.7/10)

Chris tries hard to give a powerful vocal performance that fits the country-rock scene; did he succeed? Yes, but he didn't go over the mark of goodbyethat much.

Childhood—Barry Can't Swim (8.5/10)

I heard a loud blaring sound come through on the track, like horns, and that gave a huge uplifting sound into then what felt like a cosy feeling with the distinct vocal change.

Doggy - Geezer/Kevin Abstract/Dominic Fike/Love Spells/Truly Young (5.5/10)

I'm going to be the one to not follow the crowd and say it. I don't get it. It's unique... aaaaand nothing else; it all just bores me.

Starlight—Danny L Harle/PinkPantheress (7.6/10)

I don't like the glitchy sound at the end, but apart from that, the progression is dreamy and really fits PinkPantheress well. It's a replay.

Nothing Changes—Simple Plan (2/10)

The timing sounds wrong, as if it's artificial intelligence, and the song sounds like one of the cringiest and most generic things I've heard in a long time.

Messiah (Devil's Diss) - NLE The Great (3.9/10)

NLE the Great (also known as NLE Choppa) comes back with his new brand of religious music, and despite that it's better than some of his older stuff, I still can't say that I'm impressed. Also, what kind of line is "I'm that n****; you can ask ChatGPT"?

Slauson Ave - Karri (3.9/10)

Too slow, and it's not the relaxing state slow; it's boring kinda slow.

Hard To Be Happy—Rob Thomas (3.5/10)

Cat Burns if she was an uninspired church choir member.

Miami - Odeal/Leon Thomas (7.3/10)

It looks like Leon will probably be a one-hit wonder, although if he wasn't, then I couldn't complain. The guy can give valuable music, and on this it's no exception with some really real R&B and soul beats.

ASTROS - Paloma Mami (5.8/10)

The Shiver—Jayda G (6.6/10)

Strippers Lives Matter - Rob49 (4/10)

I'm going to say the phrase again! Rap crap.

Feeeeeeeeel—Cash Cobain (3.9/10)

Cash Cobain never disappoints in disappointing.

Sonríele - DY (6/10)

It sounds like if Shakira's "Waka Waka (Eh Eh)" song wasn't made for Africa and instead was more generic.

Our Time—AFROJACK/Martin Garrix/David Guetta/Amél (7.2/10)

An EDM song that reminds me of the ones that gave me nostalgia from 2022 with the lower bass.

My Mind Is a Mountain—Deftones (8/10)

A strong, heavy rock song that really symbolises what Deftones do. And they do it well.

Steve - La Dispute (3/10)

Rock that sounds like the main artist is on drugs.

Don't Cry For Me Argentina - Andrew Lloyd Webber/Rachel Zegler (8/10)

Celestial vocals that are absolutely spot-on for a musical.

Da Du Dah—Kokoroko (7/10)

Life or Death—Declan J Donovan (7/10)

Stranger - SOLOMON (7.1/10)

If I believe correctly, SZA promoted one of this guy's songs on her Spotify, so I have high hopes for the music itself; this is quite soulful, and he could feature with SZA.

Die For This - Syd (6.6/10)

Better In Person - Nina Cobham (7.1/10)

I Love You—Belters Only (7/10)

A nice little groove but doesn't have their big pulse energy.

The Bank—Jaya Had a Dream (5.6/10)

Your New Place—Racing Mount Pleasant (9/10)

A over seven-minute MASTERPIECE of chamber pop that has guitar strings, drums & every other instrument mastered. I rarely hear things like this; I guess I'll have to keep my eye out for more music by them.

Saoirse—Maruja (8.5/10)

To call this one of the most well-composed songs you've ever heard would honestly be valid. This song is a stand-up for peace for Palestine. I don't know too much about the war's history, but I honestly love peace, so I'm happy to hear this! This song follows an upcoming album that hopefully has the force of a whole orchestra, just like this one. The timing and playing of the jazz instruments is just beautiful; it creates this harsh truth around the song that captivates you in the story they're trying to tell.

Rescue Lights - Hybrid Minds/Homesick (4.5/10)

DnB that doesn't reflect much apart from a lack of creativity.

Love On—Elliot Schooling (4/10)

This had a nice rhythm and danceability level, but the weird vocals ruined it for me... Why are these shaky vocals used by DJs??

[Mellope]

NEW MUSIC FRIDAY 18.06.25 #39

ALAMBRE PúA - Bad Bunny (6.6/10)

A Puerto Rican groovy track about past relationships, which doesn't go full-on funky but adds a layer of slower movement (slower then fast) to help bring across emotions more. I'll take it, but I don't think it was a good release choice as a single.

California—Maroon 5 (6.1/10)

This new era of Maroon 5 is now straying away from a radio-hit kind of sound and now going into love songs, and as much as this isn't something I hate, I think it's rather boring. This song needs something other than vocals and acoustics to power it, and like that, it just doesn't scream Maroon 5.

Perfectly - FKA Twigs (8.2/10)

Yeah, I can see myself getting more into this compared to Eusexia. I like that she still keeps her experimenting shine whilst making her music fun and passable for larger audiences! This song does exactly that with a danceable yet still partly "Eusexia"-like "feel. She described this song as the moment before orgasm; she also said that's how she wants to live her life: pure focus that feels like eusexia.

Eternity - Alex Warren (6.7/10)

Alex previewed a snippet of this, and now that I've heard the full thing, it already feels like I've heard it; that's how predictable the song was. I'm not saying it's a terrible song, but it's nothing apart from Alex's usual loud hook and vocals that sound exaggerated for the song's feel. This is still probably the best first impression I've gotten from the album's newer singles, though.

Madeline - Zach Bryan/Gabriella Rose (6/10)

Does Zach Bryan just make the exact same song every time? I'll be shocked to hear if he ever puts out anything new. And yeah, he has good songs, but they are all in some way, shape, or form the same acoustic country songs. This follows that way and lacks some more material.

1965 - Jessie Murph (2/10)

A pathetic quadruple attempt and trying this new side of her music where her screeches and intros now merge into becoming autotuned, sounding as if Charli XCX were a cat getting run over.

Out Out - Skye Newman (6.2/10)

Seeing her mysterious rise in popularity with songs that felt unfinished, I wouldn't be surprised if this followed that route. This isn't a bad song, but it's nothing more than vocals and piano doing what they always do.

I Can't Lose—Jonas Brothers (6/10)

I haven't enjoyed the Jonas Brothers to a decent degree in a while; as much as this isn't that great, it's still kind of a groove. It's got a big beat and a loud vocal hook that works well with the instrumental chorus and overall just at least an alright level of sound. I won't hate on it.

Tear Me Down—Joyner Lucas/Ava Max (7.2/10)

Joyner has a strong rapping presence that doesn't feel weak in any shape or force on this. I wish Ava got more time on the song; it feels like her name was just put on the song for the feature purpose, but regardless, it's still a decent feature. I like her tone on the hook.

MIAMI - Tommy Richman (8.2/10)

I'd say that this is the best song by Tommy Richman I've heard. It uses the same older-sounding vocal effects but instead has more disco and funk that add something that partly reminds me of MJ! Great song!

Been A Minute—Leigh-Anne (7/10)

This barely scrapes onto a 7/10 rating; it's got pop-girl, but it's giving more Tyla-Afro energy than something Leigh-Anne would put out, and it also feels quite dull for her, with the sound feeling like a dry texter.

Rabbit hole. - Goddard/Venbee (7/10)

Venbee's recent attempts at recreating fame, especially with the same duo from the "Messy In Heaven" collaboration, have felt half-baked. Her "Zero Experience" era had many songs that had depth and character… but nowadays it's a simple drum loop with the same regurgitated message that's even worse put out. That being said, this is the best thing she's put out in over a year.

All This Time - Sonny Fodera/Jazzy (7.3/10)

A fun summer EDM that I think has high chart potential, it has a summery piano along with a house vibe and an upbeat hook. Nothing unusual for the duo, but I still wouldn't mind something similar by them.

Head Shot/Gas In The Truck—Ishowspeed (7.8/10)

Surprisingly, two good songs that represent fast and clean hooks.

Woke Up—Trippie Redd (8/10)

I'm as shocked as you are that Trippie actually mastered the beat well instead of just slamming autotune onto anything. Wow! This is the first song I've ever liked (and really liked) by him. If you want a fun listen, then hear this!

ICED TEA—Young Nudy/21 Savage/Project Pat/Coupe (4.9/10)

TENGO CELOS—Myke Towers (7.2/10)

3am - Loe Shimmy/Don Toliver (4.4/10)

Loe's tuned voice never fails to piss me off, and the pace often sounds like talking instead of rapping. What good is that?

Why Is She Still Here? - Renee Rapp (6.7/10)

Drums and synths put together in an emotional sound that all feels like it's missing more of a spark.

Tiny Voice - Mae Stephens (7.5/10)

Mae Stephen has the ability to make fun-filled, danceable, and trendy songs, but she can't seem to stop her bad lyricism. I mean, c'mon, this is a grown woman singing about drawing "d*cks" in the bathroom. Despite that, I'll still rate it for being danceable.

Gifts—Snoop Dogg (4/10)

The flow is partially off, along with the sound effects feeling fit for a cartoon; it's a little too corny for me.

Oranges - Alex G (5.4/10)

Can I be the one to say that Alex G's music is just fine? It's just normal acoustic music, yet people obsess over him in the way AOTY does with Zach Bryan; it's not that deep.

IM YEAT - Yeat/BNYX (5.9/10)

So mid that you forget it after no time.

Zun Zun - J Balvin/Lenny Tavárez/Justin Quiles (6.7/10)

Started off with low expectations, as it had a very overused reggaeton pattern, but in the second half things got interesting.

Humbling—Michael Marcagi (6/10)

Michael hasn't appeared to change or become more diverse in sound since 2024's "Scared To Start" breakthrough; this is still basic folk.

Home Tonight—Sam Barber (5.6/10)

Similar to Michael Marcagi.

Boffum - Saweetie/J White Did It (5.5/10)

Feels very similar to something Latto would make.

Hi, everyone, leave please. - FLETCHERS (5.5/10)

Everything about this has an extreme resemblance to basic acoustic and partly produced pop; it's so half-baked.

Brutus - Em Beihold (6.8/10)

A fun little pop jam that sounds like if a Debbii Dawson song was more fit for a playful musical, this would definitely be a step up from other songs by her that sound more childish.

Your Eyes—Cian Ducrot (5.5/10)

It fits this era well with the high production and simple hooks. Cian's always going to put something as simple as "Shalalala" as the hook, so him making similar choices onto a song that reminds me of church music isn't unexpected. Probably the most boring thing from the album rollout yet.

You Can't Run From Yourself—AURORA (5.5/10)

Aurora's angelic and transcending feeling has disappeared from this, and I fear it may be because it's for an on-screen series. Whilst it's still an alright track, it sounds like one of the throwaways that was on C23's Bose X Nme collaboration.

Forever Ain't Long Enough - Max Mcnown (6.5/10)

Wow, this week's new music Friday is really shaping up to be one of the most generic release weeks ever, and moving onto generic American country like this didn't help either. At least there's a hint of passion in his voice.

I Can Die Now - Ruel (8/10)

Ruel talks about how he found love in an upbeat and fresh, fast mix of clicks and swift vocal manoeuvres.

Hangin' On - Dylan Gossett (5.5/10)

LOVE INSANE—MAX/JAY (ENHYPHEN) (3/10)

Overly poppy K-pop that sounds cringe and incredibly exaggerated to a fake level.

Carat Cake - Paul Russell (6.5/10)

Very predictable party radio-pop from Paul, especially with the voice speaking "Run it back!" At the end, very, very predictable.

Original - Malcom Todd (7/10)

Cry Cry Cry—King Princess (6.5/10)

Combust—Lauv (7.5/10)

I really enjoyed the softer mixing, where everything felt lighter and gave a more relaxed listen.

Swim Up Bar—Scotty McCreery (7/10)

Alright, nice Spanish & horn-like accompaniment to the country song, I'll take it since it's not generic.

This Is The Killer Speaking—The Last Dinner Party (5.8/10)

Toastyyy - Genia/Timbaland (8.1/10)

YOU KNOW... I'M MESSING WITH IT!! It's really giving FLO's energy with the smooth vocals on top of a stylish and very girl pop background, and most importantly, this is very danceable too! This could grow on me!

Ain't A Bad Life - Thomas Rhett/Jordan Davis (8.2/10)

A cheerful and bright country collab that is EASILY the two's best song that I've heard! I'm actually surprised at how much love and flavour this song sounds like it has! Very groovy, very true to country, and very replayable!

Watch Me Go - Lord Huron (7.5/10)

Blackberries - FISHER/Bbyclose (7.3/10)

You know, it's not bad, but it does feel like something I can find something similar to if I click on a Radio One

RAGE - PRESIDENT (8.2/10)

Yep, I'm not understanding the hate over this guy. Sure, he's had misses here and there, but occasionally he delivers something with a gripping and emotional hook that has a balanced level of catchiness, like this. The balance between producer settings and rock music is pleasant and really highlights talent!

KHE CALOR - Danna Paola (6.7/10)

Needle and Thread - Sam Short (6.3/10)

Elegantly Wasted—Hermanos Gutiérrez/Leon Bridges (8.1/10)

I don't think I've heard something quite like this before! A western blend of Latin soul into something that sounds fit for a western movie? And yet it has style and class instead of feeling like a cheap radio throwaway!

Tenner - Lojay (5.7/10)

EAST LA - will.i.am/Taboo (6.4/10)

It's a fun rap with a side of producer cuts that helped when stitched on. I don't like how it partly feels like a Will Smith song, though; it's off-putting.

Pucci - 41/Kyle Ricch/TaTa/ZEDDY WILL (2.8/10)

Both the two male rappers on this lyrically and vocally sound exactly like Ice Spice; I honestly think this song is the closest resemblance I've ever heard to "Ms. Poopie" herself. And yeah, this is awful and really odd.

Loveless—Gorgon City (5/10)

I don't think it could be any more apparent how uninspired this is.

Última Noche—Bad Gyal/Ozuna (6.9/10)

TUMBAO—Dei V (7/10)

Letting Go—Above & Beyond/Malou (2/10)

I wouldn't be surprised if this was AI-generated; it's soulless garbage with a cover that brings out the AI even more. After all, since it's in a Spotify playlist, I'm now even less surprised.

1995 - Freddie Gibbs/The Alchemist (7.3/10)

No Blickout—Chuckyy (2/10)

This feels like if Eminem tried to rap fast whilst on heavy drugs. I don't even know how people release something that's so lacking in originality apart from a poor pace. Rap crap.

Enigami—Luna Li/Mei Semones (6.9/10)

Very relaxing and brain nourishing, despite the guitar plucks not always fitting the set route of a clear and beautiful aesthetic.

I LOVE UR GF—Joel Corry (5/10)

The AI slop cover says it all...

Whiteboy Sh*t - Tom MacDonald (0.7/10)

Tom Macdonald continues to compare himself to Marshall Mathers and support the guy who's probably trying to cover his name on a certain client list.