NEW MUSIC FRIDAY 12.09.25 #47
DOG HOUSE – Drake/Julia Wolf/Yeat (7.5/10)
The production is giving a mix of Travis Scott and Playboi Carti's biggest hits, and Drake is matching the energy in what feels like it has the potential to be his next remembered moment. It's a strong song; its loud and infectious energy can't be forgotten, but I'm not sure if it's one for autumn. We'll have to see what happens with this one.
Camera – Ed Sheeran (8/10)
Yes, it's very simple but still sweet. I view "Swag II" in a similar way, where the emotion and soul are what give this life. I may not be looking forward to "Play", but at least I can go into it knowing that the best single yet has been released from it, one with dreamy instrumentals that fit looking up at the stars.
Cry About It! - Kali Uchis/Ravyn Lenae (7.8/10)
The song sounds luxurious and expensive, especially with the addition of a beautifully angelic touch of another language. This is rested upon smooth and easy soul that makes me think of a much more improved version of Olivia Dean's recent music. I think maybe not laying in so expensive and instead making it more like Carin's natural "Lost In Translation" would've worked better, but this works.
Unconditional - JADE (8/10)
I admit that the build-up wasn't executed perfectly, but I have to admit that she adds this layer of elegance to the 2000s, like a sounding melody, but with the modern sound coming through more, and I think this fits her unlike any other single I've heard yet. Not only that, but you can hear the passion for the deep topic of Jade's mum, who has certain conditions too, which Jade feels sad about, in her words, "not being the one who can help her or save her." Keep Jade in your prayers, everyone. This is deep.
City Walls – Twenty One Pilots (8.5/10)
EASILY the album's best single, it brings this loud and blood-pumping drumbeat that's topped with clear production motives, which make this a killer album opener. Honestly, it should've been the main single. I think a breakthrough like this would've set such a better tone for what's next.
Mr Mounteback – Djo (3.9/10)
There's so much electronics in his voice that you can't understand what he's saying, nor does it sound pleasant to the ears, at least in the first minute or so. I think in the middle it blends more with the fast-ish and earworm-y beat, but the general producers didn't do a good job with balancing the layers. It sounds gone wrong, like a display of Charli XCX's worst autotuned moments.
Tennessee - Kesha/Orville Peck/Hudson Mohawke/Tayla Parx (3/10)
If there's one thing that I hope we all learn from Kesha's newest era, it's that she should be kept away from country music at all costs. "Yippee Ki Yay" is already in my top 5 worst songs of 2025, so we don't need more songs like that... but unfortunately we got another country crap song that sounds like if a Facebook mum stood up on a bar table and started dancing and singing. You get it, awkward and cringe. And to make it worse, the way the woodwind instrument is played in between the hook sounds like the person playing it has breathing difficulties and can't hold their breath. This song is a throwaway; hopefully it's her last country rodeo.
Talk To Me – Damiano David/Tyla/Nile Rodgers (8.1/10)
Damn, this song had LIFE to it! This song reminded me a little of 2010's boy band pop but instead with a slightly modern and much slicker feel that makes it a killer song to drive on the highway too. I usually don't like Tyla, but she didn't actually take over the song with her style; instead, she slipped nicely into the song's vibe in a way that I haven't heard from her yet. Very interesting; I think it could seriously be something for European radio airwaves.
Don't Leave Too Soon – Little Simz (8.7/10)
One of the UK's best rappers who just keeps delivering; earlier this year we had the artistic "Lotus", and now we're served with something more choir-like, something that sounds like it should be bigger in the future... The piano, futuristic synths and drums all blend in a weirdly beautiful, expressive way to talk about grief, with even violin coming in to support the song's structure. Truly heartfelt and amazing! Hopefully this goes even bigger than the Netflix show it'll be in.
Here All Night - Demi Lovato (7.5/10)
An action-packed club-breakup song that uses poppy synths in an electronic disco-house dance song, it's one for the radio, and if there's a shot to get that hit, then it could be now.
What A Life – Rachel Chinouriri (7.9/10)
A much lighter version of her instrumentals she uses, and also lighter lyrics with a passion for this love that Rachel never wants to leave being described. If I had to say what could've been done better, I think If it led up to a hook that was bigger and louder, that could've worked better, but regardless, this works as it is. Some may argue that this feels more natural the way it is.
(Listen To The) Flower People – Spinal Tap/Elton John (9/10)
From the newest Spinal Tap soundtrack, this song feels like it could open a theatre with a strong opening that's artistic but balances the mood of the actors' presence. It's fitting of Elton's previous songs that were made in his peak, with the band's backing just feeling heavenly. We love you, Elton!
Cups And Cakes – Spinal Tap/Paul McCartney (8.9/10)
The fact that artists like Paul, who inspired many, can still shine today with replicas of their older music (and even better!) It's insane; this song is like the Elton John song I described earlier, with the powerful instrumentals that make this a song to sit in the garden to or listen to with family. Beautifully calming music for beautiful people – it matches Classic FM's level of calming!
Stay On Me – Sophie Ellis-Bextor (7.6/10)
Not as modern as modern can be, but I think this fits. Sophie Ellis is a new and stylish fashion that represents a more floating disco feeling that elevates the mood slowly but surely rather than being that pumping bass hit. A good sign for her new album!
The Happy Dictator – Gorillaz/Sparks (7.2/10)
The lead single for Gorillaz's next album follows nicely with the "Feel Good Inc" re-trend; with this we unpack an almost sarcastic tone behind the lyrics of "Control" with an alternative and at times electronically artistic feel that sounds like it could've come out of an older decade. They're definitely sticking to some roots of their music with this one, but I'm happy to see that.
Caroline – Venera/FKA Twigs (7.5/10)
A mix that blends the artistic elegance of "Eusexua" with some of her older releases, too, to create something that sounds like it could be on her second "Eusexua". It's futuristic; it's not something I've heard before, and it sure makes use of every detail and instrument. The light guitar touch at the end was interesting.
Take A Drive - Rex Orange County (4.9/10)
I expect better production for others by Pharrell Williams, better than a boring indie song with soulless riffs which just add to the soulless feel that this track has. Artists make this kind of music when they're starting out in their bedroom.
Met A Boy – Mimi Webb (8/10)
Give it a little more shine in terms of dance elements, and this'll be an almost exact replica of what the radio was playing in 2022. The radio likes these intense and upbeat songs that sound like they're from a female pop act who could catch on more, and that's what Mimi is. Think of Ariana's "The Boy Is Mine", but if Mimi covered it with her own style. I think you might get something a little similar to this.
The Dress (Dijon cover) (live) - Spotify Singles - Olivia Dean (7.2/10)
Olivia's voice should be used in these ways rather than on jazz songs that have a whole lot of nothing. I think she covers this song with the backing thankfully backing her too.
Lavender – Cat Burns (9.1/10)
OH MY WORD. I'M IN HEAVEN. THIS IS THE BEST THING SO FAR FROM THE "HTTB" ERA. The sound on this is so lush and deeply calming that I'm still imagining it playing for minutes after it finishes; it feels like possibly one of the greatest songs in history. Just relax with a breeze and a view; it just paints such a calming and lovely scene when Cat expresses her feelings in one of her most elegantly moving songs to date. I can't wait for this album; it might be album of the year!
RADIO - Frost Children/Kim Petras (8.8/10)
An electronic bop that represents a key quality change in Kim's discography, most likely due to Frost Children's addicting production that sounds like it should be bigger. This song is all about being someone's obsession and being obsessed, and I think for a song which has that as its meaning, it does an excellent job matching it.
Dreamflasher – Jane Remover (8.5/10)
I have a love-hate relationship with Jane's music; sometimes I like it, sometimes I don't. And with this, it's one of (or the) best attempts I've heard from her yet; it portrays the glitchy and messy sound in all its glory with a fiery bass and feel which lights up a hyped feel. Good song! Reminds me a little of a non-rap hyped Carti.
Last 2 Leave - BL3SS/LAVINIA (7/10)
The two charting electronic artists collaborate in an expected mashup, expected in many ways. The lines about boys kissing girls at the party are just so artificial and cheesy, and the summer background sounds like it's from somewhere else, but I can't pinpoint where exactly. Regardless of those inconveniences, I still think they have some chemistry; it's just blurred by the fact that a lot more has come out of the dance industry over the past few years.
Bloodsport - Maruja (9/10)
A hardcore opener too, Maruja's newest album, which if you've ever heard Maruja, you'll get most of the idea of this: rap, rock and jazz all coming through deeply in a song that's unafraid of controversial topics, mostly talking about Palestine. I think Maruja has a sound that should be cherished, something we haven't quite seen before. His devotion to music is one of a kind; it's special.
Act xvi: twentyfoe7 - 4Batz/FLO (8.5/10)
FLO must be the next big R&B group; their music just has a class to it unlike any other, and now coming to think of it, I think a team-up with 4Batz was a good idea. He's looking to make his music more in the R&B realm and dreamier, and with this, his music transcends into new levels of dreamy. Wow!
Hypnotic - Jazzy (7/10)
Think of Peggy Gou's "It Goes Like"; that's what the funky beat inputs and additions remind me of, and also quite noticeably. I think in general it's just a feel-good dance song, and that's what Jazzy tends to label many of her songs as, so it's not a song to overthink.
Motion – PLUTO/Sexyy Red/NaNaski (5.5/10)
The laughs in this song remind me of a made-up CBeebies character, and PLUTO's rapping in general just has an irritating tone to it. It was never going to work out, especially with Sexyy Red.
Shoot It Off - Polo G (6.3/10)
Chicago rap that doesn't feel like any effort was made to separate this; it's like a beat Gunna would reuse but slightly more upbeat (maybe). It's not impressive.
Breakin' Dishes - Ely Oaks (7/10)
Essentially a sped-up remix with a dance beat over that remixes Rihanna's now trending song "Breakin' Dishes" from her 2007 album "Good Girl Gone Bad", and as much as this remix will garner hate as it's cheap and what many DJs do, it still kinda has its qualities of fun despite sounding whipped up in three seconds. I'll actually take this. Just don't let David Guetta hear about this.
After You – David Guetta/Kiko/Olivier Giacomotto/FAANGS (7.5/10)
Most people who look at the pop scene as much as me will know that this is very typical for EDM and house music DJs to make, especially with the three collaborators tagging on. It's like "DNA Loving You" but without the full formula. Still sounds like it could catch on, though.
Phases – Joel Corry/Abi Flynn (6.8/10)
Let's be honest, it's generic, and Joel fell off, so he's trying to use the more recently trendy Abi Flynn to regain some attention. Maybe it would've worked if he locked in for the "comeback", but this is still down to straight basics. I can't give it bigger respect than a mark of "just good".
Forever – ILLENIUM/Tom Grennan/Alna (6.6/10)
Many artists shockingly match an ILLENIUM-style song, but I don't think Tom's one to pull it off, or maybe that's the illusion behind the slightly distorted-sounding vocal mixing, which doesn't sound good. Either way, this could've been made by someone starting out. It's just alright.
Backyard - TiaCorine/JID (2/10)
What's with the recent JID glaze? I may not have heard the whole lot but this is awful. Tia is screaming and sounds like she's upset, and then the beat delivered just feels whipped up in a second. I expect better, instead of what I'd always class under rap crap.
Pink Money – Coi Leray/Bktherula/G Herbo (5/10)
Coi returns to her more strictly rap style, but it feels more sloppy and like rap crap than ever, with the "tough" and "bad" energy falling flat as it's the same recycled garbage we've heard from other artists.
Unconditional - NOTION/Nate Sib (7.5/10)
The song doesn't bring me deep feelings, just some satisfaction and head bopping from the entertaining dance loop and fitting vocals that fit it from many perspectives. Definitely better than that remix NOTION did of "The Days".
EUPHORIA - IN PARALLEL/Charlotte Haining (7/10)
Both artists have made songs like the trending house-EDM acts, and they've done exactly that, but I don't always dump on those songs. I still think songs like those can often be filled with fun, just like this one, which is.
DADE - BIA/Key Glock (6.5/10)
A mild attempt at creating a similar rap song to others, with sounds used in trap production used here in what sounds like them holding back.
CANNIBALISM! - Slayyyter (7.6/10)
An addicting club song with a distorted and high-octane feel, kind of like some of Nessa Barrett's music!
Jersey King - Pozer (7/10)
2024's little breakthrough was a small moment for Pozer, but he aims to do better with this, a daring rap song with key production elements. It doesn't satisfy to its fullest, but it definitely keeps Pozer's name remembered for a little longer by some.
Aura - Strandz/RIMON (7.5/10)
Strandz's style blends into a 4Batz-like style.
How Far Does A Goodbye Go - Jason Aldean (7.4/10)
A heartbreak country song with very american roots, it feels quite like many artists who hit the Hot 100. But once again, I'm learning to find that songs that sound like another aren't always bad.
Atlanna – Jermaine Dupri/Ceelo Green (6.5/10)
The first two minutes are a Chris Brown-similar R&B/hip-hop song; they're pretty chill, nothing too out of the blue, and the second minute is mostly the same aside from the second person jumping on the mic (who I assume was Ceelo), who didn't do the greatest job of delivering a great verse. They "pass the vibe", but in such a dull way that it's only just acceptable.
Only Bible – Warren Zeiders (7.5/10)
The country rock singer delivers a strong performance vocally and matches that production-wise with what feels like traditional American country yet a welcoming song to others not so familiar.
Don't Give Up – SILK/Chicane/Bryan Adams (6.7/10)
A funky bass and solid EDM beat overall, but why pick BRYAN ADAMS when he sounds so old and out of it for the mix? I have no issues with old people featuring on dance songs, but you can hear the cracks in his voice, and he can't even reach the song's needed pitch. Why waste a well-built, jam-packed banger of a beat on him?!
Nobody But Us - Mario (5/10)
The lyricism is weirdly sexual and at times goes too far from the chilled love into something deeper, especially when you didn't think that's what you'd be served. Aside from that, it's a Chris Brown-styled R&B song with the tune being expected for the genre. In other words, nothing new.
Dip – Wallie The Sensei/Ty Dolla $ign/Blxst (6/10)
A rap cut from two separate sides, one showing a less altered upbeat rap side and another showing a more tuned version (Ty).
Guabansexxx – Rauw Alejandro (6/10)
Latin music that feels like a comfortable fit for Rauw, at least that's what I think.
April - Rose Grey (7.2/10)
Early this year Rose Grey dropped an album that I found fine; it was enjoyable but not a step in any direction that defines a new character. But she doesn't necessarily have to be defined; as much as it would be nice, I think making your brand of summer pop (that other artists make similarly too) can be ok! After all, the synths are poppy, and the fun elements feel great too. Blast at the beach reminds me of Calvin Harris! The dance claps make me think of the late 2010s style, maybe something that would be interesting to see Jess Glynne on.
Slow Burn – Sadie Jean (8/10)
Think of the gentle acoustic radio pop that many artists make on their smaller rise to fame, but the good side of it is a little like Tate McRae. This song feels like it could get nostalgic over time!
Eatcha Beatcha – Bunna B (7/10)
Sexy Red, but I actually understand her? OK, to be clear, this by no means should make you think I like Bunna B; I'm just understanding the negative impact on music more and learning. This isn't too bad.
REMIND ME – Chase Atlantic (7.9/10)
A noticeable use of tuning, but also noticeably good. Definitely a good sign for the modern R&B's push to make music more unique.
Better - Nimino/Manta (5/10)
Bright piano keys with a bright kick in from the bass; the bad part was the glitchy in-and-out hearing of the noise, especially on top of the chanting, which makes it feel like a mistake CYRIL would make.
Too Much – Rushy/Kairo Keyz (5/10)
Aitch could've done it, AJ could've, or, in fact, any UK rapper could've made the same rap you hear from the country's stereotypes. Boring.
Celosa – Ke Personajes/J Balvin (7.1/10)
I don't think the tone of the song fits the jealous, worrying girl definition they're aiming for, but at least this had one of the best rock pieces for this New Music Friday. So killer.
AP Freestyle - Nemzzz (6.5/10)
Basically exactly what I said for Rushy & Kairo Keyz, but instead slightly better.
High For You - Delilah (7.2/10)
A fine job at making a BBC-level playable radio song, but it would be better if she did another song with her previous collaborator Fred Again.
DEVIL IS A LIAR – Gio./John Michael Howell (8.5/10)
Was NOT expecting this from Christian artist Gio; his vocals sound like The Kid Laroi in the best way possible, with the beat sounding so professional and fresh, with all inputs having that clean and funky boogie that CARRIES the song. Oh, and the starting few guitar chords made me think of a sequence Ed Sheeran would use in his older songs lol.
Crystallised – John Summit/Inéz (7.5/10)
A strong electronic bass with vocals reminding me of Sia, and more so her stronger performances. Both of those two things come together into an addicting song.
Deep Clear Water – Gryffin/GRiZ (7/10)
There are elements from house, jazz and just singing, some you have to listen closely for, but they're all in there in a very interesting mix. My big problem is the layering and mastering isn't the greatest, along with the singing sounding unfit for this song... or, in fact, any song. But yes, there's still value here which I'll take.
Never The Same - Boy Soda (7/10)
MISUNDERSTOOD – Hannah Bahng (7.1/10)
Such a mellow listen, but instead it's faster and still packs a punch with guitars, but instead they're toned down too to a pitch that reflects what this song should be about.
IT'S SO BEAUTIFUL – FACESOUL (8/10)
A song about praying to see the light in a graceful display of true emotions and calming takes. It truly is lovely to the ears.
My Bad - George Birge (5/10)
Fake country that feels like the overly forced versions of the genre that only appeal to the worst radio stations.
Fall In Your Arms – James Vickery (7.2/10)
That's some soulful vocals that I don't often hear!
Is Anybody Out There? - Allie X (8.1/10)
A gothic pop-rock song with the echo-like wave on the hook providing a nice pattern before the drums kick in. I really like this; it certainly didn't take a bland route of choice.
Madeline - Carter Vail (6/10)
Yeah, it's a nice little radio song, but it does have this annoyingly generic and cheesy side.
Dreamin' – Cuco (7.2/10)
CURIOUS - Sam Gellaitry/Toro y Moi (8.1/10)
Lovely placed glitchy disco that gives hope for a Friday night funk. It does feel like something that would go from the radio to the club.
Driving me crazy - Snuggle (7.3/10)
Simply calming and nice for a sit-down.
No Lies Detected [Blind] - Oxymorons (8/10)
It kind of goes hard; I mean, it has a great use of the vocal and guitar balance in a hard rock song that sounds like Linkin Park would mess with it a little.
Let Down – Acopia (8/10)
808 HYMN - Erin Lecount (8/10)
The aesthetic for this feels like it's delving into something new, something artistic and something that can't be exactly compared to anything else. Wonderfully futuristic.
Drag – Yumi Zouma (7.1/10)
Good grief! - Jervis Campbell (7/10)
This has its similarities to Cian Ducrot and Mark Ambor, or a brand of starting-out acoustic pop. I'll take it.
Last Shot – VALORANT/Templuv/347aidan (7.5/10)
It fits a fast-paced shooting video game; it has action and energy, exactly what I'm looking for.
Making Love To Morgan Wallen - Limp Bizkit (7.5/10)
Yeah... I only listened to the song because of its title. But surprisingly I enjoyed it; it was a piece of pretty badass rock!
JUICY – Jordan Ward (7.2/10)
Change My Mind – Phantastic Furniture (7.7/10)
Sewers – mehro (7.8/10)
An emotionally gripping song with a strong guitar backing used in a production that kicks up the song to the biggest high around the 3:00 to 3:30 mark.
MAN ABOVE – Aaron Cole/nobigdyl. (7/10)
Christian rap – that's not your usual for those who don't explore the scene.
Tied To You - Lori McKenna/Medium Build (6.5/10)
DOG HOUSE – Drake/Julia Wolf/Yeat (7.5/10)
The production is giving a mix of Travis Scott and Playboi Carti's biggest hits, and Drake is matching the energy in what feels like it has the potential to be his next remembered moment. It's a strong song; its loud and infectious energy can't be forgotten, but I'm not sure if it's one for autumn. We'll have to see what happens with this one.
Camera – Ed Sheeran (8/10)
Yes, it's very simple but still sweet. I view "Swag II" in a similar way, where the emotion and soul are what give this life. I may not be looking forward to "Play", but at least I can go into it knowing that the best single yet has been released from it, one with dreamy instrumentals that fit looking up at the stars.
Cry About It! - Kali Uchis/Ravyn Lenae (7.8/10)
The song sounds luxurious and expensive, especially with the addition of a beautifully angelic touch of another language. This is rested upon smooth and easy soul that makes me think of a much more improved version of Olivia Dean's recent music. I think maybe not laying in so expensive and instead making it more like Carin's natural "Lost In Translation" would've worked better, but this works.
Unconditional - JADE (8/10)
I admit that the build-up wasn't executed perfectly, but I have to admit that she adds this layer of elegance to the 2000s, like a sounding melody, but with the modern sound coming through more, and I think this fits her unlike any other single I've heard yet. Not only that, but you can hear the passion for the deep topic of Jade's mum, who has certain conditions too, which Jade feels sad about, in her words, "not being the one who can help her or save her." Keep Jade in your prayers, everyone. This is deep.
City Walls – Twenty One Pilots (8.5/10)
EASILY the album's best single, it brings this loud and blood-pumping drumbeat that's topped with clear production motives, which make this a killer album opener. Honestly, it should've been the main single. I think a breakthrough like this would've set such a better tone for what's next.
Mr Mounteback – Djo (3.9/10)
There's so much electronics in his voice that you can't understand what he's saying, nor does it sound pleasant to the ears, at least in the first minute or so. I think in the middle it blends more with the fast-ish and earworm-y beat, but the general producers didn't do a good job with balancing the layers. It sounds gone wrong, like a display of Charli XCX's worst autotuned moments.
Tennessee - Kesha/Orville Peck/Hudson Mohawke/Tayla Parx (3/10)
If there's one thing that I hope we all learn from Kesha's newest era, it's that she should be kept away from country music at all costs. "Yippee Ki Yay" is already in my top 5 worst songs of 2025, so we don't need more songs like that... but unfortunately we got another country crap song that sounds like if a Facebook mum stood up on a bar table and started dancing and singing. You get it, awkward and cringe. And to make it worse, the way the woodwind instrument is played in between the hook sounds like the person playing it has breathing difficulties and can't hold their breath. This song is a throwaway; hopefully it's her last country rodeo.
Talk To Me – Damiano David/Tyla/Nile Rodgers (8.1/10)
Damn, this song had LIFE to it! This song reminded me a little of 2010's boy band pop but instead with a slightly modern and much slicker feel that makes it a killer song to drive on the highway too. I usually don't like Tyla, but she didn't actually take over the song with her style; instead, she slipped nicely into the song's vibe in a way that I haven't heard from her yet. Very interesting; I think it could seriously be something for European radio airwaves.
Don't Leave Too Soon – Little Simz (8.7/10)
One of the UK's best rappers who just keeps delivering; earlier this year we had the artistic "Lotus", and now we're served with something more choir-like, something that sounds like it should be bigger in the future... The piano, futuristic synths and drums all blend in a weirdly beautiful, expressive way to talk about grief, with even violin coming in to support the song's structure. Truly heartfelt and amazing! Hopefully this goes even bigger than the Netflix show it'll be in.
Here All Night - Demi Lovato (7.5/10)
An action-packed club-breakup song that uses poppy synths in an electronic disco-house dance song, it's one for the radio, and if there's a shot to get that hit, then it could be now.
What A Life – Rachel Chinouriri (7.9/10)
A much lighter version of her instrumentals she uses, and also lighter lyrics with a passion for this love that Rachel never wants to leave being described. If I had to say what could've been done better, I think If it led up to a hook that was bigger and louder, that could've worked better, but regardless, this works as it is. Some may argue that this feels more natural the way it is.
(Listen To The) Flower People – Spinal Tap/Elton John (9/10)
From the newest Spinal Tap soundtrack, this song feels like it could open a theatre with a strong opening that's artistic but balances the mood of the actors' presence. It's fitting of Elton's previous songs that were made in his peak, with the band's backing just feeling heavenly. We love you, Elton!
Cups And Cakes – Spinal Tap/Paul McCartney (8.9/10)
The fact that artists like Paul, who inspired many, can still shine today with replicas of their older music (and even better!) It's insane; this song is like the Elton John song I described earlier, with the powerful instrumentals that make this a song to sit in the garden to or listen to with family. Beautifully calming music for beautiful people – it matches Classic FM's level of calming!
Stay On Me – Sophie Ellis-Bextor (7.6/10)
Not as modern as modern can be, but I think this fits. Sophie Ellis is a new and stylish fashion that represents a more floating disco feeling that elevates the mood slowly but surely rather than being that pumping bass hit. A good sign for her new album!
The Happy Dictator – Gorillaz/Sparks (7.2/10)
The lead single for Gorillaz's next album follows nicely with the "Feel Good Inc" re-trend; with this we unpack an almost sarcastic tone behind the lyrics of "Control" with an alternative and at times electronically artistic feel that sounds like it could've come out of an older decade. They're definitely sticking to some roots of their music with this one, but I'm happy to see that.
Caroline – Venera/FKA Twigs (7.5/10)
A mix that blends the artistic elegance of "Eusexua" with some of her older releases, too, to create something that sounds like it could be on her second "Eusexua". It's futuristic; it's not something I've heard before, and it sure makes use of every detail and instrument. The light guitar touch at the end was interesting.
Take A Drive - Rex Orange County (4.9/10)
I expect better production for others by Pharrell Williams, better than a boring indie song with soulless riffs which just add to the soulless feel that this track has. Artists make this kind of music when they're starting out in their bedroom.
Met A Boy – Mimi Webb (8/10)
Give it a little more shine in terms of dance elements, and this'll be an almost exact replica of what the radio was playing in 2022. The radio likes these intense and upbeat songs that sound like they're from a female pop act who could catch on more, and that's what Mimi is. Think of Ariana's "The Boy Is Mine", but if Mimi covered it with her own style. I think you might get something a little similar to this.
The Dress (Dijon cover) (live) - Spotify Singles - Olivia Dean (7.2/10)
Olivia's voice should be used in these ways rather than on jazz songs that have a whole lot of nothing. I think she covers this song with the backing thankfully backing her too.
Lavender – Cat Burns (9.1/10)
OH MY WORD. I'M IN HEAVEN. THIS IS THE BEST THING SO FAR FROM THE "HTTB" ERA. The sound on this is so lush and deeply calming that I'm still imagining it playing for minutes after it finishes; it feels like possibly one of the greatest songs in history. Just relax with a breeze and a view; it just paints such a calming and lovely scene when Cat expresses her feelings in one of her most elegantly moving songs to date. I can't wait for this album; it might be album of the year!
RADIO - Frost Children/Kim Petras (8.8/10)
An electronic bop that represents a key quality change in Kim's discography, most likely due to Frost Children's addicting production that sounds like it should be bigger. This song is all about being someone's obsession and being obsessed, and I think for a song which has that as its meaning, it does an excellent job matching it.
Dreamflasher – Jane Remover (8.5/10)
I have a love-hate relationship with Jane's music; sometimes I like it, sometimes I don't. And with this, it's one of (or the) best attempts I've heard from her yet; it portrays the glitchy and messy sound in all its glory with a fiery bass and feel which lights up a hyped feel. Good song! Reminds me a little of a non-rap hyped Carti.
Last 2 Leave - BL3SS/LAVINIA (7/10)
The two charting electronic artists collaborate in an expected mashup, expected in many ways. The lines about boys kissing girls at the party are just so artificial and cheesy, and the summer background sounds like it's from somewhere else, but I can't pinpoint where exactly. Regardless of those inconveniences, I still think they have some chemistry; it's just blurred by the fact that a lot more has come out of the dance industry over the past few years.
Bloodsport - Maruja (9/10)
A hardcore opener too, Maruja's newest album, which if you've ever heard Maruja, you'll get most of the idea of this: rap, rock and jazz all coming through deeply in a song that's unafraid of controversial topics, mostly talking about Palestine. I think Maruja has a sound that should be cherished, something we haven't quite seen before. His devotion to music is one of a kind; it's special.
Act xvi: twentyfoe7 - 4Batz/FLO (8.5/10)
FLO must be the next big R&B group; their music just has a class to it unlike any other, and now coming to think of it, I think a team-up with 4Batz was a good idea. He's looking to make his music more in the R&B realm and dreamier, and with this, his music transcends into new levels of dreamy. Wow!
Hypnotic - Jazzy (7/10)
Think of Peggy Gou's "It Goes Like"; that's what the funky beat inputs and additions remind me of, and also quite noticeably. I think in general it's just a feel-good dance song, and that's what Jazzy tends to label many of her songs as, so it's not a song to overthink.
Motion – PLUTO/Sexyy Red/NaNaski (5.5/10)
The laughs in this song remind me of a made-up CBeebies character, and PLUTO's rapping in general just has an irritating tone to it. It was never going to work out, especially with Sexyy Red.
Shoot It Off - Polo G (6.3/10)
Chicago rap that doesn't feel like any effort was made to separate this; it's like a beat Gunna would reuse but slightly more upbeat (maybe). It's not impressive.
Breakin' Dishes - Ely Oaks (7/10)
Essentially a sped-up remix with a dance beat over that remixes Rihanna's now trending song "Breakin' Dishes" from her 2007 album "Good Girl Gone Bad", and as much as this remix will garner hate as it's cheap and what many DJs do, it still kinda has its qualities of fun despite sounding whipped up in three seconds. I'll actually take this. Just don't let David Guetta hear about this.
After You – David Guetta/Kiko/Olivier Giacomotto/FAANGS (7.5/10)
Most people who look at the pop scene as much as me will know that this is very typical for EDM and house music DJs to make, especially with the three collaborators tagging on. It's like "DNA Loving You" but without the full formula. Still sounds like it could catch on, though.
Phases – Joel Corry/Abi Flynn (6.8/10)
Let's be honest, it's generic, and Joel fell off, so he's trying to use the more recently trendy Abi Flynn to regain some attention. Maybe it would've worked if he locked in for the "comeback", but this is still down to straight basics. I can't give it bigger respect than a mark of "just good".
Forever – ILLENIUM/Tom Grennan/Alna (6.6/10)
Many artists shockingly match an ILLENIUM-style song, but I don't think Tom's one to pull it off, or maybe that's the illusion behind the slightly distorted-sounding vocal mixing, which doesn't sound good. Either way, this could've been made by someone starting out. It's just alright.
Backyard - TiaCorine/JID (2/10)
What's with the recent JID glaze? I may not have heard the whole lot but this is awful. Tia is screaming and sounds like she's upset, and then the beat delivered just feels whipped up in a second. I expect better, instead of what I'd always class under rap crap.
Pink Money – Coi Leray/Bktherula/G Herbo (5/10)
Coi returns to her more strictly rap style, but it feels more sloppy and like rap crap than ever, with the "tough" and "bad" energy falling flat as it's the same recycled garbage we've heard from other artists.
Unconditional - NOTION/Nate Sib (7.5/10)
The song doesn't bring me deep feelings, just some satisfaction and head bopping from the entertaining dance loop and fitting vocals that fit it from many perspectives. Definitely better than that remix NOTION did of "The Days".
EUPHORIA - IN PARALLEL/Charlotte Haining (7/10)
Both artists have made songs like the trending house-EDM acts, and they've done exactly that, but I don't always dump on those songs. I still think songs like those can often be filled with fun, just like this one, which is.
DADE - BIA/Key Glock (6.5/10)
A mild attempt at creating a similar rap song to others, with sounds used in trap production used here in what sounds like them holding back.
CANNIBALISM! - Slayyyter (7.6/10)
An addicting club song with a distorted and high-octane feel, kind of like some of Nessa Barrett's music!
Jersey King - Pozer (7/10)
2024's little breakthrough was a small moment for Pozer, but he aims to do better with this, a daring rap song with key production elements. It doesn't satisfy to its fullest, but it definitely keeps Pozer's name remembered for a little longer by some.
Aura - Strandz/RIMON (7.5/10)
Strandz's style blends into a 4Batz-like style.
How Far Does A Goodbye Go - Jason Aldean (7.4/10)
A heartbreak country song with very american roots, it feels quite like many artists who hit the Hot 100. But once again, I'm learning to find that songs that sound like another aren't always bad.
Atlanna – Jermaine Dupri/Ceelo Green (6.5/10)
The first two minutes are a Chris Brown-similar R&B/hip-hop song; they're pretty chill, nothing too out of the blue, and the second minute is mostly the same aside from the second person jumping on the mic (who I assume was Ceelo), who didn't do the greatest job of delivering a great verse. They "pass the vibe", but in such a dull way that it's only just acceptable.
Only Bible – Warren Zeiders (7.5/10)
The country rock singer delivers a strong performance vocally and matches that production-wise with what feels like traditional American country yet a welcoming song to others not so familiar.
Don't Give Up – SILK/Chicane/Bryan Adams (6.7/10)
A funky bass and solid EDM beat overall, but why pick BRYAN ADAMS when he sounds so old and out of it for the mix? I have no issues with old people featuring on dance songs, but you can hear the cracks in his voice, and he can't even reach the song's needed pitch. Why waste a well-built, jam-packed banger of a beat on him?!
Nobody But Us - Mario (5/10)
The lyricism is weirdly sexual and at times goes too far from the chilled love into something deeper, especially when you didn't think that's what you'd be served. Aside from that, it's a Chris Brown-styled R&B song with the tune being expected for the genre. In other words, nothing new.
Dip – Wallie The Sensei/Ty Dolla $ign/Blxst (6/10)
A rap cut from two separate sides, one showing a less altered upbeat rap side and another showing a more tuned version (Ty).
Guabansexxx – Rauw Alejandro (6/10)
Latin music that feels like a comfortable fit for Rauw, at least that's what I think.
April - Rose Grey (7.2/10)
Early this year Rose Grey dropped an album that I found fine; it was enjoyable but not a step in any direction that defines a new character. But she doesn't necessarily have to be defined; as much as it would be nice, I think making your brand of summer pop (that other artists make similarly too) can be ok! After all, the synths are poppy, and the fun elements feel great too. Blast at the beach reminds me of Calvin Harris! The dance claps make me think of the late 2010s style, maybe something that would be interesting to see Jess Glynne on.
Slow Burn – Sadie Jean (8/10)
Think of the gentle acoustic radio pop that many artists make on their smaller rise to fame, but the good side of it is a little like Tate McRae. This song feels like it could get nostalgic over time!
Eatcha Beatcha – Bunna B (7/10)
Sexy Red, but I actually understand her? OK, to be clear, this by no means should make you think I like Bunna B; I'm just understanding the negative impact on music more and learning. This isn't too bad.
REMIND ME – Chase Atlantic (7.9/10)
A noticeable use of tuning, but also noticeably good. Definitely a good sign for the modern R&B's push to make music more unique.
Better - Nimino/Manta (5/10)
Bright piano keys with a bright kick in from the bass; the bad part was the glitchy in-and-out hearing of the noise, especially on top of the chanting, which makes it feel like a mistake CYRIL would make.
Too Much – Rushy/Kairo Keyz (5/10)
Aitch could've done it, AJ could've, or, in fact, any UK rapper could've made the same rap you hear from the country's stereotypes. Boring.
Celosa – Ke Personajes/J Balvin (7.1/10)
I don't think the tone of the song fits the jealous, worrying girl definition they're aiming for, but at least this had one of the best rock pieces for this New Music Friday. So killer.
AP Freestyle - Nemzzz (6.5/10)
Basically exactly what I said for Rushy & Kairo Keyz, but instead slightly better.
High For You - Delilah (7.2/10)
A fine job at making a BBC-level playable radio song, but it would be better if she did another song with her previous collaborator Fred Again.
DEVIL IS A LIAR – Gio./John Michael Howell (8.5/10)
Was NOT expecting this from Christian artist Gio; his vocals sound like The Kid Laroi in the best way possible, with the beat sounding so professional and fresh, with all inputs having that clean and funky boogie that CARRIES the song. Oh, and the starting few guitar chords made me think of a sequence Ed Sheeran would use in his older songs lol.
Crystallised – John Summit/Inéz (7.5/10)
A strong electronic bass with vocals reminding me of Sia, and more so her stronger performances. Both of those two things come together into an addicting song.
Deep Clear Water – Gryffin/GRiZ (7/10)
There are elements from house, jazz and just singing, some you have to listen closely for, but they're all in there in a very interesting mix. My big problem is the layering and mastering isn't the greatest, along with the singing sounding unfit for this song... or, in fact, any song. But yes, there's still value here which I'll take.
Never The Same - Boy Soda (7/10)
MISUNDERSTOOD – Hannah Bahng (7.1/10)
Such a mellow listen, but instead it's faster and still packs a punch with guitars, but instead they're toned down too to a pitch that reflects what this song should be about.
IT'S SO BEAUTIFUL – FACESOUL (8/10)
A song about praying to see the light in a graceful display of true emotions and calming takes. It truly is lovely to the ears.
My Bad - George Birge (5/10)
Fake country that feels like the overly forced versions of the genre that only appeal to the worst radio stations.
Fall In Your Arms – James Vickery (7.2/10)
That's some soulful vocals that I don't often hear!
Is Anybody Out There? - Allie X (8.1/10)
A gothic pop-rock song with the echo-like wave on the hook providing a nice pattern before the drums kick in. I really like this; it certainly didn't take a bland route of choice.
Madeline - Carter Vail (6/10)
Yeah, it's a nice little radio song, but it does have this annoyingly generic and cheesy side.
Dreamin' – Cuco (7.2/10)
CURIOUS - Sam Gellaitry/Toro y Moi (8.1/10)
Lovely placed glitchy disco that gives hope for a Friday night funk. It does feel like something that would go from the radio to the club.
Driving me crazy - Snuggle (7.3/10)
Simply calming and nice for a sit-down.
No Lies Detected [Blind] - Oxymorons (8/10)
It kind of goes hard; I mean, it has a great use of the vocal and guitar balance in a hard rock song that sounds like Linkin Park would mess with it a little.
Let Down – Acopia (8/10)
808 HYMN - Erin Lecount (8/10)
The aesthetic for this feels like it's delving into something new, something artistic and something that can't be exactly compared to anything else. Wonderfully futuristic.
Drag – Yumi Zouma (7.1/10)
Good grief! - Jervis Campbell (7/10)
This has its similarities to Cian Ducrot and Mark Ambor, or a brand of starting-out acoustic pop. I'll take it.
Last Shot – VALORANT/Templuv/347aidan (7.5/10)
It fits a fast-paced shooting video game; it has action and energy, exactly what I'm looking for.
Making Love To Morgan Wallen - Limp Bizkit (7.5/10)
Yeah... I only listened to the song because of its title. But surprisingly I enjoyed it; it was a piece of pretty badass rock!
JUICY – Jordan Ward (7.2/10)
Change My Mind – Phantastic Furniture (7.7/10)
Sewers – mehro (7.8/10)
An emotionally gripping song with a strong guitar backing used in a production that kicks up the song to the biggest high around the 3:00 to 3:30 mark.
MAN ABOVE – Aaron Cole/nobigdyl. (7/10)
Christian rap – that's not your usual for those who don't explore the scene.
Tied To You - Lori McKenna/Medium Build (6.5/10)