26-07-2025, 15:04
NEW MUSIC FRIDAY 25.06.25 #40
Which One—Drake/Central Cee (7.5/10)
If you heard and liked "Blue Green Red," then you'll like this; it's just like that but with a Central Cee feature, which he sounds surprisingly decent on. I like when Drake puts on that accent; it gives his music a unique edge that turns regular beats into something special. This is also quite an upgrade from "What Did I Miss."
Dealer - Lola Young (8.2/10)
Not only the best single from the upcoming album so far but also one of her best songs, and I wouldn't even blame you for calling this better than everything on her last album! It has a sound and lyricism that feels like Lola but strays away from a cringe line, and the sound feels altered to sound different, but that actually gives it more of a live and real sound that complements the song. Great listen.
DYNAMITE - Tyla/Wizkid (7.1/10)
A fusion of two Afrobeat sounds that brings a lively and danceable tune, these two sound like they could connect well on a track, and I'm happy to report that they both brought flavour to the song.
With You—Jorja Smith (5/10)
A loud drum loop that sounds fit for rap/trap, but instead Jorja adds her brand of singing that often fits a soulful tone. I don't like the merge, and despite the unique take, it still ends up sounding basic.
Miami (Remix)—Morgan Wallen/Lil Wayne/Rick Ross (1/10)
"Miami" was the only song I hated on Morgan Wallen's "I'm The Problem," and you had to remix it with rap artists?? Once again, the "Miami" cut-in sounds so low quality, like it's playing from a decades-old device, and the rappers here could never change my mind; they just add two annoying vocal inputs. I guess the rappers do have a slightly better beat change and stop the "Miami" input from coming in as much, but overall, it's not a positive, and honestly, it's Morgan Wallen's worst song. My opinion has upgraded on the original song, though.
12 to 12 - Sombr (7.9/10)
I was not expecting to hear Sombr on a beat that sounds more like something Lizzo would be on. "12 to 12" has a funky, danceable sound that stays true to Sombr's vocal tone whilst balancing out new fields of music; he definitely didn't play it safe with this one, but he did that in an amazing way. Check it out!
Save Me—Olly Murs (8.2/10)
Olly Murs finally returns, and as expected, we've got a dancefloor hit on our hands. The song has a style that feels slightly jazzy but with a chaotic twist of getting into a bad situation in an argument where Murs plays it playfully and with energy. This truly is a new Murs era, and I'm honestly so proud of this guy for fighting through the horrible headlines about him and continuing with his weight routine for his fans. Olly is one artist who truly cares about the fans, and I love that!
STREET X STREET - Sia/Cypress Hill/DJ FLICT (7.5/10)
I'm not joking when I say that this sounds like something Playboi Carti would release! The beat has rap artists on and goes into trap elements with an intense sound that Sia uses autotune to blend into. And surprisingly… it's good.
HOT GIRL PROBLEMS - The Kid LAROI (6.9/10)
I guess I'll take it. I mean, it's an average score I'd give Laroi, and it's also for a usual Laroi song about girls, which uses the same production elements that made the sound for his previous albums. He needs to step into a new zone.
Back in the Saddle—Luke Combs (8.4/10)
Ok… but why is this BADASS?? The heavy rock and vocals lean into a style that feels like something the old real rockers did! Luke did exactly that and insanely well. WOW!! If you like rock, then give this a listen.
Gossip—Confidence Man/Jade (6/10)
Confidence Man is an artist I respect, but I was never a fan of Jade, and as much as I don't like Jade, I do have to respect how this is actually OK. Jade is a little boring and annoying in her tone of voice, but it's not too off-putting, and the beat has a nice synth and funky-like switch to give it some level of interest, although I think more of a pumping bass would do the song better.
Beautiful Colours—OneRepublic (7/10)
OneRepublic releases another song from Kaju no. 8; this one is more of a slower-paced song. As much as it's decent, I'm not getting too much feeling for this. Not amazing.
Uuu - J Balvin/Stormzy (6.4/10)
J Balvin's culture mixes with Stormzy to create a pop-ish and rough-ish rap blend; it doesn't work, but it's also not a terrible result. I don't care for it.
It Depends—Chris Brown/Bryson Tiller (5.5/10)
Chris Brown returns to the boring, kind of leisurely pace of R&B that satisfies nobody and leaves us thinking, "Was Holy Blindfold all he had in the tank??"
Sugar Sweet—Mariah Carey/Shenseea/Kehlani (5.6/10)
The opening era isn't looking too good; if this'll be the lead single (not saying it will be), it doesn't have any exciting energy and instead falls flat.
Sapphire—Ed Sheeran/Arijit Singh (7/10)
A surprisingly highly improved remix where Arijit brings a slice of culture that feels like the track needs to be complete!
Freak It—Kim Petras (3.5/10)
A hyperpop/electronic club song that keeps her style intact while blending into a more "How I'm Feeling Now" kind of vibe, I don't like this, and if you know me, I heavily dislike Charli XCX, so you know that anything similar probably won't be for me.
To Be Free - Sam Smith (5.6/10)
Sam continues to repaint the elegant and more natural side of his music. I'm not sure if this is due to the "Unholy" backlash or personal choice, but it's definitely not his best decision; his previous singles have done this but better.
Turn This Truck Around—Jordan Davis (7.3/10)
Jordan just keeps getting better; this is an even realer brand of American country that still feels partly like a copy, but at least he gives more energy to the song.
Beautiful Strangers - TOMORROW X TOGETHER (6.8/10)
Whisper—Rag'n'Bone Man/Max Chapman/Mischief (7.9/10)
Rag'n'Bone Man has his signature sound flow through, with the instrumentals providing arguably as much worth as the vocals; it sounds like old music but with a modern twist.
Reckless—Hanumankind/Daniel Curry (8.4/10)
Hanumankind brings an intense and rapid-quality energy that Denzel helps fuel; together they make something truly spectacular.
Midsummer pipe dream—Guitarricadelafuente/Troye Sivan (6.4/10)
End Of Summer—Tame Impala (5/10)
I just don't know; it's a long song, and nothing stood out to me.
Miss Sunshine - MGK (6.4/10)
It partly reminds me of if Alex Warren made a summer pop song, with the vocals leaning more towardshis tone. Surprisingly alright, though.
Holy—Mac DeMarco (6.3/10)
Same Thing - Ely Oaks/LAVINIA (8.1/10)
As long as it charts, I'm sure these two will keep collaborating, and as they do, I may as well say that I quite like the synths and bass; this is their best collaboration yet.
Professional - Offset (7/10)
I'll take it; from what I hear, it's the tough-appeal rap, and I think Offset plays the lead role well.
Chula Vente - Luis R. Conriquez/Fuerza Regida/Neton Vega (5/10)
Average Spanish song.
Learn To Love—Zoe Wees/Dean Lewis (6/10)
Occasionally Dean delivers a heart-pulling sound that makes you feel very strong emotions, and other times he doesn't; this is a time where he doesn't.
Dolce Vita - Sophie Ellis-Bextor (7.1/10)
Sophie's upcoming album is looking even more fun with a dance-club song that partly sounds (and only a little) like ABBA. I'm not sure if I'm the only one seeing it, but I kind of hear the oldish dance influences but with a more modernised sound… and Bextor's vocals help remind me of ABBA on this too.
Big Bag—French Montana/Lil Durk (6/10)
The Weight Of You (I'm Glad You Died) - Caity Baser (7/10)
Despite the song title being kind of wild and easily toned down… it's still kind of understandable, the feeling of not carrying the weight of someone because they're gone, and there being a good side of that. I feel the use of "I'm glad you died" was only put in to keep up Caity's ways of her over-exaggerating TikTok-pop phase.
Hot Body—Ayra Starr (6.8/10)
A sexual Afrobeat song that doesn't push past the replayable line or even reach it. Too basic.
Drama—Jordan Adetunji (7.5/10)
Partly reminds me of 4Batz when he made his quality grow more with the slow and dreamy rap melodies.
Have A Baby (With Me) - Daniel Caesar (5.5/10)
I'm sorry, but this is just too straightforward, and it comes across as weird. The song itself doesn't have any huge highlights either. I guess I could give a few points for the slightly dreamy instrumentals, though.
1942 - Clavish (5.5/10)
Standard UK Rap.
This Circle—Paramore (4/10)
I don't think I've heard something at this level of standard from them. This is so half-baked that it's painful.
A New Day—Sebastian Ingrosso/Celine Dion (8/10)
A DJ loop with occasional twists that has a very surreal feeling to it if you listen in the right place, preferably while looking at a great view.
Don't Care No More - Bay Swag/Cash Cobain (3.8/10)
What did I just listen to?? This was soulless mumbling, as if it was going to lead up to something, and then it led up to NOTHING. Disappointing.
N.O.V.A - Nova Twins (2/10)
Ear-splitting shouting that isn't even covered by anything good; it's like teenage girls in a drama show letting out a scream. This is horrid.
Dream Night—Jamie xx (7/10)
A chilled-out wave of synths. Needs more but still good, especially the last part.
By Myself—Kodak Black/DJ E Money/G6reddot (5/10)
The vocals are FRIED (as usual for Kodak), but there's still a level of decency to the track, and it's surprisingly not entirely expected. Still forgot it quickly, though.
I Know—IShowSpeed (6.7/10)
IShowSpeed is improving as he continues his rap career. I can't say this is better than his last single, but it is better than nearly all the others I've heard.
Happier—Remember Monday (6.5/10)
The UK's Eurovision entry comes back with guitar and drums in a basic yet kind of groovy pop girl background… It's definitely an improvement from their Eurovision entry, and it kind of reminds me of Sabrina's "Manchild" slightly.
Next Life—24kGoldn (7.1/10)
Radio pop where whistling seems to make a catchy part of the whole song.
Turn Me Up - Mabel (6.5/10)
Mabel's career turning this route was unexpected and not for the better; the slower, Tyla-ish sound is losing her fans, and I'm one of them who's leaving her fanbase.
EURO-COUNTRY - CMAT (7/10)
It follows in the same field as "Take A Sexy Picture Of Me," but instead the background doesn't move with such difference, and that isn't good.
Nyash (Shake) - Pozer (6.4/10)
Dis Badman—Sammy Virji/Champion/IRAH (4/10)
Drum and bass is hitting lows with this; it's your average "badman." Big bass song that's repetitive in style... you get the idea.
I'm Not Hungry Anymore - MARINA (7.2/10)
After dropping her album "Princess Of Power," Marina is back after not even taking a real break (supposedly for FROOT's 10th anniversary). I've got to say that she hasn't cut quality despite having a large quantity; the vocals partly remind me of Gaga at points, with the beat adding a princess level of pop whilst being fun, with electronics and synths making up a sound that has the right amount of changes. I'm so happy that they didn't overproduce this.
Surrounded—Koe Wetzel (6.5/10)
Country-rock that's not exactly special, but it still holds a factor of quality. Quite expected for the current music around the genre.
One Condition—DJ Tunez/Wizkid/FOLA (7/10)
Jazz mixed with Afrobeats to create a blend that sounds partly artistic... strange, but I like it!
You Stole The Show—SIENNA SPIRO (6.5/10)
Case—CUBE/Thelonius (7.5/10)
Thelonious brings this raw feel to rap that follows in the likes of many other Black rappers; I love that.
Golden (David Guetta remix) - K-pop demon hunters cast/David Guetta (7/10)
It's good, but I don't think there was a huge need for this remix.
Easy - JVKE/LAY (6.6/10)
JVKE's music but without the piano or magical feeling.
Born To Fly - Anabel Englund/Mary Droppinz (5/10)
Well, at least it's not the horror that was the "PLB" remix.
Darlin' - Hudson Westbrook (6.4/10)
Your average country music.
Way To Go—Mercer Henderson (7/10)
Dumb Girl - Alessi Rose (6/10)
It's like "Way To Go" by Mercer Henderson, but it's too simple to satisfy.
My Girl—Isabel Larosa (8/10)
Did I miss an update? This is insane! This is full-on the girl pop that media craves; it's like Nessa Barrett with the quieter pitch that lets the beat smoothly run through the song. Wow, just wow.
Blame On You - Alexander Stewart (8.5/10)
Now THIS is music! A true display of true simplicity is when radio music has quality.
Say Something - Royel Otis (8.5/10)
"Say Something" is the best song by Royel Otis that I've heard so far; it has a sound that feels similar to "Suburbs" by Good Neighbours but without the upbeat tone. This feels real; it feels like it captures you in the moment. This could be an era.
BAD NIGHT—KARMA—Graham Barham (6.6/10)
Morgan Wallen if he had more of a teenage appeal.
Lonely in the Jungle—Khamari (7.2/10)
Gentle acoustic that has a hook that is worth the buildup; going gently into higher but softer was such an amazing transition.
What Do We Ever Really Know? - Balu Brigada (8/10)
A big step down from the release of "Backseat," but it still has growth that showcases that Balu can master different sounds.
Move It Along—Sasha Keable/Leon Thomas (7/10)
Slow and soulful, they could've made the song swing in a better direction, though.
Hecho Para Ti - LATIN MAFIA/Omar Apollo (6.7/10)
Higher Power—Gryffin/Lavern/AR/CO (6/10)
I don't like the beats "glitches."
Wet Hair—Audrey Hobart (3/10)
Basically Gracie Abrams but only different in the slightest.
BIRTHDAY—Jennifer Lopez (4.5/10)
It's a little like "Gnarly" by KATSEYE, but if it wasn't a K-pop song.
Crush - Indigo De Souza (5/10)
This week has really had its fair share of bland female pop music. I don't know what the point of these songs is; they do nothing but exist.
Inside Our Hearts—Martin Garrix/Alesso/Shaun Farrugia (2/10)
One of the most boring things I've ever heard. It's like the Jonas Brothers but somehow even more uninspired.
Baby Chop—Boylife/No Rome/Keshi (6.7/10)
Jammers Anonymous—MAVI/Niontay (2.2/10)
Both rappers sound intoxicated as they speak in a slow and hard-to-understand tone that doesn't fit their current era and stands as MAVI's worst drop I've heard, and I've heard quite a bit by him.
Worry About—Alfie Indra (6.6/10)
I got introduced to Alfie Indra when I heard his song "Comfort Zone" on Fresh Finds in 2024, but since then he hasn't lived up to that level.
Thinkin About You—Vedo (7/10)
If FLO was one male and instead went for more chill R&B, this would be the output.
Dopamine - Fireboy DML (7.2/10)
An Afro-dance tune that legit has potential. It's fun.
Playa Paradise—DJ Tennis/Eliza Rose (7.5/10)
It's like if Eliza's "Body Still Moving" collab wasn't funky but was still a dance song.
What's the Deal? - Hit-Boy (7.6/10)
A fun-filled rap song that isn't overcomplicated yet goes out in full style.
Church—Tasha Cobbs Leonard/John Legend (6.6/10)
A Christian worship song that feels so traditionally Christian that it's bad. If you know what I mean.
Primer Lugar—Eladio Carrion/Omar Courtz (4.4/10)
What If—Tors (5/10)
Sounds like something Alex Warren would make.
Rapture In Blue—Daniel Avery/Cecile Believe (5.8/10)
Desire—Noizu/Hannah Boleyn (7/10)
Which One—Drake/Central Cee (7.5/10)
If you heard and liked "Blue Green Red," then you'll like this; it's just like that but with a Central Cee feature, which he sounds surprisingly decent on. I like when Drake puts on that accent; it gives his music a unique edge that turns regular beats into something special. This is also quite an upgrade from "What Did I Miss."
Dealer - Lola Young (8.2/10)
Not only the best single from the upcoming album so far but also one of her best songs, and I wouldn't even blame you for calling this better than everything on her last album! It has a sound and lyricism that feels like Lola but strays away from a cringe line, and the sound feels altered to sound different, but that actually gives it more of a live and real sound that complements the song. Great listen.
DYNAMITE - Tyla/Wizkid (7.1/10)
A fusion of two Afrobeat sounds that brings a lively and danceable tune, these two sound like they could connect well on a track, and I'm happy to report that they both brought flavour to the song.
With You—Jorja Smith (5/10)
A loud drum loop that sounds fit for rap/trap, but instead Jorja adds her brand of singing that often fits a soulful tone. I don't like the merge, and despite the unique take, it still ends up sounding basic.
Miami (Remix)—Morgan Wallen/Lil Wayne/Rick Ross (1/10)
"Miami" was the only song I hated on Morgan Wallen's "I'm The Problem," and you had to remix it with rap artists?? Once again, the "Miami" cut-in sounds so low quality, like it's playing from a decades-old device, and the rappers here could never change my mind; they just add two annoying vocal inputs. I guess the rappers do have a slightly better beat change and stop the "Miami" input from coming in as much, but overall, it's not a positive, and honestly, it's Morgan Wallen's worst song. My opinion has upgraded on the original song, though.
12 to 12 - Sombr (7.9/10)
I was not expecting to hear Sombr on a beat that sounds more like something Lizzo would be on. "12 to 12" has a funky, danceable sound that stays true to Sombr's vocal tone whilst balancing out new fields of music; he definitely didn't play it safe with this one, but he did that in an amazing way. Check it out!
Save Me—Olly Murs (8.2/10)
Olly Murs finally returns, and as expected, we've got a dancefloor hit on our hands. The song has a style that feels slightly jazzy but with a chaotic twist of getting into a bad situation in an argument where Murs plays it playfully and with energy. This truly is a new Murs era, and I'm honestly so proud of this guy for fighting through the horrible headlines about him and continuing with his weight routine for his fans. Olly is one artist who truly cares about the fans, and I love that!
STREET X STREET - Sia/Cypress Hill/DJ FLICT (7.5/10)
I'm not joking when I say that this sounds like something Playboi Carti would release! The beat has rap artists on and goes into trap elements with an intense sound that Sia uses autotune to blend into. And surprisingly… it's good.
HOT GIRL PROBLEMS - The Kid LAROI (6.9/10)
I guess I'll take it. I mean, it's an average score I'd give Laroi, and it's also for a usual Laroi song about girls, which uses the same production elements that made the sound for his previous albums. He needs to step into a new zone.
Back in the Saddle—Luke Combs (8.4/10)
Ok… but why is this BADASS?? The heavy rock and vocals lean into a style that feels like something the old real rockers did! Luke did exactly that and insanely well. WOW!! If you like rock, then give this a listen.
Gossip—Confidence Man/Jade (6/10)
Confidence Man is an artist I respect, but I was never a fan of Jade, and as much as I don't like Jade, I do have to respect how this is actually OK. Jade is a little boring and annoying in her tone of voice, but it's not too off-putting, and the beat has a nice synth and funky-like switch to give it some level of interest, although I think more of a pumping bass would do the song better.
Beautiful Colours—OneRepublic (7/10)
OneRepublic releases another song from Kaju no. 8; this one is more of a slower-paced song. As much as it's decent, I'm not getting too much feeling for this. Not amazing.
Uuu - J Balvin/Stormzy (6.4/10)
J Balvin's culture mixes with Stormzy to create a pop-ish and rough-ish rap blend; it doesn't work, but it's also not a terrible result. I don't care for it.
It Depends—Chris Brown/Bryson Tiller (5.5/10)
Chris Brown returns to the boring, kind of leisurely pace of R&B that satisfies nobody and leaves us thinking, "Was Holy Blindfold all he had in the tank??"
Sugar Sweet—Mariah Carey/Shenseea/Kehlani (5.6/10)
The opening era isn't looking too good; if this'll be the lead single (not saying it will be), it doesn't have any exciting energy and instead falls flat.
Sapphire—Ed Sheeran/Arijit Singh (7/10)
A surprisingly highly improved remix where Arijit brings a slice of culture that feels like the track needs to be complete!
Freak It—Kim Petras (3.5/10)
A hyperpop/electronic club song that keeps her style intact while blending into a more "How I'm Feeling Now" kind of vibe, I don't like this, and if you know me, I heavily dislike Charli XCX, so you know that anything similar probably won't be for me.
To Be Free - Sam Smith (5.6/10)
Sam continues to repaint the elegant and more natural side of his music. I'm not sure if this is due to the "Unholy" backlash or personal choice, but it's definitely not his best decision; his previous singles have done this but better.
Turn This Truck Around—Jordan Davis (7.3/10)
Jordan just keeps getting better; this is an even realer brand of American country that still feels partly like a copy, but at least he gives more energy to the song.
Beautiful Strangers - TOMORROW X TOGETHER (6.8/10)
Whisper—Rag'n'Bone Man/Max Chapman/Mischief (7.9/10)
Rag'n'Bone Man has his signature sound flow through, with the instrumentals providing arguably as much worth as the vocals; it sounds like old music but with a modern twist.
Reckless—Hanumankind/Daniel Curry (8.4/10)
Hanumankind brings an intense and rapid-quality energy that Denzel helps fuel; together they make something truly spectacular.
Midsummer pipe dream—Guitarricadelafuente/Troye Sivan (6.4/10)
End Of Summer—Tame Impala (5/10)
I just don't know; it's a long song, and nothing stood out to me.
Miss Sunshine - MGK (6.4/10)
It partly reminds me of if Alex Warren made a summer pop song, with the vocals leaning more towardshis tone. Surprisingly alright, though.
Holy—Mac DeMarco (6.3/10)
Same Thing - Ely Oaks/LAVINIA (8.1/10)
As long as it charts, I'm sure these two will keep collaborating, and as they do, I may as well say that I quite like the synths and bass; this is their best collaboration yet.
Professional - Offset (7/10)
I'll take it; from what I hear, it's the tough-appeal rap, and I think Offset plays the lead role well.
Chula Vente - Luis R. Conriquez/Fuerza Regida/Neton Vega (5/10)
Average Spanish song.
Learn To Love—Zoe Wees/Dean Lewis (6/10)
Occasionally Dean delivers a heart-pulling sound that makes you feel very strong emotions, and other times he doesn't; this is a time where he doesn't.
Dolce Vita - Sophie Ellis-Bextor (7.1/10)
Sophie's upcoming album is looking even more fun with a dance-club song that partly sounds (and only a little) like ABBA. I'm not sure if I'm the only one seeing it, but I kind of hear the oldish dance influences but with a more modernised sound… and Bextor's vocals help remind me of ABBA on this too.
Big Bag—French Montana/Lil Durk (6/10)
The Weight Of You (I'm Glad You Died) - Caity Baser (7/10)
Despite the song title being kind of wild and easily toned down… it's still kind of understandable, the feeling of not carrying the weight of someone because they're gone, and there being a good side of that. I feel the use of "I'm glad you died" was only put in to keep up Caity's ways of her over-exaggerating TikTok-pop phase.
Hot Body—Ayra Starr (6.8/10)
A sexual Afrobeat song that doesn't push past the replayable line or even reach it. Too basic.
Drama—Jordan Adetunji (7.5/10)
Partly reminds me of 4Batz when he made his quality grow more with the slow and dreamy rap melodies.
Have A Baby (With Me) - Daniel Caesar (5.5/10)
I'm sorry, but this is just too straightforward, and it comes across as weird. The song itself doesn't have any huge highlights either. I guess I could give a few points for the slightly dreamy instrumentals, though.
1942 - Clavish (5.5/10)
Standard UK Rap.
This Circle—Paramore (4/10)
I don't think I've heard something at this level of standard from them. This is so half-baked that it's painful.
A New Day—Sebastian Ingrosso/Celine Dion (8/10)
A DJ loop with occasional twists that has a very surreal feeling to it if you listen in the right place, preferably while looking at a great view.
Don't Care No More - Bay Swag/Cash Cobain (3.8/10)
What did I just listen to?? This was soulless mumbling, as if it was going to lead up to something, and then it led up to NOTHING. Disappointing.
N.O.V.A - Nova Twins (2/10)
Ear-splitting shouting that isn't even covered by anything good; it's like teenage girls in a drama show letting out a scream. This is horrid.
Dream Night—Jamie xx (7/10)
A chilled-out wave of synths. Needs more but still good, especially the last part.
By Myself—Kodak Black/DJ E Money/G6reddot (5/10)
The vocals are FRIED (as usual for Kodak), but there's still a level of decency to the track, and it's surprisingly not entirely expected. Still forgot it quickly, though.
I Know—IShowSpeed (6.7/10)
IShowSpeed is improving as he continues his rap career. I can't say this is better than his last single, but it is better than nearly all the others I've heard.
Happier—Remember Monday (6.5/10)
The UK's Eurovision entry comes back with guitar and drums in a basic yet kind of groovy pop girl background… It's definitely an improvement from their Eurovision entry, and it kind of reminds me of Sabrina's "Manchild" slightly.
Next Life—24kGoldn (7.1/10)
Radio pop where whistling seems to make a catchy part of the whole song.
Turn Me Up - Mabel (6.5/10)
Mabel's career turning this route was unexpected and not for the better; the slower, Tyla-ish sound is losing her fans, and I'm one of them who's leaving her fanbase.
EURO-COUNTRY - CMAT (7/10)
It follows in the same field as "Take A Sexy Picture Of Me," but instead the background doesn't move with such difference, and that isn't good.
Nyash (Shake) - Pozer (6.4/10)
Dis Badman—Sammy Virji/Champion/IRAH (4/10)
Drum and bass is hitting lows with this; it's your average "badman." Big bass song that's repetitive in style... you get the idea.
I'm Not Hungry Anymore - MARINA (7.2/10)
After dropping her album "Princess Of Power," Marina is back after not even taking a real break (supposedly for FROOT's 10th anniversary). I've got to say that she hasn't cut quality despite having a large quantity; the vocals partly remind me of Gaga at points, with the beat adding a princess level of pop whilst being fun, with electronics and synths making up a sound that has the right amount of changes. I'm so happy that they didn't overproduce this.
Surrounded—Koe Wetzel (6.5/10)
Country-rock that's not exactly special, but it still holds a factor of quality. Quite expected for the current music around the genre.
One Condition—DJ Tunez/Wizkid/FOLA (7/10)
Jazz mixed with Afrobeats to create a blend that sounds partly artistic... strange, but I like it!
You Stole The Show—SIENNA SPIRO (6.5/10)
Case—CUBE/Thelonius (7.5/10)
Thelonious brings this raw feel to rap that follows in the likes of many other Black rappers; I love that.
Golden (David Guetta remix) - K-pop demon hunters cast/David Guetta (7/10)
It's good, but I don't think there was a huge need for this remix.
Easy - JVKE/LAY (6.6/10)
JVKE's music but without the piano or magical feeling.
Born To Fly - Anabel Englund/Mary Droppinz (5/10)
Well, at least it's not the horror that was the "PLB" remix.
Darlin' - Hudson Westbrook (6.4/10)
Your average country music.
Way To Go—Mercer Henderson (7/10)
Dumb Girl - Alessi Rose (6/10)
It's like "Way To Go" by Mercer Henderson, but it's too simple to satisfy.
My Girl—Isabel Larosa (8/10)
Did I miss an update? This is insane! This is full-on the girl pop that media craves; it's like Nessa Barrett with the quieter pitch that lets the beat smoothly run through the song. Wow, just wow.
Blame On You - Alexander Stewart (8.5/10)
Now THIS is music! A true display of true simplicity is when radio music has quality.
Say Something - Royel Otis (8.5/10)
"Say Something" is the best song by Royel Otis that I've heard so far; it has a sound that feels similar to "Suburbs" by Good Neighbours but without the upbeat tone. This feels real; it feels like it captures you in the moment. This could be an era.
BAD NIGHT—KARMA—Graham Barham (6.6/10)
Morgan Wallen if he had more of a teenage appeal.
Lonely in the Jungle—Khamari (7.2/10)
Gentle acoustic that has a hook that is worth the buildup; going gently into higher but softer was such an amazing transition.
What Do We Ever Really Know? - Balu Brigada (8/10)
A big step down from the release of "Backseat," but it still has growth that showcases that Balu can master different sounds.
Move It Along—Sasha Keable/Leon Thomas (7/10)
Slow and soulful, they could've made the song swing in a better direction, though.
Hecho Para Ti - LATIN MAFIA/Omar Apollo (6.7/10)
Higher Power—Gryffin/Lavern/AR/CO (6/10)
I don't like the beats "glitches."
Wet Hair—Audrey Hobart (3/10)
Basically Gracie Abrams but only different in the slightest.
BIRTHDAY—Jennifer Lopez (4.5/10)
It's a little like "Gnarly" by KATSEYE, but if it wasn't a K-pop song.
Crush - Indigo De Souza (5/10)
This week has really had its fair share of bland female pop music. I don't know what the point of these songs is; they do nothing but exist.
Inside Our Hearts—Martin Garrix/Alesso/Shaun Farrugia (2/10)
One of the most boring things I've ever heard. It's like the Jonas Brothers but somehow even more uninspired.
Baby Chop—Boylife/No Rome/Keshi (6.7/10)
Jammers Anonymous—MAVI/Niontay (2.2/10)
Both rappers sound intoxicated as they speak in a slow and hard-to-understand tone that doesn't fit their current era and stands as MAVI's worst drop I've heard, and I've heard quite a bit by him.
Worry About—Alfie Indra (6.6/10)
I got introduced to Alfie Indra when I heard his song "Comfort Zone" on Fresh Finds in 2024, but since then he hasn't lived up to that level.
Thinkin About You—Vedo (7/10)
If FLO was one male and instead went for more chill R&B, this would be the output.
Dopamine - Fireboy DML (7.2/10)
An Afro-dance tune that legit has potential. It's fun.
Playa Paradise—DJ Tennis/Eliza Rose (7.5/10)
It's like if Eliza's "Body Still Moving" collab wasn't funky but was still a dance song.
What's the Deal? - Hit-Boy (7.6/10)
A fun-filled rap song that isn't overcomplicated yet goes out in full style.
Church—Tasha Cobbs Leonard/John Legend (6.6/10)
A Christian worship song that feels so traditionally Christian that it's bad. If you know what I mean.
Primer Lugar—Eladio Carrion/Omar Courtz (4.4/10)
What If—Tors (5/10)
Sounds like something Alex Warren would make.
Rapture In Blue—Daniel Avery/Cecile Believe (5.8/10)
Desire—Noizu/Hannah Boleyn (7/10)