NEW MUSIC FRIDAY 30.05.25 #32
Man Of The Year – Lorde (7.6/10)
Her accent doesn't come through as much on this (which I prefer), and it serves as a big improvement from "What Was That". It contains her artistic alt-pop sound, which makes her albums so strong, and if she keeps this up, then we could see the 2025 "Melodrama".
Just Keep Watching – Tate McRae (7.6/10)
Tate's currently my most streamed artist of the year, and this will extend her lead by a slight bit (which she needs as No. 2 is catching up fast!). Not only is this the best song from the F1 album, but it also has Tate's signature style; it sounds like something from "THINK LATER" but with a fine sound and diva energy coming through. It's a move that Tate's doing to solidify her place among the top pop girlies, and she's doing it well.
Easy Lover - Miley Cyrus (8.4/10)
Miley leans back into her radio-pop sound while still keeping that class which made people love her new era. The album's out today, and hearing this boogie pop-rock song really lifts the expectations for the album.
OWA OWA – Lil Tecca (5/10)
Just like "Dark Thoughts", this won't be remembered long if it peaks. This samples the classic dance sound "Owa Owa" (which is a bad sample choice) and makes it one of the main components of the song.
NOT FAIR – Leon Thomas (7.4/10)
A step up from "Mutt" that uses similar vocal effects and sounds like something off $$$4U if it was actually good and not NPC music.
In The Middle – Mt Joy/Gigi Perez (7.5/10)
Gigi takes a different route and leaves behind the formula and effects that made "Sailor Song". I will say that this is better.
This song – Conan Grey (8/10)
Quieter, beautiful and Conan's best song to date. Kinda reminds me of Beabadoobee.
Fame Is A Gun – Addison Rae (8.2/10)
WOW... Addison makes something that I like?! That's a first. Addison's brand of bubblegum pop and synths usually feels like it doesn't do enough for me, but this made me think of a less glamorous version of PinkPantheress (and I don't mean that in an insulting way); it's just quick, pleasing pop that's good for the playlist.
Holy Mountain – Obongjayar (7.9/10)
Obongjayer has such a special spot for his sound; it's a shame people only care about songs where he's a feature. Obong brings hip-hop, soul and afrobeats into this weird but amazing blend that showcases his raw talent. Love to see it!
WHIM WHAMIE – PLUTO/Sexyy Redd (0.1/10)
The original WHIM WHAMMIE was one of the very few songs that I gave a 0/10 to (now 0.1), and now there's a Sexyy Red remix?! *SIGHS* The verses cut off; Sexyy's timing is getting worse and worse each time, and then she gets on one of the worst rap songs of all time to deliver more crap. I already reviewed the original, so I am not going through that again.
Crazy For It – Rampa/Adam Port/&Me/Boys Noize (5/10)
Adam Port has left the sounds that got him his big hit in 2025, but it's not like those were good... and this isn't either.
SOLEAO - Myle Towers/Quevedo (5/10)
Spanish and Puerto Rican reggaeton that has a beat which gets old quickly and flavourless vocals.
Take Me Back – HAIM (8/10)
Every single so far has its own unique feel, with HAIM mixing harmonica with acoustic rock to create an entertaining song. I wonder how the full album will turn out!
Where Did You Go – D4vd (7.5/10)
Another great D4vd single! I was going to listen to their recent album and then went off, but now I might again… it's just not on the top of my to listen list. This was a bonus track from the album which continues the R&B sound.
Nice To Each Other – Olivia Dean (7.2/10)
Smooth and easy-to-hear pop-soul that sounds like something on her debut album. A pleasant listen, but she's not doing anything new.
Dialling In – Thom Yorke (5/10)
An eerie-sounding song that plays the eerie above the actual quality of the track so much that it just sounds like a bit of a mess in the end.
Landgrab – MAVI/Earl Sweatshirt (5/10)
After an Instagram post of the two sketched (hinting at a collaboration), they collabed.. … and it's a step down from some of the things I heard on Mavi's "Shadowboxing". Sadly, it just zooms past your memory, and even with my focus, I just remember it as a hip-hop song with added production elements.
Slow Burner – Interplanetary Criminals/Original Koffee (5/10)
Looped dance music that sounds like something you've heard before in the genre. Not worth your time.
Water Under The Bridge – Joe Jonas (5/10)
After his new solo album, Joe quickly goes back into making songs, with "Water Under The Bridge" becoming another generic attempt at creating any kind of success.
Booted Up – GELO (2/10)
Oooooh… this is not good. The weird production had such low standards that the vocals didn't work at all with them and fell extremely short of being remembered in the slightest, and the hard energy on this just falls flatter than Flat Stanley. His weakest song to date.
Lovin Myself – Ava Max (7/10)
Unfortunately, this song is getting review bombed by many accounts, which are most likely the same person, and that's giving it a higher score than it should be. I'll be the one to give my honest opinion and say it's nothing out of the blue for Ava, but it follows her usual electro-house roots that I quite enjoy. If you usually like Ava, then you may like this.
Girls Like You – Sofia Camara (8/10)
Sure, it's a little basic, but it also has a really chilled atmosphere that gives the pop song its magical feeling.
Zombie – YUNGBLUD (8/10)
This guy's blood incase record has been popping up on my feed recently; he seems like a kind guy. This sounds like Damiano David mixed with high-pitch notes on a rock and pop-punk genre beat.
Backseat – Balu Brigada (8.9/10)
Along with an album announcement, "Backseat" is a six-minute and 23-second song that starts with an upbeat energy that gives party and fast car energy with its modern sound that has "Backseat" mentioned in the background that gives the song a slightly lesser modern feel. On the second half, the song fades into this upbeat melody that gets you into a trance-like state with heel-like taps that then bring drums and an electronic funky rhythm that sounds so well blended it's INSANE. This is one of the best fades I've ever heard. It's very rare to see a song keep up like this for so long.
Mad – Martin Garrix/Lauv (5/10)
Martin is making his usual brand of dance; what else can I say?
Cops & Robbers – Sammy Virji/Skepta (8/10)
Sammy brought a bouncy beat, and Skepta brought the rap, and together they made a JAM.
Ace Trumpets – Clipse/Pusha T/No Malice (7/10)
Despite having stupid lyrics about "Yellow diamond look like peepee" (I'm not making that up), the song is still kind of a head bopper. The rap is straight in front of you, and it's all just vibes. The producer (Pharrell Williams) didn't even have to add much to the production, as the rapping by itself is just good like that.
Catch Me If You Can – KSI (7/10)
Apart from the wording and ways some things are pronounced (such as the emphasis on the words ending in "er" repeatedly), the rest of this song goes down well. KSI has an all-fire, no-tire rap session where he dominates on the verses with his quick flow. I'm sure people will hate on this anyway because it's KSI, but the production is actually like those real booming and high-pitched UK drill/rappers who have a good DJ on their side.
So Far Away – KSI (6/10)
It's like a less developed version of his song "Holiday".
Afterlife – Alex G (5/10)
Its guitar combined with Alex's male voice to make a regular song. I mean, c'mon, it seems like something Ed Sheeran would make at a stand in public live.
Whoa (Mind In Awe) (Remix) - XXXTENTACION/Juice WRLD (6.9/10)
I'm sure many people wanted these two on a song together but I'm not sure if everyone wanted this.
What3ver – Yeule (6/10)
MENOS EL CORA – Ryan Castro/Manuel Turizo (5/10)
This genre of music is mostly forgotten quickly for me, so it's not a surprise that it is again.
January 19th - Mabel (5/10)
Mabel really fell off. The things she was making in 2022 were much better; nowadays she's making music like this, which sounds like it would fit on C XOXO.
Back In My Bed – Jax Jones/MEYY/Y2J! (5/10)
Jax Jones's new brand of quicker hyperpop feels like it doesn't capture the moment but rather zooms past it.
3rd Time Lucky – AJ Tracey (7.8/10)
I'm liking what I'm hearing from this AJ Tracey guy; I have to hear more of him. He just constantly delivers emotional and real rap (along with some fun, less emotional songs), but the guy is honestly a good part of UK drill/rap; he should be bigger. This was such a beautiful tribute to his mum with cancer, and as someone who had a friend who fought cancer, this honestly touches the heart. Keep it real, AJ.
Shalalala – Cian Ducrot (6/10)
A song that's supposed to give a deep message about the environment and unity but ends up sounding like slightly corny church music.
Sunshine – D.O.D/RAHH (5.5/10)
Summer dance music that contains a pattern of repetitive phrases with a feel-good message.
Too Good To Be True - Kenzie Vois (8.1/10)
Kenzie's only new song on his latest e.p makes it a 4/4 non skip e.p.
Man Of The Year – Lorde (7.6/10)
Her accent doesn't come through as much on this (which I prefer), and it serves as a big improvement from "What Was That". It contains her artistic alt-pop sound, which makes her albums so strong, and if she keeps this up, then we could see the 2025 "Melodrama".
Just Keep Watching – Tate McRae (7.6/10)
Tate's currently my most streamed artist of the year, and this will extend her lead by a slight bit (which she needs as No. 2 is catching up fast!). Not only is this the best song from the F1 album, but it also has Tate's signature style; it sounds like something from "THINK LATER" but with a fine sound and diva energy coming through. It's a move that Tate's doing to solidify her place among the top pop girlies, and she's doing it well.
Easy Lover - Miley Cyrus (8.4/10)
Miley leans back into her radio-pop sound while still keeping that class which made people love her new era. The album's out today, and hearing this boogie pop-rock song really lifts the expectations for the album.
OWA OWA – Lil Tecca (5/10)
Just like "Dark Thoughts", this won't be remembered long if it peaks. This samples the classic dance sound "Owa Owa" (which is a bad sample choice) and makes it one of the main components of the song.
NOT FAIR – Leon Thomas (7.4/10)
A step up from "Mutt" that uses similar vocal effects and sounds like something off $$$4U if it was actually good and not NPC music.
In The Middle – Mt Joy/Gigi Perez (7.5/10)
Gigi takes a different route and leaves behind the formula and effects that made "Sailor Song". I will say that this is better.
This song – Conan Grey (8/10)
Quieter, beautiful and Conan's best song to date. Kinda reminds me of Beabadoobee.
Fame Is A Gun – Addison Rae (8.2/10)
WOW... Addison makes something that I like?! That's a first. Addison's brand of bubblegum pop and synths usually feels like it doesn't do enough for me, but this made me think of a less glamorous version of PinkPantheress (and I don't mean that in an insulting way); it's just quick, pleasing pop that's good for the playlist.
Holy Mountain – Obongjayar (7.9/10)
Obongjayer has such a special spot for his sound; it's a shame people only care about songs where he's a feature. Obong brings hip-hop, soul and afrobeats into this weird but amazing blend that showcases his raw talent. Love to see it!
WHIM WHAMIE – PLUTO/Sexyy Redd (0.1/10)
The original WHIM WHAMMIE was one of the very few songs that I gave a 0/10 to (now 0.1), and now there's a Sexyy Red remix?! *SIGHS* The verses cut off; Sexyy's timing is getting worse and worse each time, and then she gets on one of the worst rap songs of all time to deliver more crap. I already reviewed the original, so I am not going through that again.
Crazy For It – Rampa/Adam Port/&Me/Boys Noize (5/10)
Adam Port has left the sounds that got him his big hit in 2025, but it's not like those were good... and this isn't either.
SOLEAO - Myle Towers/Quevedo (5/10)
Spanish and Puerto Rican reggaeton that has a beat which gets old quickly and flavourless vocals.
Take Me Back – HAIM (8/10)
Every single so far has its own unique feel, with HAIM mixing harmonica with acoustic rock to create an entertaining song. I wonder how the full album will turn out!
Where Did You Go – D4vd (7.5/10)
Another great D4vd single! I was going to listen to their recent album and then went off, but now I might again… it's just not on the top of my to listen list. This was a bonus track from the album which continues the R&B sound.
Nice To Each Other – Olivia Dean (7.2/10)
Smooth and easy-to-hear pop-soul that sounds like something on her debut album. A pleasant listen, but she's not doing anything new.
Dialling In – Thom Yorke (5/10)
An eerie-sounding song that plays the eerie above the actual quality of the track so much that it just sounds like a bit of a mess in the end.
Landgrab – MAVI/Earl Sweatshirt (5/10)
After an Instagram post of the two sketched (hinting at a collaboration), they collabed.. … and it's a step down from some of the things I heard on Mavi's "Shadowboxing". Sadly, it just zooms past your memory, and even with my focus, I just remember it as a hip-hop song with added production elements.
Slow Burner – Interplanetary Criminals/Original Koffee (5/10)
Looped dance music that sounds like something you've heard before in the genre. Not worth your time.
Water Under The Bridge – Joe Jonas (5/10)
After his new solo album, Joe quickly goes back into making songs, with "Water Under The Bridge" becoming another generic attempt at creating any kind of success.
Booted Up – GELO (2/10)
Oooooh… this is not good. The weird production had such low standards that the vocals didn't work at all with them and fell extremely short of being remembered in the slightest, and the hard energy on this just falls flatter than Flat Stanley. His weakest song to date.
Lovin Myself – Ava Max (7/10)
Unfortunately, this song is getting review bombed by many accounts, which are most likely the same person, and that's giving it a higher score than it should be. I'll be the one to give my honest opinion and say it's nothing out of the blue for Ava, but it follows her usual electro-house roots that I quite enjoy. If you usually like Ava, then you may like this.
Girls Like You – Sofia Camara (8/10)
Sure, it's a little basic, but it also has a really chilled atmosphere that gives the pop song its magical feeling.
Zombie – YUNGBLUD (8/10)
This guy's blood incase record has been popping up on my feed recently; he seems like a kind guy. This sounds like Damiano David mixed with high-pitch notes on a rock and pop-punk genre beat.
Backseat – Balu Brigada (8.9/10)
Along with an album announcement, "Backseat" is a six-minute and 23-second song that starts with an upbeat energy that gives party and fast car energy with its modern sound that has "Backseat" mentioned in the background that gives the song a slightly lesser modern feel. On the second half, the song fades into this upbeat melody that gets you into a trance-like state with heel-like taps that then bring drums and an electronic funky rhythm that sounds so well blended it's INSANE. This is one of the best fades I've ever heard. It's very rare to see a song keep up like this for so long.
Mad – Martin Garrix/Lauv (5/10)
Martin is making his usual brand of dance; what else can I say?
Cops & Robbers – Sammy Virji/Skepta (8/10)
Sammy brought a bouncy beat, and Skepta brought the rap, and together they made a JAM.
Ace Trumpets – Clipse/Pusha T/No Malice (7/10)
Despite having stupid lyrics about "Yellow diamond look like peepee" (I'm not making that up), the song is still kind of a head bopper. The rap is straight in front of you, and it's all just vibes. The producer (Pharrell Williams) didn't even have to add much to the production, as the rapping by itself is just good like that.
Catch Me If You Can – KSI (7/10)
Apart from the wording and ways some things are pronounced (such as the emphasis on the words ending in "er" repeatedly), the rest of this song goes down well. KSI has an all-fire, no-tire rap session where he dominates on the verses with his quick flow. I'm sure people will hate on this anyway because it's KSI, but the production is actually like those real booming and high-pitched UK drill/rappers who have a good DJ on their side.
So Far Away – KSI (6/10)
It's like a less developed version of his song "Holiday".
Afterlife – Alex G (5/10)
Its guitar combined with Alex's male voice to make a regular song. I mean, c'mon, it seems like something Ed Sheeran would make at a stand in public live.
Whoa (Mind In Awe) (Remix) - XXXTENTACION/Juice WRLD (6.9/10)
I'm sure many people wanted these two on a song together but I'm not sure if everyone wanted this.
What3ver – Yeule (6/10)
MENOS EL CORA – Ryan Castro/Manuel Turizo (5/10)
This genre of music is mostly forgotten quickly for me, so it's not a surprise that it is again.
January 19th - Mabel (5/10)
Mabel really fell off. The things she was making in 2022 were much better; nowadays she's making music like this, which sounds like it would fit on C XOXO.
Back In My Bed – Jax Jones/MEYY/Y2J! (5/10)
Jax Jones's new brand of quicker hyperpop feels like it doesn't capture the moment but rather zooms past it.
3rd Time Lucky – AJ Tracey (7.8/10)
I'm liking what I'm hearing from this AJ Tracey guy; I have to hear more of him. He just constantly delivers emotional and real rap (along with some fun, less emotional songs), but the guy is honestly a good part of UK drill/rap; he should be bigger. This was such a beautiful tribute to his mum with cancer, and as someone who had a friend who fought cancer, this honestly touches the heart. Keep it real, AJ.
Shalalala – Cian Ducrot (6/10)
A song that's supposed to give a deep message about the environment and unity but ends up sounding like slightly corny church music.
Sunshine – D.O.D/RAHH (5.5/10)
Summer dance music that contains a pattern of repetitive phrases with a feel-good message.
Too Good To Be True - Kenzie Vois (8.1/10)
Kenzie's only new song on his latest e.p makes it a 4/4 non skip e.p.