NEW MUSIC FRIDAYS (#21+)

[Mellope]

NEW MUSIC FRIDAY 3.10.25 #50

The Fate Of Ophelia - Taylor Swift (8/10)

Releasing as the lead single for Taylor's new album, we start with a song where I can definitely see radio potential, but it doesn't grip me as much as her other lead singles do. On one hand this feels like a slightly brighter version of some things we got on "TTPD", and it certainly has the substance to carry the songs' notes & direction; it's just not her finest lead single. Now that's said, this song is rumoured to be about her husband, Travis Kelce; I don't know if that's true.

Just How You Are - Leon Thomas (7.5/10)

Leon Thomas keeps up his slick R&B style,  signature voice coming through the way it does on his other songs; it still adds a good dose of flavour, so I'm all for it.

Days Like These - Luke Combs (7.9/10)

I really like how Luke can have this warm tone that's fit for a campfire but also balance that with this meaningful song which is thought out from many angles. Luke's a very special artist to me.

Meiomi - Young Miko (7.9/10)

I like the nice funk with the culture blend; together it feels like a showcase of Miko's talents but also what the Latin and reggaeton genres can have to offer.

Pretty Promises – Kali Uchis/Mariah the Scientist (7.9/10)

So elegantly moving, I just love how these two artists complement their modern light version of R&B so well; each has that aesthetic that shines through in such a surreal way. Great collab.

You're a star - Fred. Again.../Amyl And The Sniffers (7.9/10)

Fred Again's mixing has this distorted but interesting sound that makes you want to explore its world; it fits a club vibe where there are lights and darker rooms, but not everybody is dancing; they're just moving how they want too. It makes me capture this moment that songs don't tend to, and I think for Fred Again to define his sound whilst keeping being able to make things like this is great.

Dancing In The Smoke – GIVĒON (7.5/10)

Actually quite recently I heard this guy's most recent album from earlier this year; it was pleasant, but I think the one big needed improvement was too Stray away a little more from the stereotypes of R&B/soul music; he fits too much into a genre that's already jam-packed with other artists. With this he sticks to the album's sound; nothing much more needs to be said.

I Need Her – Bryson Tiller (7/10)

Like the Givēon song with a Bryson Tiller touch, it feels slightly more artificial than your typical R&B cut.

Only Time – Gucci Mane (7.6/10)

Explain why Gucci actually gave us some pretty solid content. I mean, his flow and beat are both equally as tough and feel like something Drake may even consider for a single. It's on point, appropriate for the rollout & definitely needed. Good job.

Unspoken - Kane Brown (5.8/10)

Kane doesn't shy away from his usual country... yes, I typed that correctly; he's sticking to roots that feel like they should've been left a while back. This song is alright at best.

Superstar - Artemas (8/10)

This is more of a darker side of Artemas's production; with the song's elements feeling very well mixed, this isn't a song you'd dance to, but it's still a song that I think a DJ should get a pass to play.

Act Like You Know - Coi Leray/Shoreline Mafia (8/10)

Quite fun, I can see the trendy word mentions with labubus & etc. working. It's kind of tough with the backing beat feeling very viral yet not annoying, with both acts matching that.

Walk Walk Walk – Good Neighbours (7.7/10)

HYPED for "Blue Sky Mentality" and now even more hyped after finding out that this is going to be in the album, another song that really does make me want to experience the outdoors more with a sound that's this free.

La Lleca – Jasiel Nuñez/Peso Pluma (7.2/10)

Traditional Latin music but still good. Peso really REALLY needs to experiment with sounds, though.

Mood Swings – Henry Moodie (7.1/10)

Big energy pop that you typically see from indie artists – I've heard a lot more gripping hooks from Moodie that sound like they could go somewhere. Don't give up with something like this.

Hood Politics – Murda Beatz/Babyface Ray/Big Sean (7/10)

You'd think of this kind of stuff when you imagine what "tough rap" would sound like.

Lemonade – Louis Tomlinson (5.8/10)

The One Direction member returns to his solo career with an upbeat song in which he screams the song's title in a way that's supposed to feel like a fresh and natural kick, although I don't think it meets that mark.

People Hatin' – The Red Clay Strays (7.1/10)

That's what we needed – a nice kick from the guitar that elevates the value of the country music.

Melodies – Dermot Kennedy (7.4/10)

I love how Dermot's voice can represent extra emotion in songs just from how raw and real it sounds when singing; he's really fit for the simple emotional music he picks.

No lo ves - Grupo Frontera/Ozuna (6.7/10)

Azimuth - Danny L Harle/Caroline Polachek (7.1/10)

I could've expected more from these two, but I'm still fine with the final outcome, a pretty normal electronic song with glitches used to build the tone.

WARCRY – Chase Atlantic (8/10)

I didn't get the hate for the last single; I like the modern blend of electronics from Chase. It feels appropriate for today's electronic music market, which constantly wants songs like this.

Second Best - The Last Dinner Party (7/10)

Once again, this isn't exactly pulling me into the album, but this definitely isn't bad. TLDP is an act that I always found fairly boring with occasionally fine songs, and now they deliver something fast, but sadly every guitar chord & vocal change feels very expected. I guess I'm being nice with my score. Passable.

If There's A Heaven – Noah Cyrus/Stephen Wilson Jr. (7.5/10)

It's not the greatest that their voices don't intertwine to their fullest at all times, but regardless, they still have a good acoustic pattern with the energy being felt by the listener; it's conveyed well.

JUST A DREAM - Isaiah Falls/Alex Isley (8/10)

OOOOOOOH, those R&B chords and singing hit the exact spot for a good feel. I just love how this is possibly the most relaxed soul song I've ever heard; the way they slide across the sound with ease is unreal.

LA NOCHE – Chris Lake/Skrillex/ANITA B QUEEN (7.2/10)

A DJ song with twists & turns in the funky, higher-pitched dance patterns.

K HUBO PS MOR – Myke Towers/Kris R./Alemán (7/10)

I like how the Latin industry is seeing somewhat of a switch-up, even from their biggest acts who sometimes get into the Hot 100. This song has a bounce but not too much of one; it's simply just vibes from the genre, nothing too big.

Fascination In The Dark - Vance Joy (6/10)

Vance heads into the musical style of upbeat acoustic music that uses loud hooks to capture people's attention. I just don't think that he does it in a way that's unexpected; I don't even think it nails the "in the moment" feel. It's just kind of bland.

Underwater – BENEE (8/10)

The way the synths move into this wonderfully partly distorted mix just feels like floating. I like the surreal mix that the electronics bring.

Thick Skin – Lauren Spencer Smith (6.5/10)

After her recently released 2nd album, Lauren springs back into making more music, music that has what you'd expect from her with the hook that is the loudest and most emotional part of the song, but the problem is it's just average. It doesn't have the addictive formula that Spencer's hits do. I wouldn't count this out as a desperate attempt to stay relevant.

Go – Karri/Kehlani (7.2/10)

Groovy R&B with an actual nice rap pulse that doesn't mess up Kehlani's vibe. Nice.

Spleen – 41/Kyle Richh/Jenn Carter/TaTa (2/10)

This song is legitimately the male version of an Ice Spice song. There's no way grown men are rapping about Grah or baddies in this way... embarrassing.

Moth To A Flame - Jazzy/Luuk Van Dijk (7.1/10)

Jazzy continues going down the route of making songs that don't contain the big energy that people know and love her for.

Cartier - Xavi/Gabito Ballesteros (3/10)

Sad and Beautiful World – Mavis Staples (7.3/10)

Mavis Staples's last song was so well pieced together that it made me return for a second dose, and let's just say that Staples shows her honest emotions just how people wanted to see it. Completely natural with a guitar and vocals, nothing here is trying to be fake. The country-like guitar blends into the soul so well.

Wrongs – D-Block Europe/Lil Tjay (7.5/10)

A quietly produced rap song that doesn't fit the UK rap scene as we know it typically, despite this song still sounding typical.

PLAY HARD! - MOIO (7.2/10)

Funky & fun! Definitely put a spring in my step.

Hello – Sigala/Leigh-Anne/Jonita Gandhi (7.1/10)

Leigh-Anne's recent production style that makes me think of some Afro acts is shown in a song that combines the flavour of her production along with Sigala's danceable production very well; it feels like an equal showcase of the two. Not that this sounds like it'll be a hit; I don't think it has the energy that carries it out as that, but it's cute.

Lose My Mind – Champion/Interplanetary Criminal/Crookers (7.4/10)

Body Bags – Hybrid Minds/Homesick/Tempza (8/10)

I very much enjoyed the darkness that came with the drum patterns and electronics; it all fit super well and feels like it could become nostalgic.

Hell Yeah – Ella Eyre (7.4/10)

This song really has the upbeat Ella Eyre energy, not that it's her best or even better than the last single, but it's fun.

Space – Zerb/Odeal/Victor Ray (6/10)

I always know from past listens that an artist with a bold, raw and easily noticeable sound is never going to go down well on a song with multiple dance DJs, and as predicted, the lead character that makes Victor is watered down to just his voice… or not even that. I think he just saw money symbols in his eyes.

PYHU (Put Your Hands Up) - HUGEL/Kurd Maverick (5/10)

A lazy loop containing a sample of the funky mix we heard in Nathan Dawe's "21 Reasons" (I don't know if that's the original sample source); aside from that, it's a David Guetta-level mashup.

Keep Forgettin' - Armand Van Helden/Hitty (7/10)

Body Behave – Victoria Canal (7.5/10)

Written for a deluxe version of her debut album, Canal shows more singer-songwriter indie pop. This is a song which brings depth and has a clear direction, and I totally respect how honest this is... It is a bit basic, but I see why; it's like some of Billie Eilish's songs – they're not meant to be production-packed.

Hard Earned Money – Kenzie Vois (7.5/10)

Although Kenzie may get the occasional "generic" label, I actually think his music is often quite catchy. Sadly, this is amongst his worse songs; despite being a mini earworm, I think this doesn't at least have the catch that keeps it slightly more than a generic song. It's just a fun dance tune. Funky but nothing too special; excited to see where this could go.

Gigolo – Bbno$ (7.6/10)

There were actually some different choices that strayed away from the joked-about overused Bbno$ formula; these choices came from added-in artificial vocals & less of a usual rapping tone.

Pluto Walk - PLUTO (7.1/10)

[CRAZY-HORSE]

Taylor did say a while ago that "the fate of Ophelia" is taking the oppressed/suffering heroine from the Shakespeare play and turning her into a 'heroic, confident protagonist' so i dont know how it could possibly be about her husband.

even Wiki states it is about Ophelia, from "hamlet": https://en.wikipedia.org/wiki/The_Fate_o...nd_release

[Mellope]

Taylor did say a while ago that "the fate of Ophelia" is taking the oppressed/suffering heroine from the Shakespeare play and turning her into a 'heroic, confident protagonist' so i dont know how it could possibly be about her husband.

even Wiki states it is about  Ophelia, from "hamlet": https://en.wikipedia.org/wiki/The_Fate_o...nd_release

I googled about it and just saw many articles talking about Travis references and how the song may be about him.

[Mellope]

NEW MUSIC FRIDAY 10.10.25 #51

Gone Gone Gone – David Guetta/Teddy Swims/Tones And I (8/10)

David Guetta brings a flavour-packed radio sound, which Teddy Swims then sings across the pop sound, which slightly made me think of Jelly Roll's "Liar", with the jazz section reminding me of a sound that Amy Winehouse would've probably used. And I just love Tones. And I'll touch on this; it just really shows how far she's come as an artist since the times of "Dance Monkey".

Don't Remind Me – Amber Mark/Anderson .Paak (7.7/10)

Quite energetic with its pop spring that reminds me of a good stage presence, which also happens to fit Anderson's soulful melody, which intertwines in just the right way with Amber. It's not a collab we were thinking about, but it's one we now want more of.

Tie You Down – HAIM/Bon Iver (7.4/10)

Calmer than I thought it was going to be, but maybe it's because there's a Bon Iver feature. From what I understand, this is probably from the deluxe of their album "I Quit", since it has the same cover as the album, and their album dropped months ago. Anyways,nice song, but it doesn't help that their scores are all over the place from me.

The Manifesto – Gorillaz/Trueno/Proof (7.7/10)

So, the Gorillaz album is scheduled for around 6 months' time, and they're dropping singles this often?! Will there be any left by the album release date? And that's worrying considering their albums tend to only be 10-11 songs. Unless they're going to pull another "Plastic Beach". Anyways, let's move onto this: 7 minutes of a progressing sound that keeps giving instead of making you feel stuck in a loop. The features sounding completely different and rolling in there, the respectful rap, and the different languages helped give this song a feel that's wider than one culture or one person, yet it still had a sound that the Gorillaz might try with its dreamy jazz instruments. My favourite part would have to be the distorted vocals in the last minute; they just sound like watered-down Twenty One Pilots vocals but in the best way possible.

Bittersweet - Madison Beer (7.5/10)

Very commercial; there are no huge twists and turns, but still a good progression, although I do like the synths and overall mixing, which adds to her vocals in a more angelic way compared to if she did it without them. I wonder if this is a part of an album... ? The recent single rollout makes it look like a yes.

EYES CLOSED - JISOO/ZAYN (7.5/10)

BLACKPINK's Jisoo and One Direction's Zayn work together on a song that feels better than expected. I mean, you could've expected this style, but I don't think people expected it to work this well. I mean, it's a ballad that shows both their styles in a way that you could expect to see, but it's just the way they connect with their voices sounding made together for this song, with the tone just fitting that soft but sad paradise that they're going for.

Part Of Me – A Boogie Wit Da Hoodie (7/10)

A less hardcore rap about Boogie's breakups and tough time, which he doesn't exactly tell the best; his pace and choice of words don't bring this across in a great way, although I see potential with vocal effects. The vocal effects absolutely bring this listen up a few points.

Beat A Bitch Up - Alemeda/Doechii (7/10)

The powerful vocals actually kind of work with the shouting and chaos that's really brought out with the messy guitar and overall feel the songs' lyrics give.

Work On Me - Dasha (8/10)

Dasha delivers AGAIN in a fun country jam that highlights her more upbeat Lainey Wilson-like style. She does this in full style, which shows that even if she's not scoring hits, she's still not sacrificing quality.

Nah – Khalid (8.1/10)

The beat kicks that fit a moody sound remind me of The Weeknd a little, specifically in "Die For "You"—but instead it's just a tiny detail of the song. For the whole song Khalid delivers a catchy melody that makes you want to move, but in the same way he also wants you to consider the lyrics of questioning love. I quite like this; looking forward to the full album!

Kiss - Demi Lovato (6/10)

The lyrics are kind of cringe, and the tone feels like a young female Tiktoker about to go on a rant, but despite that, the songs are still kind of badass; the beat is fullyenergetic and pumping, with the heart of the song feeling like a less explicit "Guess" by Charli & Billie – it works, but once again, it still has quite an off-putting tone.

Unfollow – Dei V (6.9/10)

Wasn't really thinking my ears were going to be gifted with anything magnificent, and I was right; this is very simple reggaeton. Nothing new.

Viscus – Oklou/FKA Twigs (8/10)

The ethereal and just simply talented take that FKA takes on music will remain as unique for decades, centuries or possibly eternity. This is proof.

CAOS - Miguel (8.2/10)

This song makes me think of the style that Bad Bunny went for in "Debi Tirar Mas Fotos", but instead with Miguel's vocal tone and an uplifting part of the beat that sounds like a choir intertwined beautifully, it really adds to the upbeat intensity factor of the song, even if intensity isn't exactly what it's going for.

Whatever U Want – G Herbo/Jeremih (7.8/10)

2 Crash Outs – PLUTO/YoungBoy Never Broke Again (7.2/10)

As said before, PLUTO's music is either a miss or a hit, and this is a hit. She displayed her fun Sexyy Red-like character pretty well, and she also didn't let Youngboy's slop take over the song. I might hear the full album, not that I think it's going to be good though.

To The Moon – Alok/ILLENIUM (7.6/10)

This song has the potential to feel fresher but replicates the generic female lead dance music, and as much as I still like this and think I may come back to it, there is definitely a big area for improvement.

You Broke Me Too - Yellowcard/Avril Lavigne (7.2/10)

This reminds me of when TV channels try to reinstall a dead show and make a remake; instead, this is that of a song that could've been a minor hit in the 2000s.

Complicated – Sofia Camara (7.1/10)

It may not exactly sound the most natural, but I still think there's real power in the hook, where everything comes to a powerful vocal hold as the beat hits an all-time pitch high. A problem with many of Sofia's songs, though, is that she fits into the basic pop scene a little too much.

I'm Ready – Chase Shakur/Odeal (7.9/10)

Memories – Lojay/Tyla (7.2/10)

Very typical drum pattern & choices for an Afrobeat song, where the intertwining vocals (at around 2:20 in the song) were the only real highlight that made this song feel special. I guess it's mildly enjoyable.

Still Get Chanel – Kodak Black/Chance The Rapper (3.4/10)

The last 10 or so seconds of the song proved that maybe there was a little something in the mix that could've been shown better, but instead Kodak Black continues his similar YNBA-level slop filler music, which is him just making any mix terrible with his autotuned mumbles. We don't even know if this guy is mentally sane, yet we still have some people thinking this guy is capable of making any real good drops. Take a break from music, not just for our sake but for yours.

SHOW ME LOVE – Ty Dolla $ign/Tory Lanez (7/10)

This isn't on a usual impressive level, but it kind of is, seeing that Ty Dolla $ign made it. I guess it's still basic, but it's the least I could ask for… an alright song.

HOME – Eddie Benjamin/Shawn Mendes (7.2/10)

A simple and kind of sweet acoustic song, it's not as magical as the best moments on "Shawn", but it's certainly a follow-up; I mean, it's kind of good.

Love Is A Canyon – Noah Cyrus/Orville Peck (6.5/10)

Past Lives – Jay Som/Hayley Williams (7.5/10)

The guitars and production uplifted the vocals to a more loveable level too.

Losing – Lucy Dacus (7.5/10)

Very natural and easier to love than some other Lucy Dacus songs, I view this higher than her collaboration with Hozier, which is how I really caught onto her, aside from maybe one listen back in the day.

CRASHOUT – Josh Levi/FLO (7.5/10)

This is the 11th song from Josh Levi's newest album, "Hydraulic", in which he showcases an R&B sound that would fit hip-hop; he then adds flow, which gives the song some lighter soul and more style that the song needs.

Zoo – Disney/Shakira (2.5/10)

Shakira, I get the bills have to be paid somehow, but this is NOT it. This song sounds like she tried to create the "Waka waka eh eh" song but for children, and not even in an entertaining way; it seriously sounds like it would be one of those songs that's only for kids, like "Baby Shark". The hook just feels devoidof any personality, as she sings it in such a bland, unexciting way, along with this feeling of being as artificial as the awful songs that came out of the Smurfs movie soundtrack. This is just simply awful; WE know she can do better.

Sirens – Skepta/Finessekid (7.1/10)

Pretty standard for a Skepta rapping session; I still like his flow, though.

ME + YOU - TWICE (7.1/10)

Cute K-pop that I think ends the group's era of hits. There was a time when they were doing good on the charts and levelling up, but sadly now they're back to more boring routes.

When I Close My Eyes – Tom Odell (7/10)

Wings – RJ Pasin/Julia Wolf (7.1/10)

The song starts with loud and clear electronics that are then followed by the female lead vocals, which don't blend with the electronics but still kind of work with them.

SE SUPONE - Blessd/Los Money Makers (7/10)

Love On An Island - BAK Jay/NoCap (7/10)

There's not a whole lot to say about this; it's not anything special, but it's kind of generic and nice, with it reminding me of Juice WRLD at times.

Nighttime Thing – Alessia Cara/Julia Michaels (7.5/10)

Simple but cute girl pop music that fits the pop scene nicely; it's kind of a mini jam too.

The Right – DJ Seinfield/Confidence Man (8.3/10)

This song takes me back to the type of songs they would place on some of the BBC radio shows that I used to hear – it has that Friday night funkiness in the song which the DJ would play to rule a party's mood, and the voices picked for this fit the nostalgia of 90s dance mixes, along with the other production choices fitting into the comfortable dance sphere.

You You You - Maisie Peters (7.7/10)

Acoustic pop that'll definitely attract a real audience. I'm happy with this. I also like the element of calmness that's portrayed well with Peter's voice.

HARD WAY - BIA/Becky G (7.9/10)

This song samples the iconic "Hips Don't Lie", with the song starting down a similar route with the shout and kick in. As much as a lot of inspiration was taken, I'm still kind of happy with the outcome; it's definitely got the Spanish flavour side to it.

A War With Time – Brandi Carlile (7.5/10)

Deeply emotional and connecting, I'm happy with how Brandi's been doing music-wise, not as good as the music with Elton but still.

Palomina - FINNEAS (7.5/10)

Heaven (Butterflies) - Jacob Collier (6.5/10)

An almost 5-minute mellow & acoustic sound in which Jacob's vocals touch the song as light as air. I'm still not convinced that this song really gives much more, though; it's fine.

Die On This Hill – Sienna Spiro (8.2/10)

Sienna leaves the Billie Eilish replica sound even more and instead leans into more of an Olivia Dean but without the jazz, as the powerful sound and beautiful piano progression showcase how she's finding her own sound, and she's bringing us along every step of the journey. Also in the second half I love how everything feels so much deeper; this is a breathtaking showcase of talent.

Damn – Del Water Gap (8.2/10)

Del Water Gap once AGAIN shows how peak the album could be.

GROOVING - ODUMODUBLVCK/Davido/Sean Kuti (8.3/10)

A spirited Afro-jazz song that sounds fun and modern even when it incorporates jazz sounds which sound like they've been used way back. I also love whoever is playing the instruments; they have such a classic way of playing them.

Sensational – WizTheMC (8.4/10)

This song still has the feel of his big hit, but he's going further away from that whilst still making that dreamy and signature sound which made me connect with him more deeply than I do with most artists. I actually LOVE this kind of music, so I really hope he stays on this path. Oh, and the use of more clear instruments was a nice touch. He did that just the right amount.

Parasite – MICO/Haiden Henderson (8.2/10)

I've recently heard Haiden's most recent EP, and it had good moments, but it felt like it was missing a lot too. To class someone as iconic, with this, it feels that Haiden is a lot more focused on a better sound, in which the less intense pop music has a slight chilled touch which makes the song feel like an upgraded version of a normal boy pop song.

Was Hannin - TiaCorine/Wiz Khalifa (7.7/10)

A sexual rap song with energy, funk and real groove.

ASCEND – Kelly Lee Owens (5/10)

This song made my mood descend rather than ascend. Kelly's loops are boring and make you tired easily.

Waste Of a Heartbreak – Jojo Siwa (7.2/10)

I'd never ever thought I'd see Jojo Siwa make a good song... is she taking her career seriously?! Yes, I still get how people may consider this artificial or "AI sounding", but it's a lot less than her other songs, and the beat still packs a punch that feels like something I'd be joyed to see a hyperpop DJ hop on. It's just like normal radio pop; don't hate it.

DANCE LIKE DAVID – Gio./Swaizy (7/10)

Christian rapper Gio. Wants to remake some more of the funk that made people notice his level up, although songs like this represent his slow fall back down.

Pretty Friends - Ely Oak (6.9/10)

It sounds too much like any other BBC radio dance song for me to care.

Up – Danger Mouse/Black Thought/Rag'n'Bone Man (7.5/10)

So it's not as good as AOTY claims this to be; regardless, it's still an unusually delightful jazz cut from Rag, along with some rapping that fits less of what the modern mainstream is looking for.

Sofa Soup - Mary Droppinz (5.4/10)

There isn't really much here. The vocal inputs of random sentences are annoying too.

Cold In Ohio – Jamie Lawson/Ed Sheeran (7.3/10)

An Ed Sheeran song that fits his older, more laid-back acoustic sound more – maybe something that could've fit "Autumn Variations" a little more – also, this went unnoticed lol.

Down For You – Mobb Deep/Nas/Jorja Smith (7.6/10)

In some ways the rapping and smooth soul heighten the song's value; it even sounds like this sound would fit a darker mood too.

Two Trains – Ty Myers/Marcus King (7.5/10)

Finally, we have a Ty Myers song where he "experiments". I mean, it's just a few instrumentals being played the way they would in old rock, but it's definitely a step forward and one that showcases that he can pick some great instrumental backing!

Can't Decide – Hedex/Jozzy/e.motion (7/10)

Basic DnB.

Water – Yazmin Lacey/Tyson (7.2/10)

Smooth soul that reminds me a little of Mariah Carey's recent album.

Lotus - Rose Gray (7.2/10)

English artist Rose Grey continues dropping often, with "Lotus" serving as a club song with bright synths that have grace to them, as the song flows so easily and well.

No More Parties – Scorcher/Jme (7.5/10)

As the title suggests, this song is about not attending parties, and as the "Party All the Time" sample suggests, they are quite leaning into it. Aside from the good use of a sample, it's really a similar sound to stereotypical British rap when it comes to the rest of the song. It still flows well, though.

Goodbye - Lewis Fitzgerald (8.3/10)

Lewis is one of those artists where if he plays his cards right, then he could be the next Lewis Capaldi. I see he has the power to make sad hooks which really connect, which would kind of fit a deeper Myles Smith, but I still think Capaldi would add a few touches and release this.

Unsteady – Calum Scott (7.9/10)

Pretty Face – Robbie Williams (7.8/10)

Robbie sings about love with a big guitar backing that boosts the song's feel. Could've been a classic back then… maybe?

Serious - Obskür/Omar+ (7.4/10)

[Mellope]

NEW MUSIC FRIDAY 17.10.25 #52

My Old Ways – Tame Impala (7.7/10)

The main repeated line of "back into my old ways again" is a representation of repeating past events, which in this case feels like it's relating more to an addiction side, where you can't stop but want to. I feel a part of the electro-funk feeling repeated was a good choice to really stick in the song's meaning, as you just keep coming back to that feeling, which is in fact a good main representation of the song's definition. I find this the most interesting thing I've heard from the album so far, and I'm loving the mixing on this.

DON'T KILL THE PARTY – Ty Dolla $ign (7.8/10)

Ty describes an adult party with vibes in possibly the best song I've heard from him yet. The boom clap beat is fresh and brings this more hyped feeling than Ty usually gives; I honestly doubt this'll be topped anytime soon, but at least it's better than being wasted on "Vultures 3".

PIXELATED KISSES - Joji (8.4/10)

The long-awaited new Joji, after 3 years… Now, if you don't know me, then "Die For You" is my favourite song of all time, and his last album, "Smithereens", is a top 10 album of all time for me, so waiting for him to drop his next release had me tense. And honestly? It's a completely new direction, but I'm vibing! Joji's signature dreamy vocals feature on top of a 1:50 rage beat that's a LOT more intense but actually complements the vocals in such a weird way, but also in such a way that adds life. I'm seriously so hyped to have a legend of this decade return; we should be so thankful for what Joji has brought to music over the past few years.

Changes – Charlie Puth (6.5/10)

I don't get any hype that would really come around this song; it's soft pop with vocals that feel artificial and just general for pop music. He tried to brand this song as part of a "beautiful and colourful" era, but I'm just not getting that – it's still a fine, harmless song with fine production, but by no means is this judgement free.

Choosin' Texas - Ella Langley (7/10)

I don't mind Ella; in fact, I'd say this is actually quite a sweet country song, but I don't tend to hear much variety in her sound. Especially not nearly enough to have her own unique appeal.

Not What's Going On – Ruel (7.5/10)

From what I take, these lyrics remind me of wanting to be free from someone's stress that they cause you but instead having something that makes you want to return to them. Ruel expressed this in a contemporary pop production that uses elements often used in R&B, in an upbeat acoustic song.

You've Got Another Thing Coming - Teddy Swims (8.8/10)

With all respect to Amy Winehouse, I truly believe artists who are considered at her level would be impressed by this. And correctly so because Teddy keeps on giving with the strings and electric guitar inputs, just making one of the most powerful soundtrack songs in a while; it gives this heightened catchy intensity while remaining on the level that artists back in the day were considered classics for. I truly think Teddy has what it takes to be a great soul, if not of a year, decade or century, then of all time.

Count The Ways – The Last Dinner Party (8.7/10)

Wow, I'm actually quite impressed by a release by TLDP; that's a first. This song's production hook feels like something that would close a chapter to a long story, with a guitar that reaches a peak of a soon-to-be nostalgic feeling, with the drums helping that thought. It all feels wonderful in such a unique way… I want to compare it to something great that I've felt from music in the past, but I don't know how to say it.

The Story Of Us – HAIM (8/10)

They're back again?? Well, I'm not complaining if it means getting this alternative rock banger that still feels like it has some difference from the other routes shown in their album "I Quit". I appreciate this.

Destiny – Alesso/SACHA (7.5/10)

An EDM/house song that doesn't cover any new ground in the scene, although it does touch on a part of EDM we've seen before, one with high lead female vocals and fresh synths, which I like to see.

Graveyard Whistling – Morgan Wallen (8.3/10)

Morgan Wallen does it again! Yes, this may be a cover, but I think it's a beautiful take and choice that fits his aesthetic well. I just love how he complements the sound in a way that other country artists don't. To me, Morgan Wallen is a very special artist.

Boy band – 5 Seconds Of Summer (7.5/10)

I see 5SOS have got their hands on the fresh pop formula, and they've honestly put a spring in my step with the up-tempo instrumentals and character that feels like 5SOS. They're not boring; they've actually got life in their music.

Lost In Devotion - Carly Rae Jepsen (7.5/10)

A pop cut from Carly that continues a sound that's familiar and associated with her. I'm not pulled into this pop song, but I see why some fans would be.

Still Icy - Gucci Mane (6.7/10)

This is one of his songs off his new album "Episodes". I like this one, but it's still not convincing me that this album will be that good, especially with the other things I've heard from it. 

GOD IS REAL - Isaiah Falls (7.5/10)

A soulful acoustic song that falls in line with Isaiah's other relaxing releases of songs, the next big step would be to make something more different, though.

Pretty Privilege - Hudson Westbrook (7.6/10)

I won't be pulling the boring country card on this! I actually think Hudson has such a soothing and sweet tone that really suits lighter country music like this.

Body Go – MOLIY/Tyla (7.2/10)

These two haven't collaborated, but now I think about it, I could've expected this, seeing that these two artists' styles are so similar. And honestly, I thought we'd get something with more of a main character feel, but instead we got something smoother, which I think was the better option for both. I like to hear the Afro artists in a new field, and this kind of ticks that box.

In Ya City – ZEDDY WILL/DaBaby (3.5/10)

Think of the accent that people stereotype with gay people, and then think of Ice Spice; well, then you've basically got "In Ya City".

Delulu – Muni Long (8.2/10)

ERM MUNI LONG DIVA?! I'm sorry, but it's just been a while since we've had a 4-minute stunning showcase of near-bliss R&B. This just really sets a cosy evening mood in such the right way. I also especially recommend it for fans of Mariah Carey's most recent album.

Talk To You – Sam Fender/Elton John (7.8/10)

This song is a great reflection on looking back at the past. I find the guitar and piano bring this live feel as if you were there, especially in the second part where the guitar shines through everything else to create an array of beauty.

Who's Dat Girl – Ayra Starr/Rema (7.9/10)

Strong, bold & colourful Afrobeat music where Rema doesn't shy away from the music. I like how these two ended up working together, as they sound like they'd suit each other well.

Big Dawg Status – Bossman Dlow/OJ Da Juiceman (3.4/10)

Do I really need to explain why overused Bossman Dlow beats that don't add anything new to the industry are bad? Come on.

LMAO - BunnaB (4.9/10)

Sexyy Red, PLUTO & now BunnaB. The replicas continue. I honestly can't with the industries pushing out the same sound that feels like it has to get tiring at some point.

Moonshine - Alan Walker/Alley Duhé (5/10)

It feels slightly less cheap than Alan Walker's usual beats that tend to feel as good as a free Google stock image; this is only slightly better.

Maelstrom - Skullcrusher (7/10)

Bing Bong - bbno$/VNLLA (7.2/10)

I expect Bbno$'s new 21-song album to get boring fast, although before that, at least I can enjoy a nice club song, one where the bouncy beat has siren noises and heightened parts that make it feel alive.

Freak Show – Monaleo/Lizzo (8.3/10)

Lizzo has been on a run this year that'll be remembered by me for a long time, and now she just keeps adding to that run!! This song switches from the fiery & unapologetic energy to a lighter singing which has a similar structure to Lizzo's "IRL". I'm absolutely hyped for Lizzo's next drops, even despite her cancelling the release of "Love In Real Life" (at least for now).

Skin Cleared – Ashnikko (7.5/10)

The beat lands somewhere between intense electro-pop and rage, whilst Ashnikko's voice makes me think of K-pop group BLACKPINK. Overall this kind of serves; bad bitch energy was given.

So Sad So Hot – Chloe Qisha (7.6/10)

Chloe's latest song proves that she has serious potential to be a big industry name, and the growing hype supports that.

Think About Us – Sonny Fodera/D.O.D/Poppy Baskcomb (6.5/10)

Synths that have some life but overall still feel stale compared to Sonny's past hits and what else he's shown us. I don't think this'll do it for many people; it's just fine EDM, just fine.

8PM - Nemzzz (5.4/10)

How did we get Peter Griffin and repenting mentioned in the same hook?! Ok, so this is what we've already heard from Nemzzz: the same rushed UK rap that doesn't deserve to be remembered in the scene. It's a skip.

Mini Me - Redveil (8.1/10)

Human Happens - Magdelena Bay (7.4/10)

Magdelena Bay returns after her last extremely well-received single, and I'm starting to piece together the direction she's going; it feels like a better "Imaginal Disc" with her voice being light but also gliding on the song beautifully.

EL TOQUE – Daddy Yankee (7/10)

Fine Spanish music, but nothing that impressive.

I Like Ur Look – Kim Petras (5.5/10)

I just don't get this huge love for the new Petras songs. I see the improvement, but it's really not enough for me to care. This is another Charli XCX-like electropop song which feels like something I've heard many times.

Super Nintendo – Armand Hammer/The Alchemist/Billy Woods/E L U C I D (7.1/10)

Leavin – Rod Wave (4/10)

Rod makes the same rap-soul music that led me to dislike "Last Lap"; he just sounds so tired out and bored on the beat, with his songs having no real substance.

Sugar – All Time Low/Jojo (6.3/10)

Upbeat radio pop which is decent but not even enough to get your head bopping.

PT Cruiser - MoRuf/SZA (6.5/10)

A chill song where SZA brings some hip-hop roots; overall, it's a fine little song. I don't think it serves that much of a purpose.

Morning Messenger - Madison Ryann Ward/Gio. (7.7/10)

A lighter song that gets stuck in your head a little.

SAN ANDREAS - Tommy Richman (8/10)

A two-minute song with groovy synths which remind me of Bandlab's "alien synths", along with the usual hip-hop production that's a main element of Tommy's earworm hooks. With every song, this guy's music is just growing on me more.

Greed - Bryant Barnes (7.5/10)

I love Bryant's deep vocals that add to songs' dark sides. I'm really looking forward to hearing the full album!

6 Feet Under – Carter Vail (7.1/10)

Ex Machina - Yves (8/10)

After hearing her feature on the PinkPantheress deluxe, I became curious for more, and she didn't disappoint. I certainly loved hearing her chiller side.

Tell me – Sassy 009/Blood Orange (7.2/10)

Independent - Kocky Ka/Hunxho (4/10)

This isn't the worst; I mean, I can tell that the song is trying to go deep with emotion with the humming backing. I feel the emotion, but it feels like a bad attempt that Rod Wave would do. It's not for me, or probably for most rap listeners.

MACHINE GHOST - Erin Lecount (6.4/10)

This song is apparently about disconnecting yourself from the moment you're in, in which Erin describes the scenario at a party. I think many people can relate to this, mostly people who have social anxiety, of course, but I still think others can relate. Aside from the meaning, I just don't feel like this song has "that part" which sticks with you.

Supa Smoov – Locky/Luke Dean (7/10)

A sex-funk song with the DJ's vocals infused into the exciting mix. I'd say this could go places or land a chart placement.

Barry Wonder – Bees & Honey/Ruger/Daecolm/10.93 (4/10)

Bees & Honey is discovering his sound even more, as he wants to keep the part of the music that's like upbeat Afro music, but instead the producer turns this into a dance song, which I think wasn't the best decision. The song loses flavour and just feels like there's not much to this.

Sweat – Melanie C (7.6/10)

Sampling 1980s pop energy, Mel goes full disco with a pumped-out song that sounds fit for a workout; it's bright, energetic and something for many generations to enjoy!

Miss Provocative – Piri & Tommy (7.8/10)

Float 2.0 – Kairo Keyz/Thiago Sub (7.6/10)

A short and sweet UK rap-jazz song which separates itself from the UK rap stereotypes. I'm actually quite pleased with this release myself; it shows people are willing to at least try and bring back the older jazz sound more.

Dead And Gone – Leigh-Anne (7.5/10)

For anyone unaware, this song was released shortly after Leigh-Anne announced her first solo album, and I honestly believe this single is a good way to hype people up. I don't think critically this will be received as crème de la crème, but I certainly see the substance and connection with this vibe of a pop-reggae song, especially with more connection since it's from the ex-Little Mix member.

Angoon - Portugal. The Man (8.2/10)

It wasn't the easiest to decipher the song's meaning, but despite that, I still found it a vibe. It's definitely better than the one other song I heard from him.

Peace – LeoStayTrill/Str8 Reload (7.5/10)

Woke World - Tom Macdonald (2.5/10)

You support Trump but criticise specifically billionaires trafficking children on islands? Hmm, I wonder who could possibly be associated with those kinds of people. Production-wise this song is the same as his other "sing clap rap" songs – rubbish.

Open The Door – David Byrne/Hayley Williams (7.2/10)

Please Don't Hate Me - Cat Burns (8.2/10)

Cat's music has such a genuine personality to it that it feels like Cat Burns representing who she wants to be in HER music, and I love that. With that being said, I also love how this has that beautiful dreamy essence that makes me want to listen to Cat to begin with! This song fits more of something that I'd expect to hear Elton John on, with its light piano, and in the second half where the guitar is more prominent. I do think this is a massive step down from what else we've got from Cat in the past, though! Let's just hope she'll drop at least a top 3 album of 2025 by the end of the year.

Old Tricks – Thomas Rhett/Niall Horan (7.2/10)

One Direction member Niall hops on 2024's "Old Tricks" for a remix – one that's fine for a country song, but I don't think Niall adds much. I suspect this remix was for money or fame, despite it still being fine.

It Depends (The Remix) - Chris Brown/Bryson Tiller/Usher (6.6/10)

USHER adds an interesting layer of tuning to the song that maybe makes me think better of it. (but not by a massive amount)

Somewhere Between – Willie Nelson (6.5/10)

[Mellope]

NEW MUSIC FRIDAY 24.10.25 #53

⚠️ Just a quick note: if I'm being completely honest, writing new music every Fridayis tiring, and I don't think I always have enough words to describe everything in the best way possible. Including this write-up, which wasn't my finest, even though I tried. So after this I may take things a bit easier; if someone requests a review of a new song, then I'll give it (which I doubt anyone will) -- but in short, expect me to probably listen to the same amount of songs (maybe even more), but I won't review as much. With that being said, I'll probably make other things to replace this. Such as maybe more album reviews... we'll see.

My Muse – Leon Thomas (8.4/10)

It's safe to say that Leon Thomas has had a fairly successful year, especially with "Mutt" unexpectedly doing so well. With this we get a slick, polished R&B track that defines the expensive and luxurious sound of the time, with this leaning into it heavily. I quite like the groove, and I think this highlights Leon's improvements in the industry.

Root Of All Evil – Daniel Caesar (8.6/10)

"Root Of All Evil" leans into a slower R&B sound that deeply displays artistic roots, which I would love to hear Michael Kiwanuka on. I think the slow drum pattern mixes with the acoustic section in a really smooth and easy-to-enjoy way.

If The World Burns Down – Kacey Musgraves (8/10)

From the Netflix soundtrack, Kacey adds to the releases by giving a light acoustic strumming which helps balance the emotional depth between her and the progression. Even though this is for a TV plot, I still think she plays this well, as if it was personal to her.

Beautiful Things – Megan Moroney (7.6/10)

A song that feels like it's from a soft-hearted view, especially with the descriptions of the kind people and how they can be broken. Some may call this standard for a slow Luke Combs-ish country song, but I think it's built upon the definition of the song very well.

I'm Not There For You – Jessie Murph (7.7/10)

The beat feels like it leans into rap beats more than any other song on "Sex Hysteria"—in fact, I'd call this more rap than country, and that's not necessarily a bad thing. I think her "screaming" vocals don't come out as much here, nor do they kill the vibe as much as her other songs, and I certainly favour the groovy progression.

LOVER GIRL - Megan Thee Stallion (7.3/10)

A bad bitch horny rap song with occasional pop cut-ins that I wish were longer and went further; they reflect a more dreamy side of R&B that could have served as a nice side to the fierce rapping by Megan.

Let You Go - Demi Lovato (7.6/10)

An up-pitch & upbeat pop tune that creates kind of laid-back but still fun synths which complement Lovato's correctly chosen tuning.

Chanel - Tyla (7.6/10)

Tyla goes for a more vibrant Afro sound that gives a dance feel a lot better than many of her other songs; it has glamour, style and a hell lot of vibes.

MONSTROU - Tainy/Feid (7.5/10)

Both artists show off Feid's roots in a darker song (production-wise and lyrically) which goes into the land of fairytale in its lyrics.

Rubber Band Man – Mumford & Sons/Hozier (7.6/10)

Mudford & Sons keeps a route that has the same feel as their last album, with Hozier tagging on in what I'd describe as a song with just the right amount of passion & pitch, which Mumford tends to get right when carrying their songs.

Fuze – Skrillex/ISOxo (7.8/10)

A 3-minute composition of build-ups which range from a light piano solo before going into beat drops that feel like an old rave. I think this song captures the electronics and elements in such a way that you can appreciate its difference whilst still agreeing it blends. Would love to see more of this from Skrillex in the future, especially with the futuristic synth part!

In The Dark – Selena Gomez (7.9/10)

Selena moves back to her pop routes in what sounds like a blend of electronics with a slightly easy background sound to support more of a "Love On" style – I think if there's any time where Selena wants to become more commercial, then this is the time to bounce back. Oh, and it's also from the same Netflix soundtrack as the Musgraves & Teddy Swims song!

Hips Don't Lie – Shakira/Ed Sheeran/Beéle (5.5/10)

For the Spotify anniversary Ed desperately tries to blend a Spanish song with his own style that feels out of place in so many ways and just feels like he's riding the trend of cultural blending badly. Keep the original as it is.

Cable Box - Mac Miller (7/10)

I was never too much into Mac, and nor do I like how this fits the vibe of "Balloonerism" a little – but as an anniversary track that just made the final cut, I'll take it.

Quality Over Quantity - Polo G (6.5/10)

First of all, the title is false since this song leads down the routes of a more radio Bossman Dlow in what doesn't feel like a display of the title and instead a display of a nice little rap song that maybe had some lyrical effort with the breakdown on issues, but aside from that, I'm just seeing generic parts. It's still somewhat enjoyable, though.

Human – Brandi Carlile (7.2/10)

Brandi gives a kick to her live and older style in what feels slightly more worked on production-wisecompared to her lighter vocal songs with less going on.

Asking For A Friend - Foo Fighters (8/10)

Think of the full-on, out-in-style 60s-80s rock-out that defined the time, and now picture that recreated with the same force by a classic band. When you do, you'll get this.

No cell phones in rehab – MGK (3/10)

I'm flabbergasted at this song's unusually high user score of 63, especially with production that feels like a poorly made teenage song with the vocals feeling as artificial as AI, and then the beat sounding partly like a YouTube or Dream beat.

Telephone Busy - 5 Seconds Of Summer (7.3/10)

Another song that fits the breezy sound of 5SOS – I just need reassurance that the full album will have hooks that capture me more, though. This is still catchy for one listen at best.

Anna Karenina - Cigarettes After Sex (5.5/10)

This feels too long for a song that's bland throughout. I completely understand that references and meaning are the priority of this song, but I think you have got to value other parts of music more.

The Cure - The Chainsmokers (6.7/10)

A song that takes inspiration (if you can even call it that) from the Jonas Brothers – I mean, the second half has a close where the electronics are easier to hear and makes me think of a mix of Charli XCX and The Kid Laroi, which then goes into a tough guitar solo... With that being said, I just wish the same effort went into the song's first half, which sadly didn't come close to the second half.

SPAGHETTI (English Ver.) - LE SSERAFIM/J-Hope (4/10)

"Spaghetti" is simply a TikTok level of thought, which is supposed to have a sound which appeals to youngsters, despite the lyrics going explicit. That's a bad decision considering I don't know who's listening to this other than kids. The tone is giving nursery rhymes.

Nearsight [SID] - Miguel (7.6/10)

Recently I've been hearing some interesting things here and there from Miguel, so with him releasing his new album "CAOS", I was ready to see what else we'd get – and this is one of the songs, a rework of an old Miguel song from 2023 which was apparently originally going to be titled "Slow It Down". I find the use of a more sped-up boost at the 3-minute mark to be interesting; it gives the song a new life which stops it from getting old, which it desperately needs since it's 4 and a half minutes in length.

The Way a Heart Breaks - Alexander Stewart (7.7/10)

Another artist who took the chance to release an album before Mariah Carey & Wham! Unleash hell is Alexander Stewart. He's been catching my eye over the past month for his better-arranged take on modern sad pop, especially when he made Lauren Spencer Smith create possibly her best song ever. With this he proves more by leaning into the catchy produced song, but without things getting stale – to the too-experimental listener, this'll be the generic pop push-out, but to people like me who understand this, I know that Alexander has powerful vocal pushes that rule a song better than many other artists could.

Almost - Lewis Capaldi (7.7/10)

Lewis releases his 3rd out of 4th song from his November 2025 "Survive" EP, in which he belts out loud vocals to a heightened sad hook about love. I like how it fits the extreme tone of his other songs, but it's not exactly good knowing that there's only one song to look forward to in the EP – and will the EP possibly worsen the expected quicker album push? (Which may come in early 2025) – the only positive is the slightly quicker releases.

Voicemail – Tee Grizzley/Rod Wave (4.5/10)

It's a Rod Wave and Tee Grizzley song; does much more need to be said? And as you guessed, nothing's changed.

Feet On Land - Moneybagg Yo/G Herbo (4/10)

A lazy and overused brand of rap. I'd expect better from G Herbo… don't fall off this quick.

Know About Me - Halle/Glorilla (7.1/10)

This is the watered-down version of FLO and Glorilla's "In My Bag" with fewer elements and more of a truth-to-the-soul touch from Halle instead of looking for appeal.

Raindance – Dave/Tems (7.7/10)

Dave collaborates with Nigerian singer Tems on what some would argue is the best song on Dave's newest album. I think the Tems part really gives the song elegance in the way "Luther" does, where Tems uplifts the song's value too with Dave's verse, which was already quite passable.

BOSS UP – Shenseea (5.7/10)

With this dancehall track, Shenseea marks her first song in a while… but sadly it feels like a copy and paste from other acts.

Cumulus / Memory – Sampha (7.5/10)

Aw, sh*t – Ian (2.5/10)

We seriously got a cover that's probably AI and by a rapper many consider fake, and yet Spotify's new music Does Friday still showcase this guy?? It's not even a slow week for music. Regardless, I'll give my opinion on this; it may not be his worst, but it still does feel like Joey Valance & Brae had a homeless edition with the more stripped-back sound compared to them and the cheaper, overused appeal.

Good Ol' Days – Hayley Williams (7.3/10)

Windy City - Dylan Gossett (5.2/10)

All that matters is that Dylan is singing about what he wants and making what he wants… but I can't deny this is a rehashed sound, and anyone could tell you that. It's dull.

Put Your Bassline – Armin Van Buuren/KI/KI (6.9/10)

Very much the same dance pattern throughout, with the bass not really uplifting the song no matter its pitch.

Unravel – Poppy (7.7/10)

Poppy lets her two sides of singing and rock break free in a song that's supposed to talk about the calm and the chaos, which makes the two sides of her shown even more fitting for the song.

As I Wave Goodbye - Artemas (7.2/10)

Artemas with non-electronic drums and parts without tuning?? This sounds more like a Sombr song! WHAT! And honestly, not only is it fascinating, but it's also brought across well; Artemas conveys the songs' values in a deeper but understandable way.

CRANK - Slayyyter (5/10)

The atmosphere is giving club party & chaos straight from the start and all the way to the end.

Private – The Neighbourhood (7.5/10)

Ain't Letting You Down – Martin Garrix/Saksham/Scott Quinn (7/10)

I can tell Martin is trying to "drag" the 2010s Alan Walker watered-down-like pop sound; I just don't think the market for this music is looking for this anymore.

Doing My Best – Hit-Boy/The Alchemist (7.5/10)

HIM - Shallipopi/Gunna (7.2/10)

Shallipopi's style makes Gunna blend in instead of rushing to mess up the beat.

Monterrey - Grupo Frontera (7.5/10)

FINALLY they're not using the same trumpet effects and switching things up to where the progression fits more of a romantic summer-sounding song. Good.

People Pleaser – Henry Moodie (7.5/10)

Henry's simple pop-appeal-level music still has a shine to it which keeps you engaged; I don't think he's crashed completely from the times of his peak.

Kiss - Claire Rosinkranz (7.6/10)

Fun, cheeky and an all-round vibrant head bopper.

Know You Forever - Sadie Jean (7.6/10)

I know that Sadie has the potential to go a lot further with her music; I mean, she's already on top of her guitar-playing skills; now she needs to evolve her pop sound.

CHROME HEARTS – Gabito Ballesteros/Fuerza Regida (6/10)

Spoke too soon... they're back to the same sound.

CLOUD 9 - BabyChiefDoit (7/10)

My Man – Queen Naija/Mariah the Scientist (6.5/10)

As much as I enjoy Mariah's slick R&B I think the formula can easily get overused... but it's not necessarily the hardest to switch up, so in that case I don't get why she's heading in the same direction.

Pussy Palace - Lily Allen (7.7/10)

Breaking up with a known actor and singing about how you thought they might've had a sex addiction is pretty crazy, but let's cover it... In this song, Lily takes the route of many songs that try and give an ethereal R&B kind of feel, with synths that sound out of this world and dreamy but are instead mixed with the world of radio pop.

DON'T LOOK BACK - Matt Hansen (7.9/10)

Matt continues leading his songs with his loud voice and high tone; I think it suits his music quite well.

Likey Likey - Young Miko (7.6/10)

Vitamins n minerals - Samara Cyn (7.5/10)

Samara Cyn's way of rapping and lyrical value sounds like an almost exact replica of Doja Cat, and I think the producers may try and lean into this world too. I mean, I only previously heard her on Armani White's "Ghost", and I didn't hear it there – but now I hear it here. It's not always a bad thing, though, since that unapologetic tone 100% suits her, but I think if she continues like this, then those labels may stick with her in the future.

BRUK DOWN – Major Lazer/Parris Goebel/America Foster/Sadboi (7.5/10)

The only way I see this catching on is as a replacement to Brazilian Instagram reel phonk – ok, but in all seriousness, it would be a much better replacement.

Clean – Alessia Cara (7.8/10)

Spellbound – Oskar Med k (7.5/10)

A fine house pattern from Oskar's recent successes, but I don't think it's enough to keep his name in circulation.

Werewolf - Koe Wetzel (6/10)

Koe Wetzel follows in the footsteps of artists like Bailey Zimmerman into what feels forgettable.

FU & UF - Skye Newman (7.1/10)

I'm not too keen on Skye Newman's way of singing, nor do her songs fill a gap in my heart that needed to be filled, but what I do see are improvements in what people believe to be an upcoming album. Her voice on this makes me think of a house-style produced Tones And I X Amy Winehouse, with the progression building up to a more natural instrumental hook. I think the piano & beat hits really give off a nice level of intensity too; it helps build emotion.

In Another World – Ejae (7.5/10)

The K-pop Demon Hunters are now releasing songs past the movie?? I mean, I guess if it keeps relevancy for the movie's sequel, then it's a good idea. And I see the smart tactics; it fits a depressive appeal with the overused yet still kind of appealing piano progression and the sad and honest tone. Not that it gives off the hit vibes which the Demon Hunters soundtrack did, but I think it's enough to attract the young audience back.

SEX IS POWER - MARINA (7.5/10)

Electronic pop act Marina returns with a song that is not only a total vibe but also continues her 2025 run of good songs.

NOBODY ELSE - Planet Giza/Isaiah Falls (7.2/10)

It's not Isaiah's most pleasant soul song.

Hush Baby, Hurry Slowly - Sigrid (8.1/10)

Summer synth pop that uses some R&B elements too give the song a more loved, warmer dance feel, which I'll definitely need for winter! Also the end fade-out is really the cherry on top.

Ego - bbyclose (7.4/10)

Facilita - Fred Again../Caribou/Menor Teteu (7/10)

For the next week of his journey, Fred Again hops on a track which seems to showcase other cultures or styles, but I can't seem to say what it is. It fits more of Arabic music a little?

Longest Way Round - Yazmin Lacey (7.5/10)

Smooth soul/easy listening vibes.

Violence – Mr Eazi (7.2/10)

IShowSpeed – Russ Millions/Dopebwoy (7/10)

Naming a song after IShowSpeed wasn't the most appealing career choice... but ok? Other than that, the song is a fine attempt at creating a rap jam; nothing special, but the bass is decent.

Time Alone – Rizzle Kicks (7.1/10)

Inside The Rider – Disrupta (7.3/10)

Cats & Dogs – Mackenzy Mackay (7.3/10)

This is the 4th song I've heard by Mackenzy and the first that I've valued this much. By no means has he perfected his sound, but he's definitely getting closer.

Stick Around – Circa Waves (7.3/10)

Run This Town - Olly Murs (7.5/10)

"Run This Town" was originally just an over-decade-old demo which Olly remade into a single, and I would see how this fits his older sound… but I don't see how it fits in this era. The sound feels more like a Chrismassy kind of beat with its slightly older and warmer feel, rather than the full-on dance sound of his recent hits.

Ready – JayO/Michaël Brun/Good Nation/KeBlack (7.2/10)

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Welcome 2 LDN – Lemtom/Flowdan (0.2/10)

I understand the opening interaction; the song was supposed to be a rough start to a track that fits the feel, but I don't see the appeal of these "harsh" songs with such a stupid meaning. How can you listen to a song saying, "Welcome to London"? "F*ck off" with a dance beat in the background – and then the whole song is just repeating these stupid-ass phrases in a British accent; it's like "Let's Go" by David Guetta & David Bosjen. This is horrible… a contender for the worst song of 2025.

Chariot – Westlife (4/10)

Alex Warren 2.0

Maybe It's – Miley Cyrus (3/10)

I'm going to say the same thing I said about Tom Grennan's Gillette song: who the hell releases music from adverts?? It's just such a cheap and desperate delivery that rarely gives anything, and this one-minute whip-up proves that. This may just be the worst Miley Cyrus song I've heard.

Ex's & Oh's – Ely Oaks/Elle King (1.1/10)

Wow… this honestly sounds like Tones And I's "Welcome To The Madhouse" era but if she was on some hard drugs with a higher dance beat. This is horrible.

DECEMBER - Gianni Capri (5.4/10)

Mediocre normal pop.

Living In Paradise – Bon Jovi/Avril Lavigne (6.5/10)

I Don't Speak French - Rose Grey (7.2/10)

From the deluxe of Grey's "Louder Please", we have a new single from the project, which is the last new song if you exclude the remixes. It's standard for her sound, but it does have the Rose Grey energy, which I like; overall, it's fine. I see why it wasn't a main single or anything.

SHE DON'T WANNA TALK - Cash Kidd/Ethan Marc/Monaleo (7.1/10)

Monaleo goes straight to having more releases after her mixtape; with this, she features alongside mumble rappers who follow a tougher route, although they don't mumble every word and do it better. Monaleo's verse is notably better and a refresher to the song, but it does not exactly work completely with the more produced, more heavily autotuned part.

DEPRESSED - Anne-Marie/Lauren Spencer Smith (7/10)

The remixes of this song have genuinely been kind of interesting (thanks, Anne!). And with this, I was invested more after hearing what Lauren is capable of… and honestly, she didn't give much; it's still a good song, but her part felt forgettable in the whole song and overall was just a fine little segment which doesn't really showcase her. I don't get why someone would listen to this over the O.G. I'll still rate it well, though, since Lauren doesn't ruin the song.

Scared Of The Dark – Em Beihold (7/10)

Awake – Monte Booker/Ravyn Lenae (7.7/10)

This song has a surreal feeling that comes with it, where the beautiful, lightweight song (start to finish) immersed me into the experience.

Alone – Halle/Mariah The Scientist (7/10)

Lay It On Me – Frank Walker/Josh Ross/Norma Jean Martine (7.4/10)

A more intense modern Lady Gaga-style track – specifically, this makes me think of "The Dead Dance", but I'm not as into that sound.

CHECKLIST – Trippie Redd (5.6/10)

[Mellope]

NEW MUSIC FRIDAY 31.10.25 #54

⚠️ My New Music Friday write-ups are switching up after a year. Last update I spoke about how writing so much in one go was tiring, as I often had a lack of words, so this time I've not only decided to take things easier, but I'll also give y'all a better dive into music. Instead of just reviewing singles, I'll also review albums more, and any song that I don't rate will automatically go at the end of the review, which is basically just the songs I listened to that I didn't end up reviewing. This not only makes the write-up fit into better parts, but it also helps me get in album reviews. And of course, I may not have time to review all the albums of the week in such a short time span, but I'll try and get through as many as makes me comfortable. Oh, also another thing, if you request me to review something for this week, then I will, and also don't expect a bunch of write-ups from this; I'm taking it easy for now… You may get more ratings, though, since it's easier to skim through stuff... MAYBE.

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SONGS (REVIEWED):

Berghain – ROSALÍA/Björk/Yves Tumour (7.9/10)

"Berghain" is a song that I've been seeing get rounds of praise on social media; people are liking how it makes them think of Beethoven with the fast tempo and choir-like background, and as someone who's heard THREE Björk albums this year (Homogenic, Vespertine & Post), saying I was excited to hear what she created with the "Motomami" singer was an understatement. "Berghain" plays like a theatre, with fast strings and a female opera voice coming in as if it's opening to a key scene. The song is supposed to capture the energy of the Berlin nightclub, too, which the full orchestra comes to a halt to support Bjork's part around the two-minute mark. One part which doesn't fit my fancy, though, is the last part where a modified voice comes in and repeatedly speaks, "I'll f*ck you till you love me," as if it's playing off an old recording camera from the 2000s – that ruins my score a little.

Mother – Tyler, The Creator (8.3/10)

Tyler gives us one extra song for a reissue of "Chromakopia", an album that grew on me over time that I wouldn't blame you for calling beautiful artistic expression. With "Mother" I don't completely understand why this was left off the original and put on an extra edition; its production value is more fitting to the chaotic tone of some other tracks, with its noticeable drum patterns and over-the-top vocal performances, even lyrically with the messages of struggles that just replay in your head. It's open and honest, but it's also chromakopic.

Have to. - Brent Faiyaz (8/10)

I quite liked the bass in the songs' first half; most of these types of bass are usually mixed into the atmosphere, as their sole purpose is to give the song added flavour, but I honestly felt like Brent used that bass as more of a main element to back his modified voice, which embraces production in a creative way that rewards new sound. That's why I'm vibing with this more. Good song.

Lucky – Reneé Rapp (7.7/10)

Reneé Rapp is doing anything but stopping, with her new song from "Now You See Me: Now You Don't". If this song did anything, it would prove that Reneé can also shape the sound that pop radio loves whenever she wants, with a lighter rock guitar and upbeat claps before turning more electronic and hitting a new best in the song's second part. It's playful and a fun take on what makes me think of an improved version of the 2010s viral girl pop; specifically, it makes me think of that Katy Perry "Last Friday" song or whatever it's called, which is probably rooted in the guitar at points.

What's Good – Oklou (8.2/10)

The electronic yet weirdly peaceful but kind of unsettling moments this song gives just make it such an experimental earworm. I was always one to hear Oklou's potential and see how she transforms music into something much deeper, but in this it's more apparent than ever.

All On Me – Lil Baby/G Herbo (8/10)

Baby and Herbo rap about their problems and how they feel about them in one of Baby's most honest feels he's given to a song in a while. Not only that, but on top of the effort, the beat is actually quite solid; it's faster, fresher and doesn't borrow from the same slop beats that made up the skips on the earlier Lil Baby album of this year, and G Herbo also matches this. I'm impressed, seriously.

Alien – Luvcat (7.5/10)

An upbeat song about being left out, to which Luvcat adds a passionate vocal performance too. I'm kind of interested in Luvcat; maybe I'll give them a deeper listen soon.

I Wish You Well - Cat Burns (8.5/10)

Instead of making the obvious choice of making the album's title track the one I review, I instead took things into my own hands since I've already heard the full album. "I Wish You Well" had a snippet shared by Cat nearly a YEAR ago, and when I heard it, I thought it had serious potential, and now with the full album drop, this song ends up being a serious contender for my favourite non-single on the album. This also marks possibly one of the biggest changes in Cat's music, as she leans more into an Afrobeats-like sound whilst having electronic influences involved that give the song this breath of life.

Who You Seeing Tonight – Kodak Black/Don Toliver (6.6/10)

Kodak adds his usual brand of rap whilst Don leans more into his modified singing. Together they both actually don't mess up the track and give something decent.

Smoke – Jamey Johnson/Riley Green (4/10)

A bland country rock song that reuses the same style we're seeing from artists like Luke Combs in their rock era, but instead it's not good.

Aging Young Women – Anna Von Hausswolff/Ethel Cain (5.1/10)

A boring attempt at creating something ethereal and magical. It ends up feeling long, incomplete & tiring to listen to.

All My Haters – Tom Macdonald (3.5/10)

Aside from the absolutely terrible lyrics (as usual), Tom still has somewhat of rapping abilities and a half-baked but not awful beat.

KO - NLE The Great (a.k.a. NLE Choppa) (7/10)

Choppa's newest track has some drama too, involving rapper YNBA, in which NLE accused him of "poisoning the youth" and overall just being a bad influence. It's quite an out-of-the-blue diss for me. I don't know if these two have connections or if Choppa just hates the violence of rap, but either way we get Choppa playing this song with a tough character, as the background has a nice groove that fits the rapper's rougher side. It's not exactly hugely different, but I appreciate this song a lot more than some of his others.

Drift Away – Orville Peck (7.5/10)

The part where Orville holds the notes feels so relaxing yet catchy, in what I would describe as a satisfyingly interesting mix of country and rock, something that more artists of Orville's size need to experiment with more.

SAY IT TO ME. - Armani White (8/10)

After his recent streak of hits, I was hyped to hear what he had next, and he, in fact, still hit the mark of good, although I think he could've given more. I still think Armani's fun mix of club rap whilst incorporating a 70s soul-dance sound was a great choice, and near the end where everything came together with the funky keyboard, it just hit the spot. This is true rap, and why I think Armani is special.

Pieza Exhibición - Luar La L/ROA/Blessd (7.5/10)

Seeing Blessd travel to a non-English sound is fascinating, and if I'm being real, I can't say he did a bad job… I mean, it's not hugely his thing, but the songs have an expected yet not boring vibe.

For What – Lithe/Cash Cobain (7.6/10)

Surprisingly slick and catchy, especially considering Cash Cobain is on this.

TRY ME – Flyana Boss (6/10)

Flyana's OTT tone is still incredibly annoying and easy to skip, but at least she's improved from that absolutely awful "Hey Christ, I'm about to sin again" song.

Camera (CYRIL remix) - Ed Sheeran/CYRIL (7/10)

I was honestly expecting CYRIL to deliver something absolutely vile, but he instead just gave an unnecessary basic remix with a few added lighter dance touches. Well, I'm still rating this high since the o.g. is still good. I wouldn't listen to this over the original, though, and I don't get why anyone would.

Putting Ya Dine - Remix - Monaleo/Youngboy Never Broke Again (7/10)

Lizzo and now YNBA? Is Monaleo going to be a future big-name rapper? Well, after hearing her pretty fun mixtape, I think it's safe to say that she's a better Sexyy Redd, and with this remix... listen, most artists who release at this volume don't end up being able to have a steady stream of creativity and good music, and that's exactly the problem with YNBA. He's not bad, but he's stuck to the same flow and just does this for the money. It's still a good song, but Monaleo and Monaleo only were needed on this. Not YNBA.

Momentary Bliss – Johan Lenox/070 Shake (8.2/10)

A creatively distorted blend of what makes people love 070.

Tunnel Vision – Belters Only/Jane (8.2/10)

This song really brought me a slight feel of the nostalgia that came with 2022's radio dance pop, a time that seems to be rarely recreated. Thanks for the nostalgia! Added to my playlist!

Performante Pain – D-Block Europe/Rich The Kid (8/10)

I don't usually "mess" with the tough autotuned rap that fits a similar sound to other songs, but I feel these two actually go out in style and provide a good back-and-forth head bopper! I like it.

Wicker Woman – Freya Ridings (7.5/10)

As Freya gets ready for an upcoming album, she gives us a delve into a part of it with "Wicker Woman", a song about feminism. Freya gives the song a powerful kick in the vocals, although the part which didn't make me like this more was that it didn't feel like a lead single. After getting highs like "Weekends", seeing her drop to half of what that was is sad; it has her structure but without the addictiveness as much.

Streets A Lie - Tion Wayne (8/10)

Tion samples Billie's "Ocean Eyes" in an emotional rap song. Billie's part definitely added a lighter sadness that the song needed. Good use of a sample!

Century – Esdeekid (7.5/10)

Esdeekid goes for the same appeal just a couple of weeks after his success, and I think he pulls it off better in this... Or maybe I just got used to his accent rapping.

SONGS (UNREVIEWED):

Sympathy Magic - Florence + The Machine (7.4/10)

Blessed - ERNEST (5.6/10)

Entwined – Sub Focus/Grimes (7.3/10)

HARDSTYLE 2 - Fred Again.../KETTAMA/Shady Nasty (7.2/10)

No Voy a Cambiar – Codiciado/Xavi (5/10)

Shady - Flowerovlove (5/10)

Speedballin' – Outkast (7/10)

Guardian Angel – Dimension/Karen Harding (6.4/10)

C*caine Inside My Blunts – Disco Lines (5.9/10)

City On Fire – Wale/Odeal (7.2/10)

On My Own - Sevdaliza (7.1/10)

132 TECHNO – Kelly Lee Owens (7.4/10)

My Money – Diplo/Yo Gotti/D00mscrvll (5.5/10)

Status - Icewear Vezzo/2 Chainz (6/10)

Waiting – NOTION/Willow Kayne (7.6/10)

Here We Go Again – Chy Cartier/Lil Yachty (7.3/10)

Love Gets Me High – Levi Heron (6.5/10)

Moment – TS7/Charlotte Plank (8/10)

U Get Me High – Arielle Free (7.4/10)

H.A.P.P.Y. – Jessie J (8/10)

Wait For Your Love - Mr Eazi (8/10)

Give Me More – Obongjayer (8/10)

Baed – Juh-Dee/Young Mesh/Jazeek/Aitch (7.2/10)

[Mellope]

NEW MUSIC FRIDAY 7.11.25 #55

SONGS (REVIEWED):

La Perla - ROSALÍA/Yahritza Y Su Esencia (8/10)

As someone who understands little Spanish, when I first heard this, it sounded like a tone that would fit a Disney princess movie, but it turns out that it's the exact opposite; instead, it's a diss aimed at a past ex in which Rosalía basically uses the whole entire dictionary's worth of insults on him, which can feel interesting but sometimes feels more like a rant instead of carefully chosen, such as this lyric:

"A mirage, an Olympic gold medal for the biggest jerk
You've got the podium of the great disappointment."

I guess you could say I'm nitpicking, though, because overall this is a song that feels like it lyrically flows pretty nicely for the majority of it. And instead of sounding angry on the beat, Rosalía actually sounds the opposite, which gives the song a more honest feel to it (despite the use of knife sound effects.) From what I see now, the "Lux" album could be the highest-rated album of 2025 (either that or McKinley Dixon's), so I'd definitely consider checking it out. Especially since this song has a really nice backing of many production choices that range from adding a more musical classical feel all the way to a slightly crunchier backing.

Out The Window – Kehlani (8/10)

FINALLY, another song. To be honest, this would've been better released last week for commercial success, seeing that "Folded" was having its highest peak, and she would've had a week more to settle in the charts before Mariah Carey and the Christmas songs take up over half the chart, but now is still kind of ok… but "Folded" is fading out faster. With this she leaves an even better first impression than "Folded"; it highlights her traditional yet warm feel on R&B, with the more noticeable piano giving this an extra smooth feel which transforms the track's value by a LOT more. It's honestly something I think FLO would do. And yeah, it's 4 minutes+ long, but I didn't feel bored throughout the song… it actually kept me quite relaxed and yet amazed at how she's levelled up from her last US top 10 hit.

Past Won't Leave My Bed - Joji (8/10)

The instrumentals feel a lot less distorted, and the song resemblesa D4vd production replica more than Joji's usual sound, which isn't really good since I was hoping for something darker like the things in "Smithereens". Despite that, I can still see this maybe growing on me, but I hope he gets in the right direction again. It's also especially sad since I adored "Smithereens" so much… I mean, "Die For You" is my favourite song of all time.

Bandaids - Katy Perry (7.5/10)

Yeah… I think "143" has left Perry in a worse state; not that this is as bad as some of her 2024 lows, but it does have that similar lack of personality pop that you could see from a starting-out musician. As for a commercial appeal, I think it has a chance to be something. I mean… it would've had a higher shot of going viral in the 2010s, but regardless, it's not too "out of style" for people to dislike. It's simply a simple breakup song with an overused but still slightly appealing pop-rock sound. Would I return? I mean, probably not.

Thank Me – G Herbo/Anderson .Paak (7/10)

I wasn't ever expecting him and Anderson to ever be on a song, seeing how different their styles are, and honestly, it ended up sounding fine. I mean, the song is built up on the theme of praising yourself with its high-energy champion background and the opening intro about thanking yourself. I think this comes off as more motivational than selfish, which was what the song was trying to do. Lyric-wise it's pretty well put.

Small Town Joan Of Arc – Del Water Gap (6.4/10)

Del Water has been getting me hyped for the album with the past couple of singles, but with this I'm not too convinced that this is going to be great... the drums, production and everything in general feel so devoid of personality, like, there's still somewhat of substance here, but it's only enough to make you go "ok" and appreciate the small part of what this could've been.

Home - Rachel Chinouriri/Boyish (6/10)

A just under two-minute simple acoustic song where Rachel sings so lightly that it's near close to whispering. Not much is going on here; I don't see the vision, and it's definitely one of the weirdest things she's made.

Closer To Me – Mark Ambor (7.4/10)

Mark Ambor is back! But this time we aren't seeing his usual jolly, upbeat side; we're instead seeing his happiness mostly portrayed in the lyrics, with less of a passionate and over-the-top take vocally.

With Your Love – ILLENIUM/Ryan Tedder (5/10)

Generic as HECK. I don't think dance music can get any more plain than this.

Daddy Yankee: Bzrp Music Sessions: Vol. 0/66 - Bizarrap/Daddy Yankee (7.5/10)

This song has a fiery energy that really pulls the song's structure to a good score. I think there's passion, and I think it's a strong show for the Bizarrap collaborations.

SLIGHTLY LESS DEPRESSED (UNPLUGGED) - Anne-Marie (7/10)

Ok, Anne, the cows are starting to get dry ? (for those who don't understand, this is like the 4th remix). Anyways, this is the worst one yet; at multiple verses, the amount of pitch change on certain parts makes the vocals sound awkward, as if she's forgetting them mid-sentence. Overall, this is probably just so she remains in the charts. I mean... it's still a good song, but this isn't a necessary remix.

Time To Love – Rag'n'Bone Man (7.5/10)

Another jazz cut from Rag'n'Bone Man that has the pace and soul but also feels like it needs switching up so he doesn't get boring. I'm slowly starting to find every release by him less enjoyable.

At The Party – WizTheMC/Bees & Honey (8.5/10)

Not only did this drop, but I also just found out that there's a whole EP?! WHAT?! The only bad news is that I'm going to have serious trouble leaving behind this era. ? I just pray that Wiz doesn't dump everything altogether. Anyways, with this we get a showcase of what he had in "Show Me Love" and "Take My Mind", but instead with a more club nostalgia feel that feels like a good song for a party at night; it's elegant but also full of flavour in what feels like another showcase of how Wiz can keep the same sound fresh. I LOVE IT!!

Stay A Little Longer – Joel Corry/Galantis/Izzy Bizu (7.6/10)

Joel regains some of his more entertaining showcases in this song; it also feels like after his AI cover, he firstly stopped with the slop a little and started getting better, along with some features. Maybe he finally learnt that he has to get his career back before it's too late... in fact, maybe it is a little late!

Shadow of the Hearts – GZA (NR/10)

This song has had a few accusations of AI, and along with the cover and feel of the song, I just feel awkward rating it now. It's not the GZA I tend to know.

Lonely Star – Redveil/Carolyn Malachi (8.5/10)

So relaxing and smooth, with the whole track's feel just pulling you in so well.

Her Face – Isabel Larosa (8.3/10)

"Her Face" feels like a beautifully crafted sad ending to a long story; it's one that uses orchestra instruments to heighten the sad effects in just a refreshing way to music.

DPMO – Digga D (7.6/10)

In his UK Drill return, Digga D uses the phrase "Don't piss me off" in a rap about the "opp" life and issues on the "block".

You & I – Victor Ray (7/10)

I think this feels a little too dull. I don't know if the formula is running out or if this is a one-time miss, but let's just hope that this is the only step down from him.

Bad Girl Energy – Bl3ss/Kamille (6.1/10)

Kamille's style is sucked out of this song because of the dance production, and in the end this just feels like another dance song thrown into the ocean of already known ones.

Feels Like The Sunshine – Jake Bugg (7.5/10)

Jake continues the sound we heard on his last album but instead with a brighter take on his natural formula.

SONGS (UNREVIEWED):

Try To Love – Lil Baby (7.5/10)

New Trip – Quavo/Yeat/BNYX (5.5/10)

Hello My Old Lover – Dove Cameron (7.5/10)

I Sit In Parks – Kelsea Ballerini (7.1/10)

Die Happy - Holly Humberstone (7.5/10)

En el Ritz - Young Miko (7.5/10)

The God Of Lying – Gorillaz/IDLES (7.5/10)

Do It - Underscores (7.6/10)

Princess – BENEE (7.5/10)

For No Reason - Sexyy Red (7.1/10)

Crank up da jet - Loe Shimmy (3.8/10)

Love Who You Love - Romy (6.9/10)

Home - Mario (7.1/10)

QUITATELOTO - Blessd/Bad Milk/CARABIN3/GeezyDee/Kris R./TURY/Young Fatty (5.1/10)

Smoke n Drank – Jordan Adetunji (6.4/10)

Move to the Left – BunnaB (5.8/10)

Beto's Horns - Fred remix - Fred Again.../CA7RIEL/Paco Amoroso (7.1/10)

Fightland – 50 Cent/Sheff G/Sleepy Hallow/Jeremih (6.4/10)

To Space – Kings Of Leon (7.3/10)

Help You Remember – Jason Aldean (7/10)

Knik - Portugal. The Man (7/10)

Tsunami – DJ Snake/Future/Travis Scott (6.8/10)

Girls Gone Wild – JT (8/10)

Call Me Baby – Bella Kay (7.7/10)

Showbiz – Hayley Williams (7.5/10)

Velas - Santana/Carín León (7.5/10)

Human Mind – Mavis Staples (7.2/10)

California Games – Armand Hammer/The Alchemist/Earl Sweatshirt (8/10)

OOPS! - Moody Joody (7.9/10)

Get Around – Alessi Rose (7.3/10)

Dot Dot – Kwengface/Flowdan/Interplanetary Criminals (7.5/10)

Immortal Life - Popcaan (7.7/10)

ELEMENTS - KILIMANJARO (7.5/10)

I Need A Rhythm – IN PARALELL/ROZZZQ
WEEN (7.2/10)

Lift Me Up – Diplo/Local Singles/Jem Cooke (5.8/10)

Breathe – Switch Disco/NEVE (7/10)