Motion City Soundtrack - Go - Printable Version +- Music Discussion (https://www.music-discussion.com) +-- Forum: Music Discussion (https://www.music-discussion.com/forumdisplay.php?fid=4) +--- Forum: Alternative (https://www.music-discussion.com/forumdisplay.php?fid=11) +--- Thread: Motion City Soundtrack - Go (/showthread.php?tid=7165)

Motion City Soundtrack - Go - Music Head - 17-06-2012 online listen don't recall their last one being this pop sounding liked Timelines and Happy Anniversary what say you Penny Lane? 1.5 from me and a converted 2.0 from the pros at allmusic from the album - Timelines http://www.youtube.com/watch?v=JXtrwuxnl8k released June 12th, 2012 Bio - from allmusic A leading light in the punk-pop genre, Motion City Soundtrack includes members Joshua Cain (guitar), Tony Thaxton (drums), Justin Pierre (vocals/guitar), Jesse Johnson (Moog), and Matthew Taylor (bass). Following their high-school graduation, Minneapolis natives Pierre and Cain -- both of whom were inspired by Sunny Day Real Estate, Jawbox, the Flaming Lips, and Superchunk -- formed the band in 1999. The pair assembled a temporary lineup and issued a self- released 7" that same year. Later, while touring through Pennsylvania in support of their release, Motion City Soundtrack met Thaxton and Taylor of the Virginia-based band Submerge. The two musicians decided to leave their hometown of Richmond, VA, to join Motion City Soundtrack full-time, and the expanded band soon entered the studio with producer/engineer Ed Rose (the Get Up Kids, Ultimate Facebook). Three weeks before recording commenced, they were also joined by keyboardist Jesse Johnson (whose personal record label, Ordinary Records, had issued some of Jimmy Eat World's earliest material in 1995) to relieve singer/guitarist Pierre of his synthesizer duties. With a new lineup firmly in place, the band's punk-glazed debut, I Am the Movie, was released in the summer of 2003. While playing venues and basements in support of the album, Motion City Soundtrack was picked up by Epitaph Records; later, they joined blink-182 on a tour through Europe and Japan. Blink's bassist, Mark Hoppus, took a liking to the band and agreed to produce their next album; the resulting Commit This to Memory was released two years later and featured an increasingly pop-heavy sound. A deluxe version of the album (complete with bonus DVD) appeared in 2006, and the band spent the summer on Warped Tour before heading to Europe with OK Go that fall. Entering the studio for the third time, Motion City Soundtrack began to work with producers Adam Schlesinger (of Fountains of Wayne), Eli Janney (of Girls Against Boys), and Ric Ocasek (of the Cars). The completed product, Even If It Kills Me, was released in September 2007. Even If It Kills Me cracked the Top 20 during its first week, becoming the band's highest-charting album to date. Major labels took notice, and by the following summer, Motion City Soundtrack had signed a new contract with Columbia Records. Eager to capitalize on such momentum, the group quickly wrapped up their Warped Tour obligations, wrote new material during the latter half of 2008, and returned to the recording studio with Mark Hoppus. My Dinosaur Life was completed by June 2009 and released early the following year, with "Disappear" serving as the lead single. After a couple years of touring, which found the band making stops all over the United States as well the U.K. and Brazil, Motion City Soundtrack went back into the studio in 2011 to work on new material. Their fifth album, Go, arrived in 2012 on Epitaph. Album Review - from allmusic Well known for their driving, sugary-sweet emo-pop sound, Motion City Soundtrack ditch some of their punk leanings for a more pure pop sound on their fifth album, Go. While the band has always had a sunny, sweet quality, the album finds the group returning with a sound that feels more smoothed out and carefully measured. Though Motion City Soundtrack make this more subdued sound work for them, it sometimes feels a bit restrained. Despite the hooky, Weezer-esque guitars found on "The Coma Kid," the song feels like it needs a little boost, as if there's a volume ceiling that the band just can't quite break through. Overall, the album feels a little less bright, as if, since their last album was a summer record that was released in the winter, they would make Go a more wintry record to put out in the summer. While Motion City Soundtrack do get to open things up and spread their rock wings on "The Worst Is Yet to Come," the song is the exception on the album and not the rule. That said, this new sound isn't necessarily bad; it's just different, and though fans might need a minute to adjust to the more laid-back nature of the songs found on Go, a close listen will reveal a sound that, though not bigger, is definitely deeper than their earlier work. There are layers of atmosphere at work on the album that just wouldn't be possible if the band was trying to incorporate them into a bunch of rapid-fire pop-punk wind sprints. These changes make Go an album that, once fans shift into the proper gear, really shows that these guys are capable of something more expansive than anything they've done before. Track Listing 1. Circuits and Wires 2. True Romance 3. Son of a Gun 4. Timelines 5. Everyone Will Die 6. The Coma Kid 7. Box Elder 8. The Worst Is Yet to Come 9. Bad Idea 10. Happy Anniversary 11. Floating Down the River