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What Are You Listening To? - Printable Version +- Music Discussion (https://www.music-discussion.com) +-- Forum: Music Discussion (https://www.music-discussion.com/forumdisplay.php?fid=4) +--- Forum: Jazz/Big Band/Easy Listening/Soft Rock (https://www.music-discussion.com/forumdisplay.php?fid=13) +--- Thread: What Are You Listening To? (/showthread.php?tid=69) Pages:
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RE: What Are You Listening To? - CRAZY-HORSE - 03-03-2021 ![]() ELVIS COSTELLO "kojak variety" cd, 1995 his seventeenth of thirty-one... i own twenty plus a couple of compilations... a covers set... from Dylan thru Motown, country, '50s rock, jazz and blues... was know the original artists for the most part but am only aware of a handful of the fifteen tracks on offer... nothing bad on here, in fact i love most of it. album stalled in the 20's on the UK chart and barely scratched the US market... I LOVE THIS ALBUM favorite: not familiar with the 'country' original but im sure MH would be: unfortunate not to get my 'favorite track' but i still love this old R+B tune ive never heard of by an artist i cant ever recall hearing. RE: What Are You Listening To? - CRAZY-HORSE - 04-03-2021 JOHN LENNON & YOKO ONO "double fantasy" vinyl/cd 1980 seventh proper album... after a five year hiatus Lennon picked up his pen and paper once again after supposedly feeling inspired by two songs he heard on the radio: "coming up" (paul mccartney) and "rock lobster" (b-52s)... on the B-52s he is on record as saying 'the world has caught up with Yoko's music'... anyway on with the album... fourteen tracks, seven for John and seven for Yoko... the main theme is love, rekindling their marriage, love for their child, fear of losing eachother again etc.. so it is very clever, John will sing a song from his point of view then Yoko sings (yes, sings!) a song with the same theme but from her female point of view and so on through the album. and its only over the last couple of years that ive really come to terms with her material on this record, her singing ranges from the B-52s thru Toyah/Bow Bow Wow and obviously Bjork... ive always thought Johns tracks on here were the equal to anything he had recorded previously but understanding and getting the whole Yoko part i have a new found respect and love for this one album ultimately sold around 12.5 million copies making it his biggest selling album. album was released in mid November 1980 and we all know the sad and violent events that transpired just three weeks later..... I LOVE THIS ALBUM lets post this one: Here in some stranger's room Late in the afternoon What am I doing here at all? Ain't no doubt about it I'm losing you I'm losing you Somehow the wires have crossed Communication's lost Can't even get you on the telephone Just got to shout about it I'm losing you I'm losing you Well, here in the valley of indecision I don't know what to do I feel you slipping away I feel you slipping away I'm losing you I'm losing you Well, now, you say you're not getting enough But I remind you of all that bad, bad, bad stuff So what the hell am I supposed to do? Just put a band-aid on it? And stop the bleeding now Stop the bleeding now I'm losing you I'm losing you Well, well, well, I know I hurt you then But hell, that was way back when Well, do you still have to carry that cross? Don't want to hear about it I'm losing you I'm losing you RE: What Are You Listening To? - CRAZY-HORSE - 04-03-2021 JOHN LENNON & YOKO ONO "milk and honey" cd, 1984. his eighth proper album, eleventh overall.. tracks written and recorded during the same sessions as Double Fantasy in 79-80... Yoko tidied them up in late '83 and released them the following year... twelve tracks, six each... love four of Johns, liking the remaining two and dislike everything of Yoko's which is a shame as she showed some promise on the previous album... album sold less than a quarter of Double Fantasy's figures clocking in sales of just under 3 million... does contain one of his best singles in "nobody told me" which incidently was originally written and demo'd for Ringo but with his death etc it never happened... his tracks do show that he still had what it took to be a major recording star but alas we will never know what could have been... I LIKE THIS ALBUM best track: Three, four! Everybody's talking and no one says a word Everybody's making love and no one really cares There's Nazis in the bathroom just below the stairs. Always something happening and nothing going on There's always something cooking and nothing in the pot They're starving back in China so finish what you got. Nobody told me there'd be days like these Nobody told me there'd be days like these Nobody told me there'd be days like these Strange days indeed -- strange days indeed. Everybody's runnin' and no one makes a move Everyone's a winner and nothing left to lose There's a little yellow idol to the north of Katmandu. Everybody's flying and no one leaves the ground Everybody's crying and no one makes a sound There's a place for us in the movies you just gotta lay around. Nobody told me there'd be days like these Nobody told me there'd be days like these Nobody told me there'd be days like these Strange days indeed -- most peculiar, mama. Everybody's smoking and no one's getting high Everybody's flying and never touch the sky There's a UFO over New York and I ain't too surprised. Nobody told me there'd be days like these Nobody told me there'd be days like these Nobody told me there'd be days like these Strange days indeed -- most peculiar, mama, roll! RE: What Are You Listening To? - Ruby - 11-03-2021 Steely Dan - The Royal Scam (which seems fitting at this moment!) - always an engaging listen. RE: What Are You Listening To? - Ruby - 20-03-2021 A live album Shadows and Light - Joni Mitchell. Several pithy YouTube comments on this one! - "I'm surprised the stage didn't collapse from the substantial weight of talent assembled there. Incredible players." The players aside from Joni being Jaco Pastorius, Pat Metheny, Lyle Mays, Michael Brecker and Don Alias. And another comment that is just brilliant IMHO - "The great thing about this phase of Joni Mitchell's career is that she dragged all the barefoot children of the folk era kicking and screaming into her brilliant evocation of jazz and poetry. In so doing, she created a genre of music that has never since been attempted much less duplicated. The whole thing was so colossally subtle that no one noticed it was happening. If Paul Simon or Peter Gabriel had the musical acumen to pull off such a majestic musical coup, they would have been lauded for it for decades to come. Since it was Joni, the revolution was silent, subtle, and so completely innovative as to go unnoticed--like a dog whistle blown for an audience of deaf people. I defy any of the current crop of geniuses to make music like this, to write poetry like this, and to do it with such low key humility and flair. Revisiting this event after so many decades, I'm in awe all over again." I read an article recently on book publishing and a new app called Blinkist which basically condenses books into 'insights' that you can read or listen to in 15 minutes because hardly anyone seems to have either the attention span or enough time to read books - there is too much other stuff competing for our attention. It's true - there really is, unless you are discerning, and even then it's difficult to get away from the tangled web of Netflix, podcasts, webinars, social media, etc., etc. It's all so insidious. The Blinkist app has been downloaded by 17 million people. The article also opines that are too many books being churned out, and that most of those should have been a 'blink' rather than a book which I can't help thinking applies to the music industry as well - it's all about quantity instead of quality and the machine that churns out crud just keeps rolling on relentlessly. Now where was I going with this (case in point for short attention span! Lol!) - oh yes - this kind of live show might be in danger of extinction. Chatting to a popular SA muso the other day - he's still doing shows but the revenue from those shows accounts for one sixth of his income compared to earnings from merchandise, (and you can sell anything - or rather, people will buy pretty much anything - it's astonishing) whereas before, everyone wanted the live gigs, especially the corporate events, which is where the money is/was. If music is what you do for a living, it's perilous unless you are one step ahead on the business front. I dunno - it's like the slow changes that were happening, and were probably inevitable, have sped up madly. I'm glad there are recordings of shows like these for posterity. https://www.youtube.com/watch?v=bLKb9Ms68ME RE: What Are You Listening To? - CRAZY-HORSE - 20-03-2021 nice clip Ruby. RE: What Are You Listening To? - CRAZY-HORSE - 12-05-2021 CROWDED HOUSE "time on earth" cd, 2007 a revisit listen.... their fifth of six with a new one on the way in June... initially meant to be a Finn solo project but the sudden and unexpected death of drummer Paul Hester drew the remaining band members together for obvious reasons... typical CH sounds here, uptempo music with quite a few solomn, sombre, dour lyrics, again, not unexpected given the circumstances... was their highest charting album in the uK (peaking at #3), another platinum seller in their homeland and Australia... if i did a ranking of all their albums this would probably end up in the bottom three but... I LOVE THIS ALBUM favorite has a distinct Split Enz feel to it and his tribute to Paul Hester, RIP (the lyrics are quite simple but effective IMO) love his falsetto in this one also She called up And gave me the news It made me so sad, sad, sad There was nothing I could do She's too far away And you had to leave I can never repay you now For what you gave to me.... A whisper that can blow a chasm wide It took us all It took us all Pushed apart the mountains and the tide It took us all. She called up And gave me the news It made me so sad, sad, sad There was nothing I could do I was so lost In delirious sleep Wasn't prepared for that position Yeah maybe I was naïve.... But truth is a mortal blow You know all there is to know The hurt that you held so close There's something better now. And she called up And gave me the news It made me so sad, sad, sad There was nothing I could do She's too far away And you had to leave I can never repay you now For what you gave to me... For what you gave to me She called up She called up She called up And gave me the news RE: What Are You Listening To? - Ruby - 25-05-2021 A new discovery - Adam Baldych, Vincent Courtois, Rogier Telderman - Clouds. Released in September 2020 - violin, cello and piano. Luverly stuff - crossover jazz/fusion ... RE: What Are You Listening To? - CRAZY-HORSE - 28-09-2021 DAN FOGELBERG "captured angel" cd, 1975 soft rock/easy listening time..... a revisit... his third... gorgeous easy listening feelgood album this morning.. almost country sounding in places, folky in others, then add some strings and it sounds similar to Uncle Neil's Harvest... love just about every track on here, fantastic stuff IMO I LOVE THIS ALBUM favourite, the opening track: RE: What Are You Listening To? - CRAZY-HORSE - 05-10-2021 ![]() ELTON JOHN "the one" cd, 1992 his twenty-third studio album.... soft rock here... a couple of great EJ tunes on here including "simple life" and "the one", three or four average tunes and a couple of glorious cringeworthy ones also.. so, an inconsistent album overall but still passable. I LIKE THIS ALBUM favourite: There's a breakdown on the runway And the timeless flights are gone I'm a year ahead of myself these days And I'm locomotive strong My city spread like cannon fire In a yellow nervous state I can't cut the ties that bind me To horoscopes and fate. And I won't break, and I won't bend But someday soon we'll sail away To innocence and the bitter end And I won't break, and I won't bend And with the last breath we ever take We're gonna get back to the simple life again. When we break out of this blindfold I'm gonna take you from this place Until we're free from this ball and chain I'm still hard behind the eight My city beats like hammered steel On a shallow cruel rock If we could walk proud after midnight We'd never have to stop. And I won't break, and I won't bend But someday soon we'll sail away To innocence and the bitter end And I won't break, and I won't bend And with the last breath we ever take We're gonna get back to the simple life again, alright |