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Thread: Neil Young - Le Noise

  1. #1
    Grumpy Old Man Music Head's Avatar
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    Aug 2009
    Lancaster, Kentucky, United States

    Default Neil Young - Le Noise

    released Sept 28th, 2010

    from the album - Angry World

    from allmusic


    After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic. From the beginning of his solo career in the late '60s through into the 21st century, he never stopped writing, recording, and performing; his official catalog only represented a portion of his work, since he kept countless tapes of unreleased songs in his vaults.

    Just as importantly, Young continually explored new musical territory, from rockabilly and the blues to electronic music. But these stylistic exercises only gained depth when compared to his two primary styles: gentle folk and country-rock, and crushingly loud electric guitar rock, which he frequently recorded with the Californian garage band Crazy Horse. Throughout his career, Young alternated between these two extremes, and both proved equally influential; there were just as many singer/songwriters as there were grunge and country-rock bands claiming to be influenced by Neil Young. Despite his enormous catalog and influence, Young continued to move forward, writing new songs and exploring new music. That restless spirit ensured that he was one of the few rock veterans as vital in his old age as he was in his youth.

    Born in Toronto, Canada, Neil Young moved to Winnipeg with his mother following her divorce from his sports journalist father. Young began playing music in high school. Not only did he play in garage rock outfits like the Esquires, but he also played in local folk clubs and coffeehouses, where he eventually met Joni Mitchell and Stephen Stills. During the mid-'60s, he returned to Toronto, where he played as a solo folk act. By 1966, he joined the Mynah Birds, which also featured bassist Bruce Palmer and Rick James. The group recorded an album's worth of material for Motown, none of which was released at the time. Frustrated by his lack of success, Young moved to Los Angeles in his Pontiac hearse, taking Palmer along as support. Shortly after they arrived in L.A., they happened to meet Stills, and they formed Buffalo Springfield, who quickly became one of the leaders of the Californian folk-rock scene.

    Despite the success of Buffalo Springfield, the group was plagued with tension, and Young quit the band several times before finally leaving to become a solo artist in May of 1968. Hiring Elliot Roberts as his manager, Young signed with Reprise Records and released his eponymous debut album in early 1969. By the time the album was released, he had begun playing with a local band called the Rockets, which featured guitarist Danny Whitten, bassist Billy Talbot, and drummer Ralph Molina. Young renamed the group Crazy Horse and had them support him on his second album, Everybody Knows This Is Nowhere, which was recorded in just two weeks. Featuring such Young staples as "Cinnamon Girl" and "Down by the River," the album went gold. Following the completion of the record, he began jamming with Crosby, Stills & Nash, eventually joining the group for their spring 1970 album, Dj Vu. Although he was now part of Crosby, Stills, Nash & Young, Young continued to record as a solo artist, releasing After the Gold Rush in August, 1970. After the Gold Rush, with its accompanying single "Only Love Can Break Your Heart," established Young as a solo star, and fame only increased through his association with CSNY.

    Although Crosby, Stills, Nash & Young were a very successful act, they were also volatile, and they had split by the spring 1971 release of the live Four Way Street. The following year, Young had his first number one album with the mellow country-rock of Harvest, which also featured his first (and only) number one single, "Heart of Gold." Instead of embracing his success, he spurned it, following it with the noisy, bleak live film Journey Through the Past. Both the movie and its soundtrack received terrible reviews, as did the live Time Fades Away, an album recorded with the Stray Gators that was released in 1973.

    Both Journey Through the Past and Time Fades Away signaled that Young was entering a dark period in his life, but they only scratched the surface of his anguish. Inspired by the overdose deaths of Danny Whitten in 1972 and his roadie Bruce Berry the following year, Young wrote and recorded the bleak, druggy Tonight's the Night late in 1973, but declined to release it at the time. Instead, he released On the Beach, which was nearly as harrowing, in 1974; Tonight's the Night finally appeared in the spring of 1975. By the time of its release, Young had recovered, as indicated by the record's hard-rocking follow-up, Zuma, an album recorded with Crazy Horse and released later that year.

    Young's focus began to wander in 1976, as he recorded the duet album Long May You Run with Stephen Stills and then abandoned his partner midway through the supporting tour. The following year he recorded the country-rock-oriented American Stars 'n Bars, which featured vocals by Nicolette Larson, who was also prominent on 1978's Comes a Time. Prior to the release of Comes a Time, Young scrapped the country-rock album Homegrown and assembled the triple-album retrospective Decade. At the end of 1978, he embarked on an arena tour called Rust Never Sleeps, which was designed as a showcase for new songs. Half of the concert featured Young solo, the other half featured him with Crazy Horse. That was the pattern that Rust Never Sleeps, released in the summer of 1979, followed. The record was hailed as a comeback, proving that Young was one of the few rock veterans who attacked punk rock head-on. That fall he released the double album Live Rust and the live movie Rust Never Sleeps.

    Rust Never Sleeps restored Young to his past glory, but he perversely decided to trash his goodwill in 1980 with Hawks & Doves, a collection of acoustic songs that bore the influence of conservative, right-wing politics. In 1981, Young released the heavy rock album Re*ac*tor, which received poor reviews. Following its release, he left Reprise for the fledgling Geffen Records, where he was promised lots of money and artistic freedom. Young decided to push his Geffen contract to the limit, releasing the electronic Trans in January 1983, where his voice was recorded through a computerized vocoder. The album and its accompanying technology-dependent tour were received with bewildered, negative reviews. The rockabilly of Everybody's Rockin' (1983) was equally scorned, and Young soon settled into a cult audience for the mid-'80s.

    Over the course of the mid-'80s, Young released three albums that were all stylistic exercises. In 1985, he released the straight country Old Ways, which was followed by the new wave-tinged Landing on Water the following year. He returned to Crazy Horse for 1987's Life, but by that time, he and Geffen had grown sick of each other, and he returned to Reprise in 1988. His first album for Reprise was the bluesy, horn-driven This Note's for You, which was supported by an acclaimed video that satirized rock stars endorsing commercial products. At the end of the year, he recorded a reunion album with Crosby, Stills & Nash called American Dream, which was greeted with savagely negative reviews.

    American Dream didn't prepare any observer for the critical and commercial success of 1989's Freedom, which found Young following the half-acoustic/half-electric blueprint of Rust Never Sleeps to fine results. Around the time of its release, Young became a hip name to drop in indie rock circles, and he was the subject of a tribute record titled The Bridge in 1989. The following year, Young reunited with Crazy Horse for Ragged Glory, a loud, feedback-drenched album that received his strongest reviews since the '70s. For the supporting tour, Young hired the avant rock band Sonic Youth as his opening group, providing them with needed exposure while earning him hip credibility within alternative rock scenes. On the advice of Sonic Youth, Young added the noise collage EP Arc as a bonus to his 1991 live album, Weld.

    Weld and the Sonic Youth tour helped position Neil Young as an alternative and grunge rock forefather, but he decided to abandon loud music for its 1992 follow-up, Harvest Moon. An explicit sequel to his 1972 breakthrough, Harvest Moon became Young's biggest hit in years, and he supported the record with an appearance on MTV Unplugged, which was released the following year as an album. Also in 1993, Geffen released the rarities collection Lucky Thirteen. The following year, he released Sleeps with Angels, which was hailed as a masterpiece in some quarters. Following its release, Young began jamming with Pearl Jam, eventually recording an album with the Seattle band in early 1995. The resulting record, Mirror Ball, was released to positive reviews in the summer of 1995, but it wasn't the commercial blockbuster it was expected to be; due to legal reasons, Pearl Jam's name was not allowed to be featured on the cover.

    In the summer of 1996, he reunited with Crazy Horse for Broken Arrow and supported it with a brief tour. That tour was documented in Jim Jarmusch's 1997 film The Year of the Horse, which was accompanied by a double-disc live album. In 1999, Young reunited with Crosby, Stills & Nash for the first time in a decade, supporting their Looking Forward LP with the supergroup's first tour in a quarter century. A new solo effort, Silver & Gold, followed in the spring of 2000. In recognition of his 2000 summer tour, Young released the live album Road Rock, Vol. 1 the following fall, showcasing a two-night account of Young's performance at the Red Rocks Amphitheater in Morrison, CO, in September 2000. A DVD version titled Red Rocks Live was issued that December, including 12 tracks initially unavailable on Road Rock, Vol. 1. His next studio project was his most ambitious yet, a concept album about small-town life titled Greendale that he also mounted as a live dramatic tour and indie film.

    In early 2005, Young was diagnosed with a potentially deadly brain aneurysm. Undergoing treatment didn't slow him down, however, as he continued to write and record his next project. The acoustically based Prairie Wind appeared in the fall, with the concert film Heart of Gold, based around the album and directed by Jonathan Demme, released in 2006. That year also saw the release of the controversial CD/DVD Living with War, a collection of protest songs against the war in Iraq that featured titles such as "Let's Impeach the President," "Shock and Awe," and "Lookin' for a Leader." Restless, prolific, and increasingly self-referential, Young issued Chrome Dreams II late in 2007 and the car-themed Fork in the Road in 2009. Later in 2009, Young finally released the first installment in his long-rumored Archives series, Archives, Vol. 1, a massive first volume that combined over ten CD and DVD discs in a single box. As he was prepping Archives, Vol. 2, Young entered the studio with producer Daniel Lanois and recorded Le Noise, which appeared in the fall of 2010.

    Album Review

    The old conventional wisdom on Neil Young used to be that he alternated between acoustic folk and full-on guitar skronk with every other album but 2010s Le Noise the French affection in its title a tongue-in-cheek tip of the beret to his producer Daniel Lanois melds the two extremes. At its core, its a singer/songwriter album, a collection of reflections and ruminations about life and loss in the modern world, war imagery rubbing against battered memories and tattered autobiography, the songs leisurely following their own winding path, but its produced loudly, with Neil supporting himself with only his electric guitar for all but two tracks, where he switches the Les Paul for an acoustic. Hes not in Crazy Horse mode, spitting out chunky garage rock riffs, but strumming his overdriven electric, with Lanois tweaking the results, accentuating the ambience in post-production. To say the least, this results in a distinctive album but it plays differently than it reads, sounding not too dissimilar from the Bush-era laments of Freedom. If Le Noise isnt as galvanizing as Freedom, its because its created on a considerably smaller scale, its eight songs containing no masterpieces and Lanois moody noir production reigning in Youngs messy signature. So, Le Noise winds up as something elusive and intriguing, a minor mood piece that seems to promise more than it actually delivers.

    Track Listing

    1 Walk wth Me Young 4:25
    2 Sign of Love Young 3:57
    3 Someone Gonna Rescue You Young 3:28
    4 Love and War Young 5:36
    5 Angry World Young 4:13
    6 Hitchhiker Young 5:31
    7 Peaceful Valley Boulevard Young 7:09
    8 Rumblin' Young 3:36
    A man only learns in two ways, one by reading, and the other by association with smarter people.
    Will Rogers

  2. #2


    ok, my turn Music Head!

    i like the album a lot, the best song is 'hitchhiker' which is autobiographical account of his leaving Torronto in the mid 1960s through to the love he has for his wife,peggi, and kids, with everything inbetween from drug experimentation,success, failed relationships,fame and love/hate for it.
    the worst song is 'rumblin', bit of a nothing song for me, dont like it, may never like it, it doesnt mean anything to me.
    i think the album sounds 'fresh', a kick in the arse to show these new groups that the old guys can still make loud noise and play.
    then theres 'love and war'...why is the old guys are the only ones who have the balls to speak out against not only war but the effects of war, where are the young singers/groups? do they have no social or pollitical nerve.
    i would have like to see the surviving members of crazy horse thrash it out one more time and this album would have been perfect for them, but neil young being neil young does it his way, on his terms as always.
    i think this album will be highly regarded in time and will rank anongst his best albums, neil young will win few new fans with this album, but does he need them? does he even care? i doubt it

  3. #3

  4. #4
    Grumpy Old Man Music Head's Avatar
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    Aug 2009
    Lancaster, Kentucky, United States


    I listened.
    Are you sittin' down?
    Probably our biggest disagreement yet.
    I do not like this album.
    Neil has his peaks and valleys and he's down in the valley on this one.
    Just not much on the grunge Neil (live Rust excluded) which most of this is.
    My scores are below with Love and War being the only thing bordering on a love rating.
    Rumblin' was the by far the worst.

    1) Walk With Me - 1.5
    2) Sign Of Love - 1.0
    3) Someone's Gonna Rescue You - 1.0
    4) Love And War - 2.5
    5) Angry World - 1.0
    6) Hitchhiker - 2.0
    7) Peaceful Valley Boulevard - 2.0
    8) Rumblin' - 1.0

    Avg Rating - 1.5
    A man only learns in two ways, one by reading, and the other by association with smarter people.
    Will Rogers

  5. #5


    thats cool Music Head, it all comes down to personal preference.
    i like neils more grungy type material so obviously i like the album. 'rumblin' is by far the worst song on the album,possibly one of the worst of his career and 'hitchhiker','love and war' are by far the best tracks, so i agree with you on those three,according to your rating. the only albums of neils i cant stand are 'landing on water' 're-act-tor' 'arc' and 'life', not too keen on his csny albums either.
    i rate the album 1.9 on your scale rating as opposed to your 1.5, so really were not that far apart on rating or tracks(best and worst).
    thanks for the review.

  6. #6


    i'll let you know in a couple of months if i still like 'le noise', as i initially liked it, that is usually a bad sign for me as albums i like a lot initially dont seem to grow on me any further, then i'll be able to judge it against his back catalogue

  7. #7
    Grumpy Old Man Music Head's Avatar
    Join Date
    Aug 2009
    Lancaster, Kentucky, United States


    Funny how that works. Same with me. If I love something right off, it's gonna get old fast.
    Whereas if something grows on you over time, it's best in the long run. I guess the enjoyment lasts longer.

    Sort of the same with life in general.
    Love at first sight will wither on the vine.
    A growing love will do just fine.
    A man only learns in two ways, one by reading, and the other by association with smarter people.
    Will Rogers

  8. #8


    not that anyone here is probably interested in Neil Young like i am, but i just checked the album charts from numerous countries and these are the chart positions for the debut position of 'le noise' so far

    #14 usa
    #18 uk
    #14 ireland
    #13 belgium
    #6 denmark
    and not surprising at all #2 in canada

  9. #9
    Serial Under Achiever Tiggi's Avatar
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    Jan 2008
    United Kingdom


    ^ Snore !!

  10. #10


    Quote Originally Posted by Tiggi View Post
    ^ Snore !!
    well done, you made me laugh,i knew you'd get me back sooner or later Tiggi.......simple yet effective

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