released Sept 14th, 2010

from the album - Stranded

from allmusic


The Walkmen feature three members from Jonathan Fire*Eater and two from the Recoys. When Jonathan Fire*Eater disbanded in 1998, the group took the remainder of their Dreamworks funding and established an uptown rehearsal space in New York City that doubled as a 24-track recording studio where they use a wide variety of vintage equipment. The 900-square-foot Harlem industrial space, dubbed Marcata Studios, was completed in the fall of 1999. (Bands that have recorded at their studio include labelmates the French Kicks and experimental rockers Arto Lindsay and Nação Zumbi.) The Walkmen, some of whom had gigged in the city under the moniker Today Okay, formed in 2000 and consist of Fire Eaters Walter Martin (vocals, organ, etc.), Paul Maroon (guitars), and Matt Barrick (drums) and ex-Recoys Hamilton Leithauser (vocals) and Peter Bauer (bass). Like Jonathan Fire*Eater, the members of the Walkmen grew up together in the Washington, D.C., area and have played in the same bands since the fifth grade. Perhaps the only way the group could be any closer is if they were all related. (Martin and Leithauser are cousins, so the semi-merging of bands is also somewhat of a family reunion.)

The Walkmen make a conscious attempt to evolve away from the raw, fiery garage sounds of their previous bands. They incorporate piano into the new songs as well as take the compositions in new directions by experimenting with instrumentation and recording techniques. The Walkmen are influenced by such diverse bands as the Pogues, Joy Division, Bruce Springsteen, Björk, U2, New Order, the Smiths, and the Cure. Their new music has favorably been compared to Pixies, Brian Eno, and the Velvet Underground with strong hints of U2 and Television. An online advertisement for the Marcata Studios explains that the owners appreciate the sonic recordings on Joy Division's Peel Sessions, Talking Heads' Fear of Music, the Specials' The Specials, and Royal Trux's Singles, among others.

The Walkmen released a self-titled, four-song EP in 1999 through the small Brooklyn label Startime International (Brendan Benson) and completed a vinyl-only release to be made available at concerts. The first Walkmen concert was at Joe's Pub in the East Village in September of 2000, shortly after their EP was released. In 2002, the Walkmen made their proper full-length debut with Everyone Who Pretended to Like Me Is Gone. It was a favorite among indie crowds and the album led the Walkmen to tour the world in support of it. Bows + Arrows, the band's first for Warner Bros.' Record Collection label, appeared two years later. Along with touring and appearing in a cameo on the Fox TV series The O.C., the Walkmen began writing a novel, John's Journey, together. The band returned to the studio in 2005, working with Don Zientera at Arlington, VA's Inner Ear Studio on their third album, A Hundred Miles Off, and at their own Marcata Studio on a song-by-song cover of Harry Nilsson's Pussy Cats, which was the last album recorded in Marcata before the band closed it. A Hundred Miles Off was released in spring 2006, and Pussy Cats arrived that fall. The Walkmen recorded their fourth album in New York's Gigantic Studio and the same Oxford, MS, studio in which they recorded Bows + Arrows, releasing You & Me in 2008 on Gigantic Music. Lisbon, the group's sixth studio album, arrived in 2010 on the Fat Possum/Bella Union label.

Album Review

“Don’t get heavy, let’s be light,” Hamilton Leithauser sings on “Woe Is Me,” and that seems to be the Walkmen's creed on Lisbon. The Walkmen were more than heavy on their previous album, the gorgeously moody You & Me, and it’s hard not to read the more upbeat attitude they have here as a response. This time, they dance on their troubles instead of drowning their sorrows — although the organ on album opener “Juveniles” warms like the first sip of wine. But while the mood is lighter, things are never completely sunny in the Walkmen's world. “Victory” sounds like a winner’s brash cheer, but bears the sting of being second place. “Woe Is Me” turns a pity party into an actual party, making reminiscences about a girl who was “my not so long ago” into one of the band’s most immediately appealing songs in some time, while “Angela Surf City” shoots the curl of a difficult relationship’s tides, ebbing and cresting like Bows + Arrows' “The Rat.” These songs anchor Lisbon's hazier, sadder moments, of which there are plenty: the title track closes the album with a dreamy remembrance that echoes You & Me's brooding travelogue, minus that album’s desolation; “Blue as Your Blood” and “Stranded” provide Lisbon’s broken but ever-romantic heart, filled with transporting stories of black-eyed girls and waltzes among broken glass. Best of all is “While I Shovel the Snow,” which once again proves what a rich muse winter is for the band. When Leithauser sighs “There’s no life like the slow life,” it’s another potent Walkmen motto: Lisbon, like the rest of their music, is meant to be savored, the fullness of its songs allowed to develop over many listens.

Track Listing

1 Juveniles Barrick, Bauer, Leithauser ... 4:27
2 Angela Surf City Barrick, Bauer, Leithauser ... 3:23
3 Follow the Leader Barrick, Bauer, Leithauser ... 2:01
4 Blue as Your Blood Barrick, Bauer, Leithauser ... 4:16
5 Stranded Barrick, Bauer, Leithauser ... 4:27
6 Victory Barrick, Bauer, Leithauser ... 4:06
7 All My Great Designs Barrick, Bauer, Leithauser ... 4:42
8 Woe Is Me Barrick, Bauer, Leithauser ... 3:29
9 Torch Song Barrick, Bauer, Leithauser ... 4:07
10 While I Shovel the Snow Barrick, Bauer, Leithauser ... 4:00
11 Lisbon Barrick, Bauer, Leithauser ... 5:57