released Feb 2nd, 2010
from the album - Marlene
from all music
After the experimental rock outfit Test Icicles disbanded in 2006, Devonte Hynes launched Lightspeed Champion as his own folk-driven indie rock venture. The new project allowed him to focus on his love for melodies, a fondness that began with Hynes' childhood love of Broadway musicals and, years later, helped sweeten Test Icicles' spastic sound. After writing a batch of fresh material, Hynes — who had also grown up listening to country music — flew to Nebraska to collaborate with Saddle Creek's resident producer, Mike Mogis. Backed by an informal band comprised of members of Cursive, Tilly and the Wall, and the Faint, Hynes recorded a number of semi-acoustic songs, several of which were later released on the Galaxy of the Lost and Tell Me What It's Worth single compilations. Lightspeed Champion then spent the latter half of 2007 on tour, first as an opening act for Bright Eyes and then as a headlining band. A U.K. tour was planned for early 2008, as was the release of the group's full-length debut, Falling Off the Lavender Bridge.
album review from music omh
As the memory of his former band Test Icicles becomes ever more distant, Dev Hynes is gearing up for a second stab at solo stardom with his follow up to 2007 album Falling Off The Lavender Bridge.
Where his debut was charming but inconsistent, there is a noticeable difference this time around. Life Is Sweet! Nice To Meet You is remarkably assured and holds together well. The tracklisting is slightly misleading, as four of the tracks are short instrumentals, leaving 11 songs proper.
Things start off well with Dead Head Blues, a gentle track that builds into an epic piece of drama. Then comes recent single Marlene, the album's most dynamic song as strings fly around a crunching bassline like twittering birds taunting a predator. Hynes is being typically playful as he messes about with timings and structure, but it's altogether tighter than his previous material.
And there are more stand-out tracks. There's the rollicking mid-tempo waltz of I Don't Want To Wake Up Alone, the infectious country-lite pop of Sweetheart and the smoky ballad Smooth Day (At The Library) complete with crooning harmonies. He hardly puts a foot wrong.
One obvious change is the absence of Emmy The Great, whose femininity was previously used as a contrast to Hynes. In its place is the masculinity of a male choir that features on a number of tracks. They back Hynes up as he plaintively cries "I miss you" on the gorgeous ukulele-accompanied There's Nothing Underwater, and crop up repeatedly through the album, adding a sense of grandness.
There's less joking around this time too. No song title comes close to Everyone I Know Is Listening To Crunk. Lyrically, he still dwells on his loser status, but it's not as all-consuming as it was previously. The theatrical The Big Guns Of Highsmith offers a nice touch of self-awareness as his whinge of how it hurts to be the one who's always feeling sad is met by a refrain to "oh just stop complaining".
The question is whether something has been lost in his transformation. There was an intoxicating appeal about the higgledy-pigglediness of his debut. Sometimes it felt like he was making lyrics up on the spot as he rambled on to an uneven meter.
But what comes through now is the strength of the songwriting, and his willingness to try out new things. While everything about this album indicates that Hynes has done a lot of growing up, there is still a sense of fun as well. If his audience can mature with him, there's a huge amount to enjoy here, and his even keel is to be welcomed. Sweet indeed.
1. "Dead Head Blues" 4:07
2. "Marlene" 3:50
3. "There's Nothing Underwater" 4:44
4. "Intermission" 1:23
5. "Faculty of Fears" 5:14
6. "The Big Guns of Highsmith" 4:26
7. "Romart" 3:30
8. "I Don’t Want to Wake Up Alone" 2:29
9. "Madame van Damme" 3:13
10. "Smooth Day (at the Library)" 3:46
11. "Intermission 2" 0:38
12. "Sweetheart" 4:38
13. "Etude Op.3 ‘Goodnight Michalek’" 1:49
14. "Middle of the Dark" 4:15
15. "A Bridge and a Goodbye" 1:47