released Dec 8th
from the album - Summerzcool
YouTube - Jimmy Buffett - Summerzcool
Jimmy Buffett translated his easygoing Gulf Coast persona into more than just a successful recording career — he expanded into clothing, nightclubs, and literature — but the basis of the business empire that kept him on the Fortune magazine list of highest-earning entertainers was his music. Born in southern Mississippi and raised in Alabama, Buffett moved to Nashville to try to make it in country music in the late '60s. After signing to the Barnaby label, he released one album, 1970's Down to Earth, from which the socially conscious single "The Christian?" suggested he might be more at home protesting in Greenwich Village. (Barnaby "lost" his second album, High Cumberland Jubilee, though they would find it and release it after he became successful.) Instead, the songwriter moved to Key West, FL, where he gradually evolved into the beach-bum character and developed the tropical folk-rock style that would endear him to millions.
Signing to ABC-Dunhill Record (later absorbed by MCA), Buffett achieved notoriety but not much else with his second (released) album, White Sport Coat and a Pink Crustacean (1973), which featured a song called "Why Don't We Get Drunk" ("...and screw?" goes the chorus). Buffett revealed a more thoughtful side on Living and Dying in 3/4 Time (1974), with its song of marital separation "Come Monday," his first singles-chart entry. But it took the Top Ten song "Margaritaville" and the album in which it was featured, 1977's Changes in Latitudes, Changes in Attitudes, to capture Buffett's tropical world view and, for a while, turn him into a pop star.
By the start of the '80s, Buffett's yearly albums had stopped going gold, and he briefly tried the country market again. But by the middle of the decade, it was his yearly summer tours that were filling his bank account, as a steadily growing core of Sun Belt fans he dubbed "Parrotheads" made his concerts into Mardi Gras-like affairs. Buffett launched his Margaritaville line of clothes and opened the first of his Margaritaville clubs in Key West. He also turned to fiction writing, landing on the book bestseller lists.
His recording career, meanwhile, languished, though a hits compilation sold millions; a 1990 live album, Feeding Frenzy, went gold; and a 1992 box-set retrospective, Boats, Beaches, Bars, and Ballads, became one of the best-selling box sets ever. Buffett finally got around to making a new album in 1994, when Fruitcakes became one of his fastest-selling records. It was followed in 1995 by Barometer Soup and Banana Wind in 1996. The following year, Buffett began working on a musical adaptation of Herman Wouk's novel Don't Stop the Carnival with the author himself. After Broadway producers expressed little interest, the production ran for six weeks in Miami during 1997. In spring of 1998, Buffett released a collection of songs from the production as he began mulling over the idea of taking the play on the road. In 1999 he released Beach House on the Moon as well as Live: Tuesday/Thursday/Saturday.
During the first few years of the millennium, Buffett's newly launched Mailboat label issued close to a dozen concert recordings, as well as the 2002 studio album Far Side of the World. Two years later, Buffett allowed RCA to distribute his second Mailboat studio album, License to Chill. Live albums recorded in Hawaii and Boston appeared in 2005, followed by an all-new collection of songs called Take the Weather with You in 2006 and two more live sets, Live in Anguilla in 2007 and Feeding Frenzy: Live in 2008. In 2009, Buffett released Buffet Hotel, his first new studio album in years.
Since Jimmy Buffett never leaves his comfort zone, it’s hard to call 2009’s Buffet Hotel a return to roots but, in a way, it is. Discounting the mock rap on “Turn Up the Heat and Chill the Rosé,” this album doesn’t even have the lingering country and reggae flavors that seasoned 2006’s Take the Weather with You, with all of the songs riding a cool, mellow country-rock wave, the kind that has been his stock-in-trade since the ‘70s. There’s a difference between being part of a tradition and being stuck in the past and Buffett is surely in the former, not shying away from the new millennial mess, admitting that we all have “A Lot to Drink About” and never flinching from his advancing years, most movingly on a cover of Bruce Cockburn’s “Life’s Short Call Now.” Cockburn’s song is paired with another expertly chosen cover, Jesse Winchester’s “Rhumba Man” (he covered Winchester’s “Nothin’ But a Breeze” the album before), but this has the highest percentage of original Buffett compositions since 1999’s Beach House on the Moon, which is a good indication that Jimmy is in good form. While a handful are collaborations with his longtime colleague Mac McAnally, many of these are co-written with Will Kimbrough, who helps liven up Buffett and sharpen his pen, resulting in one of Jimmy’s strongest albums in recent memory.
1 Nobody from Nowhere Kimbrough, Womack 5:06
2 Wings Buffett, Kimbrough 3:46
3 Big Top Buffett, Guth 4:30
4 Beautiful Swimmers Buffett 5:21
5 Turn Up the Heat and Chill the Rosé Buffett 3:49
6 Summerzcool Buffett, McAnally 3:15
7 Rhumba Man Winchester 4:10
8 We Learned to Be Cool from You Buffett 5:54
9 Surfing in a Hurricane Buffett, Kimbrough 4:25
10 Life Short Call Now Cockburn 4:08
11 Buffet Hotel Buffett, Flanagan, McAnally 5:59
12 A Lot to Drink About Buffett, Kimbrough, McAnally 3:28