new album released Oct 6th
from the album - Long Black Veil
YouTube - Roseanne Cash - "Long Black Veil" on Letterman 10/7 (TheAudioPerv.com)
The history of popular music is littered with the careers of the children of famous artists, performers who manage to carve out some small measure of success based far less on talent than on the recognition that their famous names afford them. Perhaps no greater exception to this trend was Rosanne Cash, the daughter of Johnny Cash, whose idiosyncratic and innovative music made her one of the pre-eminent singer/songwriters of her day.
Born May 24, 1955, to her father and his first wife, Vivian Liberto, Rosanne was raised by her mother in Southern California after her parents separated in the early '60s. She was largely uninfluenced by her father's music until she joined his road show following her graduation from high school; over a three-year period, she was promoted from handling the tour's laundry duties to performing, first as a backup singer and then as an infrequent soloist. Still, Cash remained unsure of choosing a career in music, and took some acting classes; not wishing to succeed solely on the basis of her family's influence, she also worked as a secretary in London and traveled extensively abroad.
After releasing an eponymously titled solo record — later disavowed — in Germany in 1978, Cash signed with Columbia Records, and began performing with Texas singer/songwriter Rodney Crowell, who produced three songs for her American debut, 1979's Right or Wrong. The record featured three Top 25 hits, including "No Memories Hangin' Round," a duet with Bobby Bare. The same year, she and Crowell also married. Cash issued her commercial breakthrough Seven Year Ache in 1981; not only did the album yield three number one singles, the title track even crossed over into the Top 30 on Billboard's pop chart. However, the follow-up, 1982's Somewhere in the Stars, was a rush job, recorded during Cash's pregnancy. While failing to repeat Seven Year Ache's success, it did produce two more Top Ten singles, "Ain't No Money" and "I Wonder."
After a three-year hiatus, Cash returned with her most significant artistic statement yet in Rhythm & Romance, a deft fusion of country and pop that won wide acclaim from both camps. The record earned her two more number ones, "I Don't Know Why You Don't Want Me" (co-written with Crowell) and a cover of Tom Petty's "Never Be You." In 1987, she issued King's Record Shop, a meditation on country music traditions which generated four successive number one hits in John Hiatt's "The Way We Make a Broken Heart," "Tennessee Flat Top Box" (a hit for her father in 1961), "If You Change Your Mind," and John Stewart's "Runaway Train." Also hitting number one was "It's Such a Small World," a duet with Crowell from his Diamonds & Dirt LP; not surprisingly, she was named Billboard's Top Singles Artist in 1988.
The next year, Cash assembled the retrospective Hits 1979-1989; one of the record's few new songs, a cover of the Beatles' "I Don't Want to Spoil the Party," pushed the consecutive number ones streak to five. By 1990, her marriage to Crowell was beginning to dissolve; Interiors, an essay on the couple's relationship, was released the following year, and while the record was the subject of great critical acclaim, it was a commercial failure that generated only one Top 40 hit, "What We Really Want." In 1991, Cash and Crowell divorced; The Wheel, released in 1993, was an unflinchingly confessional examination of the marriage's failure that ranked as her most musically diverse effort to date.
After a three-year hiatus, Cash returned with a vengeance in 1996; not only did she publish her first book, a short-story collection titled Bodies of Water, but she also issued her first release on Capitol Records, 10 Song Demo, an 11-cut collection of stark home recordings released with minimal studio gloss. In 2003, Cash returned with Rules of Travel, an album five years in the making and her first full-fledged studio release since The Wheel. Sony reissued Interiors, King's Record Shop, and Seven Year Ache in 2005, as well as a the greatest-hits collection Blue Moons and Broken Hearts: The Anthology 1979-1995. Cash returned to the studio that same year, releasing Black Cadillac in January of 2006. The List, which appeared in 2009, featured songs from a personal list her father gave her when she turned 18 of what he considered the 100 most essential American songs, and the result was both a personal and a testimonial statement.
After the dark and chilling themes of 2006's Black Cadillac, which saw Rosanne Cash dealing with the deaths of her mother, Vivian Liberto, her father, Johnny Cash, and her stepmother, June Carter Cash — all of whom passed within a two-year span — one might assume that her next project would move into an even deeper level of bleakness, but with The List, it's immediately clear that she has instead found a more measured place to stand, and it's a lovely and redemptive outing that looks back to go forward. When Cash turned 18, her father, alarmed that his daughter only knew the songs that were getting played on the radio, gave her a list of what he considered 100 essential American songs; Cash kept that list, and now she's drawn on it for this wonderfully nuanced outing that brims with a kind of redemptive timelessness. The List is a renewal and a testament to life, and it belongs to her father as much as it belongs to her, a beautiful restatement of her father's passions, only now, they've become his daughter's treasures, as well. It's an affirming story, but that's all it would be if Cash didn't sing her heart out here. And she does sing her heart out. The opener, a version of Jimmie Rodgers' "Miss the Mississippi and You," is full of comfortable grace and sentiment, and Cash keeps that fine emotional tone throughout this set. Songs like the folk classic "500 Miles" feel at once both lovingly rendered and reborn for a new century in Cash's hands, and she doesn't update them so much as find redemption and solace in them, which in turn gives these songs a bright relevance, and because of the connection to her father and the list he gave to her, it also feels like a deep personal statement. There's so much to take comfort in here, including her fine rendering of Bob Dylan's "Girl from the North Country," a nice turn at Harlan Howard's "Heartaches by the Number" (which features Elvis Costello), a calm but still spooky duet with Jeff Tweedy on the faux-murder ballad "Long Black Veil," and a duet with Bruce Springsteen on Hal David and Paul Hampton's "Sea of Heartbreak." Cash sings with a calm, measured authority, and all these the songs fit together with the same sort of refreshing resignation and care. Contemporary country radio probably won't touch anything here, since country these days seems to be more about name-checking than any actual preservation, but Cash is after something else again — it's about connecting with the past and carrying it forward as an act of personal faith. It has nothing to do with hats or belt buckles.
1 Miss the Mississippi and You Heagney 03:12
2 Motherless Children 03:06
3 Sea of Heartbreak David, Hampton 03:06
4 Take These Chains from My Heart Heath, Rose 03:32
5 I'm Movin' On Snow 03:45
6 Heartaches by the Number Howard 03:21
7 500 Miles West 03:04
8 Long Black Veil Dill, Wilkin 03:10
9 She's Got You Cochran 03:07
10 Girl from the North Country Dylan 03:32
11 Silver Wings Haggard 03:45
12 Bury Me Under the Weeping Willow Carter 03:33