enters the Billboard chart this week at #2

Spotify online listen
3.5 of 5.0 from allmusic

10th album
Bob Seger with more down home lyrics
but then it is Kid Rock, last track FOAD
means **** Off And Die
only liked a few of these
no rap, a very small dose of country

artist website - http://www.kidrock.com/?frontpage=true

Bio - from allmusic

One of the unlikeliest success stories in rock at the turn of the millennium, Detroit rap-rocker Kid Rock shot to superstardom with his fourth full-length album, 1998's Devil
Without a Cause. What made it so shocking was that Rock had recorded his first demo a full decade before, been booted off major label Jive following his Beastie
Boys-ish 1990 debut, Grits Sandwiches for Breakfast, and toiled for most of the decade in obscurity, releasing albums to a small, devoted, mostly local fan base while
earning his fair share of ridicule around his home state. Nevertheless, Rock persevered, and by the time rap-metal had begun to attract a substantial audience, he had
perfected the outlandish, over the top white-trash persona that gave Devil Without a Cause such a distinctive personality and made it such an infectious party record.

Bob "Kid Rock" Ritchie (born Robert James Ritchie, January 17, 1971) grew up in Romeo, Michigan, a small rural town north of the Detroit metro area. Finding small-
town life stiflingly dull, Ritchie immersed himself in rap music, learned to breakdance, and began making the talent-show rounds in Detroit. Inspired by the Beastie Boys'
Licensed to Ill -- white performers fusing rap and hard guitar rock -- Kid Rock recorded his first demos in 1988, and eventually scored an opening slot at a Boogie Down
Productions gig. That performance, in turn, led to a contract with Jive Records, which issued Kid Rock's debut album, Grits Sandwiches for Breakfast, in 1990.
Produced by Kid Rock, Too Short, and D-Nice, the album was heavily derivative of Licensed to Ill. Rock briefly became notorious when a New York college radio station
aired the album's profanity-laced ode to oral sex, "Yodelin' in the Valley," and was fined over $20,000 (a judgment later rescinded). However, despite a tour with Too
Short and Ice Cube, Jive didn't see much of a future for Kid Rock and dropped him from their roster.

Moving to Brooklyn, Rock hooked up with the small Continuum label, and moved his brand of rap further into hard rock with The Polyfuze Method, released in 1993.
Reviews were mixed, with some critics praising the record's humor and eclecticism while others dismissed it as awkward and forced. The EP Fire It Up followed in
1994, appearing on Rock's own Top Dog imprint (which was still distributed by Continuum). Rock eventually returned to the Detroit area and began work on another
album; recorded on a shoestring budget: Early Mornin' Stoned Pimp was released in 1996. Although sometimes forced to sell bootleg dubs of his own records to pay
the rent, Rock set about forming a full-fledged backing band, which he dubbed Twisted Brown Trucker. While its membership fluctuated early on, rapper Joe C. (born
Joseph Calleja) was one of the first to join; a longtime fan and frequent concert attendee, Calleja caught Rock's eye in 1994, partly because of his diminutive stature
(due to a digestive condition known as celiac disease, which required both dialysis and extensive medication) and partly because of his encyclopedic knowledge of
Rock's song lyrics. The rest of the lineup settled around mostly Detroit-area musicians: guitarists Kenny Olson and Jason Krause, keyboardist Jimmy Bones (born
Jimmy Trombly, he handles the basslines himself), drummer Stefanie Eulinberg, DJ/turntablist Uncle Kracker (born Matt Shafer, who had been with Rock since the early
'90s), and backing vocalists Misty Love and Shirley Hayden.

As rap-metal acts like Korn, Limp Bizkit, and Rage Against the Machine began to dominate the hard rock landscape, Atlantic Records decided to take a chance on
signing Rock. Devil Without a Cause didn't do much upon its initial release in August 1998, but a big promotional push from the label and MTV helped make the album's
second single and video, "Bawitdaba," a nationwide smash. The follow-up, "Cowboy," achieved similar success, and suddenly, after a decade of trying, Kid Rock was a
superstar with a Top Five, seven-times-platinum album and a gig at Woodstock 1999. While pondering how to follow up Devil, Rock acquired the rights to his indie label
recordings and remixed or re-recorded the best material for The History of Rock, which was released in the summer of 2000 and featured some new songs as well.
Sadly, after being forced to take a break from touring a year earlier by his medical difficulties, Joe C. passed away in his sleep on November 16, 2000.

Even with a tragedy like this in his life, Rock continued work on his follow-up to Devil Without a Cause. The media focused more on his relationship with actress Pamela
Anderson than his musical career, which many magazines were beginning to ridicule. His DJ, Uncle Kracker, had a successful solo career during the spring and summer
of 2001, leaving Rock without one of his most frequent collaborators. Still, by the winter of that year he had completed work on Cocky and had released "Forever" to
success on rock radio. In fall 2003, Kid Rock returned with a self-titled effort. A cover of Bad Company's "Feel Like Makin' Love" marked the first single. The cover art to
his 2006 live album, Live Trucker, paid tribute to Bob Seger's Live Bullet. Just a year later, the studio record Rock N Roll Jesus came out, landing at number one and
selling 172,000 copies in its first week. Born Free, produced by Rick Rubin and featuring guest appearances by Martina McBride, Trace Adkins, Zac Brown, Sheryl
Crow, Bob Seger, James Hetfield, and T.I., arrived in 2010. Born Free debuted at number five on the Billboard charts but it didn't generate any hit singles; the title track
peaked at 31 on the Rock Songs chart and "Collide," featuring Crow and Seger, didn't fare much better on the Country and Adult Contemporary charts. Rock toured in
2011, then set about recording his next album, Rebel Soul, which appeared late in 2012. Entering the Billboard charts at number five, Rebel Soul eventually went gold
but spawned no big hits. In 2013, Rock inaugurated his "Best Night Ever" tour, where he capped all ticket prices at $20.00. He moved over to Warner Records in 2014
and started work on his next album, the self-produced First Kiss, which saw release in February 2015.

Album Review - from allmusic

Kid Rock gives away the game in his album titles, making it plain on 2015's First Kiss that he's taking a sepia-tinted look back at his past, thinking back fondly to lost
love and old tunes. In short, he's tapping into the nostalgia that coursed through his last big hit, 2008's "All Summer Long," and turning it into a full album. Generally, this
means leaning hard on his longstanding Bob Seger infatuation and ratcheting up the country inclinations that turned a little too stuffy on the Rick Rubin-produced Born
Free. First Kiss is looser than that 2010 affair and, lacking such monuments to tackiness as "Cucci Galore," it's not as raunchy as 2012's Rebel Soul but, bless his heart,
Kid hasn't gotten tasteful. When he sings about "Johnny Cash," he's envisioning himself as the Man in Black to his paramour's June Carter, he still snarls out the F-word
with a smirk and has the best time singing blues songs about booze. Regrettably, his tackiness ripens into mawkishness whenever the tempo slows, which it does on
the back half of the record. As long as he sticks to a bit of a Southern-fried soul groove, as he does on "Best of Me," he still works up a pulse, but the seemingly
blasphemous backporch pair of "Jesus and Bocephus" and "FOAD" don't make nearly as deep an impression as "Drinking Beer with Dad," a heartfelt ode to tradition
from the former rebel. Earlier on the album, Kid Rock admits "we can't fight this getting older" and that weary yet warm acceptance of his middle age is why First Kiss
works: it's a bit bumpy and sometimes sleepy but it finds old Bob Ritchie settling into his comfort zone, knowing that he's in it for the long haul. [There are two versions of
the ten-track CD: the tenth track on one is a "clean" one with "Say Goodbye"; the tenth track on the other is the profanity-laced "FOAD."]

this is my fav:

Track Listing

1. First Kiss
2. Good Times, Cheap Wine
3. Johnny Cash
4. Ain't Enough Whiskey
5. Drinking Beer with Dad
6. Good Time Lookin' for Me
7. Best of Me
8. One More Song
9. Jesus and Bocephus
10. FOAD