But if it's the reclusive life that Burial seeks, he might just be his own worst enemy, because his new album,
Untrue, bests Burial's fans' wildest hopes for the followup.
Burial was a worthy, sometimes thrilling record-- an impressive debut-- but it sometimes lost focus, particularly when it attempted to carve out something closer to "proper," clubwise dubstep. But
Untrue maintains the style and the vibe of the first album and yet does it better. It's a deeper album-- richer, more complex, more enveloping. The irony is that almost nothing has changed. Burial still makes his beats (at least, so he claims) with relatively lo-fi audio editing software, eschewing the comfort of sequencers and MIDI clocks. His string sounds, which on
Burial let many a critic to call his music "cinematic," sound as unabashedly canned as they did last time, and his manipulated vocals-- warped, time-stretched, pitch-corrected-- are just as unabashedly emotive.
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